Summoned for the sheikh's convenience… The line of succession in Niroli seems dead…until a desert prince makes his claim… Sheikh Kadir: ruler of an Eastern kingdom, but also the last heir to Niroli's throne. Kadir must find himself a queen! Natalia Carini loves Niroli. To her, the new ruler is an invader, and now he's demanding her, as his bride! Yet to be bedded by a barbarian excites her more than she's ever known….

The Royal House of Niroli--always passionate, always proud THE FUTURE KING'S PREGNANT MISTRESS Emily Woodford loves Marco Fierezza, but has no idea he's a royal prince When she discovers the truth, she's devastated to realize that Marco sees her only as his mistress--not marriage material for a future king. But what will this king-in-waiting do when he discovers his mistress is pregnant? A ROYAL BRIDE AT THE SHEIKH'S COMMAND As ruler of an eastern kingdom, Sheikh Kadir lives a life full of every imaginable luxury, with his every word obeyed. But, born after a torrid love affair, he is also heir to the Niroli throne. Now Kadir must leave his desert people and seek welcome from his new subjects...and find himself a queen

Swept from her ordinary world... into the royal bedchamber!

A curious figure stalks the pages of a distinct subset of mass-market romance novels, aptly called “desert romances.” Animalistic yet sensitive, dark and attractive, the desert prince or sheikh emanates manliness and raw, sexual power. In the years since September 11, 2001, the sheikh character has steadily risen in popularity in romance novels, even while depictions of Arab masculinity as backward and violent in nature have dominated the cultural landscape. An Imperialist Love Story contributes to the broader conversation about the legacy of orientalist representations of Arabs in Western popular culture. Combining close readings of novels, discursive analysis of blogs and forums, and interviews with authors, Jarmakani explores popular investments in the war on terror by examining the collisions between fantasy and reality in desert romances. Focusing on issues of security, freedom, and liberal multiculturalism, she foregrounds the role that desire plays in contemporary formations of U.S. imperialism. Drawing on transnational feminist theory and cultural studies, An Imperialist Love Story offers a radical reinterpretation of the war on terror, demonstrating romance to be a powerful framework for understanding how it works, and how it perseveres.