Imitation as Resistance also offers American perspectives on the individual reputations of a number of British writers and their specific works, often down to the particular lines in plays and poems. The reader whose interest is limited, for example, to the singular reputation of a Dickens novel or a Byron poem may find the book functional for its broad bibliographical qualities. For cultural studies students, Americanists, and others, the book will demonstrate the complexity of cultural appropriation and the patterns of nineteenth-century American resistance and harmonization.

This selection features the works of William Crafts, a writer known for his poetry and essays. The pieces in this collection cover a range of topics including love, nature, and religion. Along with the works themselves, readers will also find a memoir of Crafts's life, providing insight into the mind of this talented author. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

In this magisterial history of intellectual life, Michael O'Brien analyzes the lives and works of antebellum Southern thinkers and reintegrates the South into the larger tradition of American and European intellectual history. O'Brien finds that the evolution of Southern intellectual life paralleled and modified developments across the Atlantic by moving from a late Enlightenment sensibility to Romanticism and, lastly, to an early form of realism. Volume 1 describes the social underpinnings of the Southern intellect by examining patterns of travel and migration; the formation of ideas on race, gender, ethnicity, locality, and class; and the structures of discourse, expressed in manuscripts and print culture. In Volume 2, O'Brien looks at the genres that became characteristic of Southern thought. Throughout, he pays careful attention to the many individuals who fashioned the Southern mind, including John C. Calhoun, Louisa McCord, James Henley Thornwell, and George Fitzhugh. Placing the South in the larger tradition of American and European intellectual history while recovering the contributions of numerous influential thinkers and writers, O'Brien's masterwork demonstrates the sophistication and complexity of Southern intellectual life before 1860.

Moonlight, Magnolias, and Madness is a social history of the perceptions and treatment of the mentally ill in South Carolina over two centuries. Examining insanity in both an institutional and a community context, Peter McCandless shows how policies and attitudes changed dramatically from the colonial era to the early twentieth century. He also sheds new light on the ways sectionalism and race affected the plight of the insane in a state whose fortunes worsened markedly after the Civil War. Antebellum asylum reformers in the state were inspired by many of the same ideals as their northern counterparts, such as therapeutic optimism and moral treatment. But McCandless shows that treatment ideologies in South Carolina, which had a majority black population, were complicated by the issue of race, and that blacks received markedly inferior care. By re-creating the different experiences of the insane--black and white, inside the asylum and within the community--McCandless highlights the importance of regional variation in the treatment of mental illness.

"A bibliography of poetry composed in what is now the United States of America and printed in the form of books or pamphlets before 1821"--Provided by publisher.