Now publishing in paperback, this is a vivid narrative history of the final stages of the Pacific War, as the US Navy began to slowly approach the Japanese Home Islands against fearsome opposition, notably from the suicidal Japanese airmen: the kamikaze. The United States Navy won such overwhelming victories in 1944 that, had the navy faced a different enemy, the war would have been over at the conclusion of the Battle of Leyte Gulf. However, in the moment of victory on 25 October 1944, the US Navy found itself confronting a frightening enemy that had been unimaginable until it appeared. The kamikaze, 'divine wind' in Japanese, was something Americans were totally unprepared for – a shocking violation of every belief held in the West. The attacks were terrifying. Regardless of the damage inflicted on an attacking aeroplane, there was no certainty of safety aboard the ship until that aeroplane was completely destroyed, as the crew of the USS St. Lo tragically learned. From best-selling author Thomas McKelvey Cleaver, Tidal Wave combines expert research and first-person accounts to tell the story of the naval campaigns in the Pacific from Leyte Gulf to the end of the war – a period in which the US Navy would fight harder for survival than ever before.

Forty years ago few women worked, married women could not borrow money in their own names, schools imposed strict quotas on female applicants, and sexual harassment did not exist as a legal concept. Yet despite the enormous changes for women in America since 1960, and despite a blizzard of books that continue to argue about women's "proper place," there has not been a serious, definitive history of what happened -- until now. Sara M. Evans is one of our foremost historians of women in America. Her book Personal Politics is a classic that captured the origins of the modern women's movement; its successor, Born for Liberty, set the standard for sweeping histories of women. In Tidal Wave Evans again sets the standard by drawing on an extraordinary range of interviews, archives, and published sources to tell the incredible story of the past forty years in women's history. Encompassing both the so-called Second Wave of feminism's initial explosion in the 1960s and 1970s, and the Third Wave of the 1980s and 1990s, she challenges traditional interpretations at every step. She shows that the Second Wave was beset by fragmentation and infighting from the beginning; its slogan, "the personal is political," was both a rallying cry and the seed of its self-destruction. Yet the Third Wave has been surprisingly strong, and almost all women today might be thought of as feminists -- in practice if not in name. From national events, and from leaders of institutions such as NOW and Emily's List to little-known local stories of women who simply wanted more out of their lives only to discover that they were creating a movement, Tidal Wave paints a vast canvas of a society in upheaval -- from politics to economics to popular culture to marriage and the family. Today, Evans argues, the women's movement is as alive and vital as ever, precisely because it has enjoyed such stunning success. Though not all women are comfortable with the term "feminist," the vast majority hold jobs and enjoy previously unimaginable personal freedoms. Never before in American or world history have women experienced full and equal citizenship and opportunity. At last, the extraordinary story can be told.

In July of 1884, pianist Calixa Lavallée performed a recital of works by American composers that began a highly influential series of such concerts. Over the course of the next decade, hundreds of all-American concerts were performed in the United States and Europe, a movement that fostered both the development and the perception of American music as a unique art form. A Tidal Wave of Encouragement-the title of which is derived from one observer's description of the movement-is the first in-depth study of this significant period in American music. Providing a comprehensive history of the Concerts as well as detailed accounts of the intense critical debate surrounding them, author E. Douglas Bomberger reveals how one decade shaped the future of American classical music and very much impacted the way we hear it today. The movement, crucial in focusing discussion on American music and providing performance opportunities for composers and musicians for whom no such opportunities had before existed, was far more extensive and widespread than most scholarship had credited it. This oversight is due in large part to the dearth of objective studies of the Concerts; previous considerations have tended either toward the merely nostalgic or toward the unnecessarily disparaging. Bomberger's work is a corrective to this, as well as much-needed historical and critical account of a project whose influence had yet to be fully acknowledged.

This fascinating book reviews the progress made in Mercury studies since the flybys by Mariner 10 in 1974-75. Thus far, it is the only book on Mercury which balances a wide range of Earth-based observations, made under difficult conditions, with the only available space-based data. The text is based on continued research using the Mariner 10 archive, on observations from Earth, and on increasingly realistic models of this mysterious planet’s interior evolution.