Some come to Pebble Beach to play golf. Some come to be seen. And this year, at least one person has come to kill.... It's January in the golden era of golf. Nicklaus wishes he were home with the kids. Weiskopf is ready to make a charge, and so is a bell-bottomed blond named Miller. In the world of golf and the realm of fame, nothing matches the Bing Crosby Pro-Am tournament, played at America's most extraordinary golf course—Pebble Beach—and drawing starlets, stars, and billionaires by invitation only. But this year the wind and rains won't stop. And a corporate tycoon has dropped dead in The Lodge, crowded with celebrities. For jaded veteran golf writer John Morris and his beautiful globe-trotting muse Julia Sullivan, it's more than a dramatic story: it's a black eye on golf's most stellar event. Now, as Morris and Sullivan try to solve the murder, they find a collision of ambition, talent, and greed that reaches from the golden days of Hollywood to the windswept Monterey Peninsula—where a killer's game has just begun.... Originally published in paperback by Dell, this digital republication is an authorized and unabridged edition, presented expertly in ebook formats by Quid Pro Books. It includes active Contents, close proofreading from the original, and proper formatting, unlike many such digital reprints. Number 6 in the acclaimed Morris & Sullivan Mystery series.

In 'Breaking the Fine Rain of Death', Emilie Townes focuses on the health care issues affecting African Americans and does so from a womanist perspective by paying attention to race and class as well as gender. Townes describes the lamentable history of health care in African American communities and the disease that affect African Americans disproportionately ÐÐ diabetes, hypertension, low-birthrate babies, and drug-related illnessesÐÐas well as cultural, genetic, and socio-economic factors that account for them. Townes then offers models of care that have worked in some African American communities and that need to be used on a broader scale. She explores healing models sensitive to class and cultural context, and provides practical recommendations relevant to the needs of the Black Church and the African American community.

When a tragic car accident took the life of our twenty-one year old daughter, Maia, we began a journey that has been paradoxically the most heart-wrenching and spiritually uplifting period of our lives. Learning to Dance in the Rain chronicles the first year of this journey. Through pain and despair to renewed energy and spiritual discovery, we write about the many ways in which we are finding strength and inspiration to carry on. With help from family and friends, a variety of religious/spiritual traditions, encounters with the natural world, and, most profoundly, continued connection with our beloved daughter, we are learning that death is as much a beginning as it is an end and that pain can be a catalyst for personal & spiritual growth. It is our greatest hope that sharing our story in this way will help others find strength to face the storms that come their way and live their lives with greater awareness. www.learningtodanceintherain.net

Seventeen marvelous essays introducing the habitats, ecology, plants, and animals of the Central and South American rainforest. A lively, lucid portrait of the tropics as seen by two uncommonly observant and thoughtful field biologists. Its seventeen marvelous essays introduce the habitats, ecology, plants, and animals of the Central and South American rainforest. Includes a lengthy appendix of practical advice for the tropical traveler.

“Perhaps the finest and most profound account of ethnographic fieldwork and discovery that has ever entered the anthropological literature.” —The Wall Street Journal “If you want to experience a profoundly different culture without the exhausting travel (to say nothing of the cost), this is an excellent choice.” —The Washington Post As a young anthropologist, Don Kulick went to the tiny village of Gapun in New Guinea to document the death of the native language, Tayap. He arrived knowing that you can’t study a language without understanding the daily lives of the people who speak it: how they talk to their children, how they argue, how they gossip, how they joke. Over the course of thirty years, he returned again and again to document Tayap before it disappeared entirely, and he found himself inexorably drawn into their world, and implicated in their destiny. Kulick wanted to tell the story of Gapuners—one that went beyond the particulars and uses of their language—that took full stock of their vanishing culture. This book takes us inside the village as he came to know it, revealing what it is like to live in a difficult-to-get-to village of two hundred people, carved out like a cleft in the middle of a tropical rainforest. But A Death in the Rainforest is also an illuminating look at the impact of Western culture on the farthest reaches of the globe and the story of why this anthropologist realized finally that he had to give up his study of this language and this village. An engaging, deeply perceptive, and brilliant interrogation of what it means to study a culture, A Death in the Rainforest takes readers into a world that endures in the face of massive changes, one that is on the verge of disappearing forever.

Kim Hyesoon’s poems “create a seething, imaginative under-and over-world where myth and politics, the everyday and the fabulous, bleed into each other” (Sean O’Brien, The Independent) *Winner of The Griffin International Poetry Prize and the Lucien Stryk Asian Translation Award* The title section of Kim Hyesoon’s powerful new book, Autobiography of Death, consists of forty-nine poems, each poem representing a single day during which the spirit roams after death before it enters the cycle of reincarnation. The poems not only give voice to those who met unjust deaths during Korea’s violent contemporary history, but also unveil what Kim calls “the structure of death, that we remain living in.” Autobiography of Death, Kim’s most compelling work to date, at once reenacts trauma and narrates our historical death—how we have died and how we survive within this cyclical structure. In this sea of mirrors, the plural “you” speaks as a body of multitudes that has been beaten, bombed, and buried many times over by history. The volume concludes on the other side of the mirror with “Face of Rhythm,” a poem about individual pain, illness, and meditation.

This groundbreaking book provides an analytical tool to understand how and why evil works in the world as it does. Deconstructing memory, history, and myth as received wisdom, the volume critically examines racism, sexism, poverty, and stereotypes.