Originally published in 1956, A River Called Titash is among the most highly acclaimed novels in Bengali literature. A unique combination of folk poetry and ethnography, Adwaita Mallabarman's tale of a Malo fishing village at the turn of the century captures the songs, speech, rituals, and rhythms of a once self-sufficient community and culture swept away by natural catastrophe, modernization, and political conflict. Both historical document and work of art, this lyrical novel provides an intimate view of a community of Hindu fishers and Muslim peasants, coexisting peacefully before the violent partition of Bengal between India and East Pakistan (now Bangladesh). Mallabarman's story documents a way of life that has all but disappeared. This title is part of UC Press's Voices Revived program, which commemorates University of California Press's mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1993. Originally published in 1956, A River Called Titash is among the most highly acclaimed novels in Bengali literature. A unique combination of folk poetry and ethnography, Adwaita Mallabarman's tale of a Malo fishing village at the turn of the centur

Originally published in 1956, A River Called Titash is among the most highly acclaimed novels in Bengali literature. A unique combination of folk poetry and ethnography, Adwaita Mallabarman's tale of a Malo fishing village at the turn of the century captures the songs, speech, rituals, and rhythms of a once self-sufficient community and culture swept away by natural catastrophe, modernization, and political conflict. Both historical document and work of art, this lyrical novel provides an intimate view of a community of Hindu fishers and Muslim peasants, coexisting peacefully before the violent partition of Bengal between India and East Pakistan (now Bangladesh). Mallabarman's story documents a way of life that has all but disappeared. Originally published in 1956, A River Called Titash is among the most highly acclaimed novels in Bengali literature. A unique combination of folk poetry and ethnography, Adwaita Mallabarman's tale of a Malo fishing village at the turn of the century captures the songs, speech, rituals, and rhythms of a once self-sufficient community and culture swept away by natural catastrophe, modernization, and political conflict. Both historical document and work of art, this lyrical novel provides an intimate view of a community of Hindu fishers and Muslim peasants, coexisting peacefully before the violent partition of Bengal between India and East Pakistan (now Bangladesh). Mallabarman's story documents a way of life that has all but disappeared.

Acclaimed for its unique ecosystem and Royal Bengal tigers, the mangrove islands that comprise the Sundarbans area of the Bengal delta are the setting for this pioneering anthropological work. The key question that the author explores is: what do tigers mean for the islanders of the Sundarbans? The diverse origins and current occupations of the local population produce different answers to this question – but for all, ‘the tiger question’ is a significant social marker. Far more than through caste, tribe or religion, the Sundarbans islanders articulate their social locations and interactions by reference to the non-human world – the forest and its terrifying protagonist, the man-eating tiger. The book combines rich ethnography on a little-known region with contemporary theoretical insights to provide a new frame of reference to understand social relations in the Indian subcontinent. It will be of interest to scholars and students of anthropology, sociology, development studies, religion and cultural studies, as well as those working on environment, conservation, the state and issues relating to discrimination and marginality.

Global in scope and a practical tool for students and teachers of history, this work includes description and analysis of over 300 historical films. This critical reference selects movies that represent aspects of world history from the Middle Ages through the 20th century.

Among the social sciences, anthropology relies most fundamentally on "fieldwork"—the long-term immersion in another way of life as the basis for knowledge. In an era when anthropologists are studying topics that resist geographical localization, this book initiates a long-overdue discussion of the political and epistemological implications of the disciplinary commitment to fieldwork. These innovative, stimulating essays—carefully chosen to form a coherent whole—interrogate the notion of "the field," showing how the concept is historically constructed and exploring the consequences of its dominance. The essays discuss anthropological work done in places (in refugee camps, on television) or among populations (gays and lesbians, homeless people in the United States) that challenge the traditional boundaries of "the field." The contributors suggest alternative methodologies appropriate for contemporary problems and ultimately propose a reformation of the discipline of anthropology.

Bringing together established and emerging scholars from multiple disciplines, the collection's unique contribution is to show how Angelopoulos created singularly intricate forms whose aesthetic contours invite us to think critically about modern history.