In this book St. John's Revelation is approached as a great and singular theological poem. The author tries to see how the poem arose in an inspired mind, by what processes of divination its author explored the realm of supernatural truth, how he used the images of his Old Testament faith and gave them fresh meaning in the context of his scheme. Here the reader may follow the workings of a late first-century Christian imagination in which the Scriptures and the stars, the liturgy of the temple and the magic of numbers, the elements of nature and the march of human history are closely interwoven.

This book employs Cognitive Literary Theory in an analysis of Conceptual and Intertextual Blending in the Gospel of Philip and the Exegesis on the Soul, read as Christian texts contemporary with the production and use of the Nag Hammadi Codices.

A visionary of the Greenwich Village nightlife scene in the 1950s and 60s, photographer Robert James Campbell vigorously documented New York's jazz era, and its metamorphosis into the beat and folk movements. Despite Campbell's artistic prowess--evident in his arresting images of the people who would shape the American cultural landscape for generations to come--Campbell died alone in a homeless shelter in Burlington, Vermont in 2002. His identity, and former life as an esteemed photojournalist for The Village Voice and Downbeat Magazine, would only be revealed by the unlikely discovery by a young college graduate of his ephemera and personal belongings within a trove of cardboard boxes. Rebirth of the Cool is the story of Robert James Campbell as reconstructed by Jessica Ferber, and born from tragedy; Campbell, once a wildly talented artist, but wrought by mental demons, financial hardship, and health failure, had to give up his passionate work at what should have been the prime years of his career, having succumbed to his deteriorating body and mind. Campbell left New York for LA and then disappeared into New England with little hope, but resolute to keep and care for his art he managed to diligently transport his negatives and images with him throughout his turbulent life, and ultimately with him into homelessness. At the height of his photographic career Campbell captured the likes of John Coltrane, The Modern Jazz Quartet, Philly Joe Jones, Count Basie, Bud Powell, Richie Havens, Chuck Berry, and more. Shot onstage and off, the intimacy of the photos is moving and prescient. Rebirth of the Cool collects the best of Campbell's work, shot at legendary clubs like Birdland, The Village Vanguard, and The Gaslight Cafe, as well as street photography, international work from his time spent in Germany, and tour photography. The era in which Campbell photographed was brief and precious, and the content he left behind represents a time capsule--a rebirth and regeneration--of a moment that was flashpoint for the culture and heritage of New York, and the nation as a whole.

Renaissance Italy.

In this classic study, St. John's Revelation is approached as a great and singular theological poem. Austin Farrer shows how the poem arose in an inspired mind, by what processes of divination its author explored the realm of supernatural truth, how he used the images of his Old Testament faith and gave them fresh meaning in the context of his scheme. Here the reader may follow the workings of a late first-century Christian imagination, in which the Scriptures and the stars, the liturgy of the temple and the magic of numbers, the elements of nature and the march of human history are closely interwoven.