Hours before the opening of her career counseling practice, Gilda Greco discovers the body of golden girl, Carrie Ann Godfrey, neatly arranged in the dumpster outside Gilda’s office. Gilda’s life and budding career are stalled as Detective Carlo Fantin, her former high school crush, conducts the investigation. When three more dead blondes turn up, all brutally strangled and deposited near Gilda’s favorite haunts, she is pegged as a prime suspect for the murders. Frustrated by Carlo’s chilly detective persona and the mean girl antics of Carrie Ann’s meddling relatives, Gilda decides to launch her own investigation. She discovers a gaggle of suspects, among them a yoga instructor in need of anger management training, a lecherous photographer, and fourteen ex-boyfriends. As the puzzle pieces fall into place, shocking revelations emerge, forcing Gilda to confront the envy and deceit she has long overlooked.

Teenage socialite Margo Manning leads a dangerous double life. By day, she dodges the paparazzi while soaking up California sunshine. By night, however, she dodges security cameras and armed guards, pulling off high-stakes cat burglaries with a team of flamboyant young men. In and out of disguise, she’s in all the headlines. But then Margo’s personal life takes a sudden, dark turn, and a job to end all jobs lands her crew in deadly peril. Overnight, everything she’s ever counted on is put at risk. Backs against the wall, the resourceful thieves must draw on their special skills to survive. But can one rebel heiress and four kickboxing drag queens withstand the slings and arrows of truly outrageous fortune? Or will a mounting sea of troubles end them—for good?

Everything You Need to Know to Become a Film-Industry Insider Have you ever wondered what the difference is between a gaffer and a grip? Or what makes the best boy so great? In Strike the Baby and Kill the Blonde,* Dave Knox, a top camera operator and longtime veteran of the film industry, gives you the inside story on the lingo and slang heard on the set. This is an A-to-Z guide to making a movie: the equipment, the crew, and the sometimes hilarious terminology—everything you need to know to sound like a seasoned pro. * Remove the small spotlight from the set and switch off the two-kilowatt quartz light.

'Fascinating ...Pitman skillfully navigates the complicated history of our addiction to fair hair, skipping through the centuries with an elegant touch' Independent 'Riveting ... provocative ... ON BLONDES is ultimately a study of power-and powerlessness-between the sexes ... travelling undercover, this brunette produced a book which, like its subject, is wonderfully enlightening' Telegraph In art and literature, in history and popular culture, blonde has never been a mere colour. For 2,500 years, it has been a blazing signal and around this obsession entire industries have developed, influential trends set. From Greek prostitutes mimicking the golden-haired Aphrodite, to the Californian beach babe; from pigeon-dung and saffron dyes to L'Oreal - because you're worth it - we see the lengths to which women will go to become blonde. The power and duality of the blonde as either erotic symbol or saintly virgin waxes and wanes but never disappears. Weaving a story rich in anecdote, history and high intrigue, Joanna Pitman effortlessly combines the wealth of her knowledge with a sharp and clear-sighted view of the power of the blonde throughout the ages.

Kirkus Reviews Best Book of the Year This “witty, engaging analysis” of female monsters in pop culture offers “provocative and incisive” commentary on society’s fear of female rage and power (Soraya Chemaly, author of Rage Becomes Her) Women have always been seen as monsters. Men from Aristotle to Freud have insisted that women are freakish creatures, capable of immense destruction. Maybe they are. And maybe that’s a good thing. Sady Doyle, hailed as “smart, funny and fearless” by the Boston Globe, takes readers on a tour of the female dark side, from the biblical Lilith to Dracula’s Lucy Westenra, from the T-Rex in Jurassic Park to the teen witches of The Craft. She illuminates the women who have shaped our nightmares: Serial killer Ed Gein’s “domineering” mother Augusta; exorcism casualty Anneliese Michel, who starved herself to death to quell her demons; author Mary Shelley, who dreamed her dead child back to life. These monsters embody patriarchal fear of women, and illustrate the violence with which men enforce traditionally feminine roles. They also speak to the primal threat of a woman who takes back her power. In a dark and dangerous world, Dead Blondes and Bad Mothers asks women to look to monsters for the ferocity we all need to survive. “Some people take a scalpel to the heart of media culture; Sady Doyle brings a bone saw, a melon baller, and a machete.” —Andi Zeisler, author of We Were Feminists Once

From the bestselling author of The Lincoln Lawyer and The Gods of Guilt. When LAPD detective Harry Bosch shot and killed Norman Church - the 'Dollmaker' - the police were convinced it marked the end of the search for one of the city's most bizarre serial killers. But four years later, Norman Church's widow is taking Bosch to court, accusing him of killing the wrong man. To make matters worse, Bosch has just received a note, eerily reminiscent of the ones the Dollmaker used to taunt him with, giving him a location where a body can be found. Is the Dollmaker still alive? Or is this the work of a vicious copycat killer, determined to repeat the Dollmaker's grisly feats and destroy Bosch's career in the process?

Blondes may have more fun, but not at the hands of these mistresses of mystery... They’re beautiful blondes with style, money, and men falling at their feet. But now these perfect women are becoming perfect victims. In Drop-Dead Blonde, four of today’s top mystery authors spin four all-new tales of fair-haired sirens, secrets, and seduction.