In this tense thriller set on a WW2 airbase, a female pilot faces danger in the sky--and a murderer on the ground. July 1940. As the Battle of Britain begins, the women of the Air Transport Auxiliary carry out the dangerous task of ferrying warplanes to RAF airbases. But for the ATA detachment sent to the base at Scotney, it's not only in the skies that they're a target--it seems a killer is stalking them on the ground... On the day pilot Lizzie Hayes arrives in the quiet village, one of her new comrades is found murdered. One of the few women in Britain with a psychology PhD, Lizzie thinks she can use her skills to help identify the killer among the military staff and local villagers, but DI Jonathan Kember isn't convinced. When a second pilot is murdered, Lizzie's profile of the killer comes into sharper focus--attracting anonymous threats against her own life. With Kember's investigation stalling and events at the airbase becoming ever more sinister, Lizzie's talents are given a chance. But can she and the still-sceptical Kember work together to find the killer before Lizzie becomes the next victim?

From the New York Times bestselling author of The Last House Guest—a Reese Witherspoon Book Club selection—comes a riveting, “suspenseful” (BookPage, starred review) novel about a mysterious murder in an idyllic and close-knit neighborhood. Welcome to Hollow’s Edge, where you can find secrets, scandal, and a suspected killer—all on one street. Hollow’s Edge use to be a quiet place. A private and idyllic neighborhood where neighbors dropped in on neighbors, celebrated graduation and holiday parties together, and looked out for one another. But then came the murder of Brandon and Fiona Truett. A year and a half later, Hollow’s Edge is simmering. The residents are trapped, unable to sell their homes, confronted daily by the empty Truett house, and suffocated by their trial testimonies that implicated one of their own. Ruby Fletcher. And now, Ruby’s back. With her conviction overturned, Ruby waltzes right back to Hollow’s Edge, and into the home she shared with Harper Nash. Harper, five years older, has always treated Ruby like a wayward younger sister. But now she’s terrified. What possible good could come of Ruby returning to the scene of the crime? And how can she possibly turn her away, when she knows Ruby has nowhere to go? Within days, suspicion spreads like a virus across Hollow’s Edge. It’s increasingly clear that not everyone told the truth about the night of the Truetts’ murders. And when Harper begins receiving threatening notes, she realizes she has to uncover the truth before someone else becomes the killer’s next victim. Pulsating with suspense and with Megan Miranda’s trademark shocking twists, Such a Quiet Place is Megan Miranda’s best novel yet—a “powerful, paranoid thriller” (Booklist, starred review) that will keep you turning the pages late into the night.

Elizabeth Caldwell doesn’t feel emotions, she sees them. Longing and Shame materialize at school. Fury and Resentment appear in her home. They’ve all given up on Elizabeth, but when it matters most, will Fear save her?

In this landmark work, Allen Morris Jones spends a year exploring one of the wildest ecosystems in North America, hunting and examining the philosophical issues of blood sport. In the process, he creates both a compelling defense for the hunt as well as one of the tradition’s first formal ethics. Jones argues that hunting must be right in that it returns us to the environment from which we evolved. When we hunt, we’re no longer watching nature, we’re participating in it as essential members: predator and prey. From this premise, it follows that those aspects of hunting that tend to return us to the world are more ethical, while those aspects that displace us—such as the use of modern technology—are less ethical. This simple, compelling thesis is supported by example, by the highly-personal narrative of a conscionable hunter coming to terms with the central passion of his life. And it’s a thesis that finally has profound implications for the way we each approach the natural world. If you’re a hunter, A Quiet Place of Violence will help put into words those aspects of the hunt that you have found most essential; and if you’re a non-hunter, it will offer insight into the allure of this otherwise puzzling pursuit.

Veteran script consultant Jill Chamberlain discovered in her work that an astounding 99 percent of first-time screenwriters don’t know how to tell a story. These writers may know how to format a script, write snappy dialogue, and set a scene. They may have interesting characters and perhaps some clever plot devices. But, invariably, while they may have the kernel of a good idea for a screenplay, they fail to tell a story. What the 99 percent do instead is present a situation. In order to explain the difference, Chamberlain created the Nutshell Technique, a method whereby writers identify eight dynamic, interconnected elements that are required to successfully tell a story. Now, for the first time, Chamberlain presents her unique method in book form with The Nutshell Technique: Crack the Secret of Successful Screenwriting. Using easy-to-follow diagrams (“nutshells”), she thoroughly explains how the Nutshell Technique can make or break a film script. Chamberlain takes readers step-by-step through thirty classic and contemporary movies, showing how such dissimilar screenplays as Casablanca, Chinatown, Pulp Fiction, The Usual Suspects, Little Miss Sunshine, Juno, Silver Linings Playbook, and Argo all have the same system working behind the scenes, and she teaches readers exactly how to apply these principles to their own screenwriting. Learn the Nutshell Technique, and you’ll discover how to turn a mere situation into a truly compelling screenplay story.