A Rocking-Horse Catholic: A Caryll Houselander Reader is a selection of the writings of a modern Catholic laywomen and mystic, with a biographical introduction by the editor, Marie Anne Mayeski.

“I was received into the church,” states Caryll Houselander at the very beginning of this work “when I was six years old. Strictly speaking, therefore, I am not a ‘cradle’ Catholic, but a rocking-horse Catholic.” This autobiography, first published in 1955, takes the reader from the author’s Catholic childhood and school days through a period outside the church while she tried to make her living as an artist, to a return to the church. This return was brought about by her insight, so central to all her books into the presence of Christ and others. A theologian in every sense of the word except the formal academic one, Caryll Houselander understood the central importance of one’s image or concept of God. “Caryll Houselander: artist, odd ball, mystic, friend, and in the end, suffering servant. In the midst of her last illness, she clung to life, loved life with a passion that did not want to die. ‘I honestly long,’ she said, ‘to be told ‘a hundred percent cure’ and to return to this life and celebrate it with gramophone records, giggling and gin.’”—Mitch Finley, Our Sunday Visitor As a classic in spirituality, the work of Caryll Houselander is very close to the top of the list.

The Reed of God is an inspirational classic written by a British Roman Catholic ecclesiastical artist, Caryll Houselander. This book contains a beautiful meditation on Mary, Mother of God and so much more. Reading this book will bring you closer to Our Blessed Mother, and hence, to Christ Himself. Filled with lyrical prose and touching analogies, the author shows how Mary was the "Reed of God" and that we are all vessels waiting to do God's work, and carrying Christ within us.

Originally published in 1941, this book by the renowned British mystic and spiritual writer Caryll Houselander is once again new as modern readers learn from Houselander's encouragement of her compatriots to view their experience of World War II through the lens of Christ's passion. Writing with the intensity and immediacy of life in London during the blitz, Houselander's thought-provoking reflections continue to speak to believers today about the complex challenge they face to find Christ in the midst of the War on Terror. Writing in the tradition of Julian of Norwich, Catherine of Siena, and Teresa of Avila, Houselander's words resonate with Christians today regardless of their perspective on theology and the Church.

Although forgotten until quite recently, Caryll Houselander, who died in 1954, was a sensitive and profound English Roman Catholic writer on Christian spirituality. In this critical edition of her 1949 book The Passion of the Infant Christ, Houselander argues that the physical world is an "inscaped" revelation of the mind of the Creator. Every concrete object and every temporal event mirrors the eternal, just as the circumstances surrounding the birth of Jesus mirror the circumstances surrounding his death and resurrection. Editor Kerry Walters discusses both Houselander's life and the primary themes of The Passion of the Infant Christ in his introduction to this critical edition of one of Houselander's most insightful books.

As someone who clocked more time in mosh pits and at pro–choice rallies than kneeling in a pew, Kaya Oakes was not necessarily the kind of Catholic girl the Vatican was after. But even while she immersed herself in the punk rock scene and proudly called herself an atheist, something kept pulling her back to the religion of her Irish roots. After running away from the Church for thirty years, Kaya decides to return. Her marriage is under stress, her job is no longer satisfying, and with multiple deaths in her family, a darkness looms large. In spite of her frustration with Catholic conservatism, nothing brings her peace like Mass. After years of searching to no avail for a better religious fit, she realizes that the only way to find harmony—in her faith and her personal life—is to confront the Church she'd left behind. Rebellious and hypercritical, Kaya relearns the catechisms and achieves the sacraments, all while trying to reconcile her liberal beliefs with contemporary Church philosophy. Along the way she meets a group of feisty feminist nuns, a "pray–and–bitch" circle, an all–too handsome Italian priest, and a motley crew of misfits doing their best to find their voices in an outdated institution. This is a story of transformation, not only of Kaya's from ex–Catholic to amateur theologian, but ultimately of the cultural and ethical pushes for change that are rocking the world's largest religion to its core.