Partly autobiographical, partly historical, "The Rage Against God," written by the brother of prominent atheist Christopher Hitchens, assails several of the favorite arguments of the anti-God battalions and makes the case against fashionable atheism.

What if notorious atheist Christopher Hitchens, bestselling author of God Is Not Great, had a Christian brother? He does. Meet Peter Hitchens--British journalist, author, and former atheist--as he tells his powerful story for the first time in The Rage Against God. In The Rage Against God, Hitchens details his personal story of how he left the faith and dramatically returned. Like many of the Old Testament saints whose personal lives were intertwined with the life of their nation, so Peter's story is also the story of modern England and its spiritual decline. The path to a secular utopia, pursued by numerous modern tyrants, is truly paved with more violence than has been witnessed in any era in history. Peter invites you to witness firsthand accounts of atheistic societies, specifically in Communist Russia, where he lived in Moscow during the collapse of the Soviet Union. Peter brings his work as an international journalist to bear as he shows that the twentieth century--the world's bloodiest--entailed nothing short of atheism's own version of the Crusades and the Inquisition. The Rage Against God asks and answers the three failed arguments of atheism: Are conflicts fought in the name of religion really just conflicts about religion? Is it possible to determine what is right and what is wrong without God? Are atheist states not actually atheist? Join Hitchens as he provides hope for all believers whose friends or family members have left Christianity or who are enchanted by the arguments of the anti-religious intellects of our age.

We still kill other species for fun, food, fashion, profit, and with the hope of finding cures for - mostly self-induced - ills, but this book tells how the British have been shamed and legislated into moderating at least some of their cruelties to the brute creation; how class warfare and religious indifference to the plea of sentience have bedevilled every attempt at reform; and how habit and sentiment have changed. The book was first published in the UK in 1964.

From the author of the acclaimed Dinner with Persephone comes a radically original novel about four women who invite us to imagine the divine anew: what if “a woman’s point of view” were also God’s? Patricia Storace’s Eve begins by telling us her version of what happened in Eden, and by revealing that our familiar constellations conceal other heavens we have never allowed ourselves to see. Each of the four subsequent chapters is the story of one of these new zodiacs, featuring images central to women: a knife, a cauldron, a garden, a pair of embracing lovers. The four women whose stories they tell are Job’s daughter, the Queen of Sheba, a polytheistic cook, and a transformed Sarah, wife of Abraham. Storace brilliantly reimagines the worlds of these women, freeing them from the old tales in which they were trapped and putting them in the foreground of their stories and of the Old Testament itself.