The philosopher, theologian, and biblical scholar Austin Farrer (1904–1968) highlighted in his various writings the central role that images play in the interpretation of biblical writings, the construction of theological arguments, and the descriptions of the Christian spiritual life. Theologians down through the centuries have sought to revitalize the central biblical images as they addressed the pressing theological, moral, and spiritual questions of their day. A Revitalization of Images offers students the opportunity to participate in this ongoing creative engagement with ten dominant biblical images that continue to shape the church’s beliefs and practices, as well as each Christian’s own spiritual journey. Sound theology is rooted in Scripture, conversant with past thinkers, and engaged in the present life of the church. This dynamic directly informs Revitalization. In each chapter we begin with a biblical image that has figured prominently in the Christian theological tradition. Next we examine two prominent voices from the Christian tradition who have drawn upon the image when crafting a compelling vision of the Christian life. We then turn our attention to a contemporary thinker who has incorporated or critiqued the image in his or her own theological work. This discussion is set within the current spectrum of theological positions including orthodox, liberal, postliberal, and postmodern perspectives.

This study is the story of the local Civil Rights Movement and race relations in Atlanta, Georgia from 1946 to 1981. Most examinations of the Civil Rights Movement have been written from a national perspective. These studies have presented local African American protest movements as part of a national campaign for civil rights that lasted approximately from 1955, the Montgomery Bus Boycott, to 1968, the assassination of Dr. Martin Luther King, Jr. In this context, demonstrations in Montgomery, Greensboro, Albany, Birmingham, Selma, and Memphis have been viewed as prototypical African American protest, movements and milestones in this national campaign for civil rights. First published in 1996. Routledge is an imprint of Taylor & Francis, an informa company.

Historical studies of white racial thought have focused on white ideas about the "Negroes". Bay's study examines the reverse - black ideas about whites, and, consequently, black understandings of race and racial categories.

Fourteen authors, including many of the best-known scholars in the field, explore how people actually experience their culture and how those experiences are expressed in forms as varied as narrative, literary work, theater, carnival, ritual, reminiscence, and life review. Their studies will be of special interest for anyone working in anthropological theory, symbolic anthropology, and contemporary social and cultural anthropology, and useful as well for other social scientists, folklorists, literary theorists, and philosophers.

""Examines Indian Buddhism from its origins in c. 500 BCE, through its ascendance in the first millennium CE and subsequent decline in mainland South Asia by c. 1400 CE"--Provided by publisher"--

A reprint of eleven case studies of successful history museum exhibitions supplying a compendium of highly regarded installations which can stand as a creative guide to other institutions. The contributing museum specialists analyze what works in an outstanding history exhibition from building new audiences and experimenting with new subjects to design techniques and working with consultants. Among the exhibitions featured are the Hispanic Heritage Wing of the Museum of International Folk Art and the Indianapolis Children's Museum. Includes photographs. Originally published by the American Association for State and Local History. Annotation copyrighted by Book News, Inc., Portland, OR

In many contemporary societies we encounter iconoclasm breaking out with renewed violence. Iconoclastic actions against objects of visual material culture and testimonials of history act as dynamite in the public sphere. They are expressions of political, religious, national, and identity conflicts. Even the freedom of art is threatened by censorship and cancel culture. Based on case studies from different world regions, contemporary iconoclasms in art, media, and cultural heritage are critically analyzed from both a global and an interdisciplinary perspective. Divided into three sections, the book discusses attacks on monuments and memorials, idol disputes in museums and the visual arts, and forms of mediated iconoclasm in contemporary art.