A poignant and dazzling celebration of the magical city of Granada, where Lorca grew up, to which he returned -frequently in his life and in his imagination, and where he would die.

Hailed as early Christian texts as important as the Dead Sea Scrolls, yet condemned by the Vatican as Islamic heresies, the Lead books of Granada, written on discs of lead and unearthed on a Granadan hillside, weave a mysterious tale of duplicity and daring set in the religious crucible of sixteenth-century Spain. This book evaluates the cultural status and importance of these polyvalent, ambiguous artefacts which embody many of the dualities and paradoxes inherent in the racial and religious dilemmas of Early Modern Spain. Using the words of key individuals, and set against the background of conflict between Spanish Christians and Moriscos in the late fifteen-hundreds, The Lead Books of Granada tells a story of resilient resistance and creative ingenuity in the face of impossibly powerful negative forces, a resistance embodied by a small group of courageous, idealistic men who lived a double life in Granada just before the expulsion of the Moriscos.

Spain's southern city of Seville basks in romantic myths and legends, evoking the scent of jasmine and orange blossom. But there is an ascetic core to its sybaritic spirit. For all their fame as passionate performers, the poet Unamuno called Sevillanos "finos y frios"-refined and cool. Once Europe's most cosmopolitan metropolis, bridging cultures of East and West and hub of a sea-borne empire, Seville was defined by Spain's great seventeenth-century playwright Lope de Vega as "port and gateway to the Indies". The city retains both the swagger of its seafaring heyday, and the sensual flavor of Moorish al-Andalus. Seville produced Spain's lowest ruffians, grandest grandees and a seductive gypsy culture that colors our wider perception of Spain. Elizabeth Nash explores the palaces, the mosques, the patios, fountains and wrought-iron balconies of Seville, Córdoba and Granada, cities celebrated for centuries by Europe's finest painters, poets, satirists and travel writers for their voluptuous beauty and vibrant cultural mix.

Between 1920 and 1934, Gerald Brenan lived in the remote Spanish village of Yegen and South of Granada depicts his time there, vividly evoking the essence of his rural surroundings and the Spanish way of life before the Civil War. Here he portrays the landscapes, festivals and folk-lore of the Sierra Nevada, the rivalries, romances and courtship rituals, village customs, superstitions and characters. Fascinating details emerge, from cheap brothels to archaeological remains, along with visits from Brenan’s friends from the Bloomsbury group – Lytton Strachey and Virginia Woolf among them. Knowledgeable, elegant and sympathetic, this is a rich account of Spain’s vanished past.

Granada is a deceptive city, concealing a layered past and a complex character. The last Muslim capital in Western Europe, over the centuries it has captured hearts and imaginations, inspiring countless myths and legends. Yet its history reveals even more fascinating tales: secrets and follies, victory and failure, poetry and art. City of Illusions brings together Granada's many stories--the archaeological forger, the renegade French general, the garrotted liberal heroine, the Jewish poet who served two Muslim rulers. This colourful cast of characters takes us from the founding eleventh-century dynasty and the building of the Alhambra, through the Reconquista, French occupation and Spanish Civil War, right up to the present day. Granada's history has long been fought over, rewritten, idealised or buried. This rich, elegant book sets the record straight on a beautiful, elusive city, with all its quirks, mysteries, intrigues and triumphs.

Creating Christian Granada provides a richly detailed examination of a critical and transitional episode in Spain's march to global empire. The city of Granada-Islam's final bastion on the Iberian peninsula-surrendered to the control of Spain's "Catholic Monarchs" Isabella and Ferdinand on January 2, 1492. Over the following century, Spanish state and Church officials, along with tens of thousands of Christian immigrant settlers, transformed the formerly Muslim city into a Christian one. With constant attention to situating the Granada case in the broader comparative contexts of the medieval reconquista tradition on the one hand and sixteenth-century Spanish imperialism in the Americas on the other, Coleman carefully charts the changes in the conquered city's social, political, religious, and physical landscapes. In the process, he sheds light on the local factors contributing to the emergence of tensions between the conquerors and Granada's formerly Muslim, "native" morisco community in the decades leading up to the crown-mandated expulsion of most of the city's moriscos in 1569-1570. Despite the failure to assimilate the moriscos, Granada's status as a frontier Christian community under construction fostered among much of the immigrant community innovative religious reform ideas and programs that shaped in direct ways a variety of church-wide reform movements in the era of the ecumenical Council of Trent (1545-1563). Coleman concludes that the process by which reforms of largely Granadan origin contributed significantly to transformations in the Church as a whole forces a reconsideration of traditional "top-down" conceptions of sixteenth-century Catholic reform.