From the bestselling author of Beautiful Broken Things, Sara Barnard's A Quiet Kind of Thunder is stunning love story about the times when a whisper means more than a shout. Now with a bold cover look. She doesn't talk. He can't hear. They understand each other perfectly. Steffi has been a selective mute for most of her life – she's been silent for so long that she feels completely invisible. But Rhys, the new boy at school, sees her. He's deaf, and her knowledge of basic sign language means that she's assigned to look after him. To Rhys it doesn't matter that Steffi doesn't talk and, as they find ways to communicate, Steffi finds that she does have a voice, and that she's falling in love with the one person who makes her feel brave enough to use it. Love isn't always a lightning strike. Sometimes it's the rumbling roll of thunder . . .

Perfect for fans of Morgan Matson and Jandy Nelson. A girl who can’t speak and a boy who can’t hear go on a journey of self-discovery and find support with each other in this gripping, emotionally resonant novel for “readers who enjoyed John Green’s Turtles All the Way Down” (Booklist) from bestselling author Sara Barnard. Steffi doesn’t talk, but she has so much to say. Rhys can’t hear, but he can listen. Steffi has been a selective mute for most of her life. The condition’s name has always felt ironic to her, because she certainly does not “select” not to speak. In fact, she would give anything to be able to speak as easily and often as everyone around her can. She suffers from crippling anxiety, and uncontrollably, in most situations simply can’t open her mouth to get out the words. Steffi’s been silent for so long that she feels completely invisible. But Rhys, the new boy at school, sees her. He’s deaf, and her knowledge of basic sign language means that she’s assigned to help him acclimate. To Rhys, it doesn’t matter that Steffi doesn’t talk. As they find ways to communicate, Steffi discovers that she does have a voice, and that she’s falling in love with the one person who makes her feel brave enough to use it. But as she starts to overcome a lifelong challenge, she’ll soon confront questions about the nature of her own identity and the very essence of what it is to know another person.

Perfect for fans of Morgan Matson and Jandy Nelson. A girl who can’t speak and a boy who can’t hear go on a journey of self-discovery and find support with each other in this gripping, emotionally resonant novel for “readers who enjoyed John Green’s Turtles All the Way Down” (Booklist) from bestselling author Sara Barnard. Steffi doesn’t talk, but she has so much to say. Rhys can’t hear, but he can listen. Steffi has been a selective mute for most of her life. The condition’s name has always felt ironic to her, because she certainly does not “select” not to speak. In fact, she would give anything to be able to speak as easily and often as everyone around her can. She suffers from crippling anxiety, and uncontrollably, in most situations simply can’t open her mouth to get out the words. Steffi’s been silent for so long that she feels completely invisible. But Rhys, the new boy at school, sees her. He’s deaf, and her knowledge of basic sign language means that she’s assigned to help him acclimate. To Rhys, it doesn’t matter that Steffi doesn’t talk. As they find ways to communicate, Steffi discovers that she does have a voice, and that she’s falling in love with the one person who makes her feel brave enough to use it. But as she starts to overcome a lifelong challenge, she’ll soon confront questions about the nature of her own identity and the very essence of what it is to know another person.

Examines the impact of contemporary ideas about the psyche and neglected yet crucial artistic influences on the psychological dimension of Wagner's operas, especially Die Feen, Der fliegende Holländer, Tannhäuser, Lohengrin, and the Ring. Wagner's Visions studies crucial influences on Wagner's dramatic style during the years before and just after the failed Dresden revolutionary uprising of 1849. Offering a detailed examination of Die Feen, Wagner's least-known complete opera, together with analysis of Der fliegende Holländer, Tannhäuser, Lohengrin, and the four Ring dramas, Katherine Syer explores the inner experiences of Wagner's protagonists. Sources ofparticular political significance include the fables of the eighteenth-century Venetian playwright Carlo Gozzi, the Iphigenia operas of Christoph Willibald Gluck, and the legacy of the martyr Theodor Körner, whose poetry became the lingua franca of the revolutionary movement to liberate and unify Germany. Syer's book offers fresh insights into the historical context that gave rise to Wagner's dramatic art, revealing how his distinct and powerful imagery is intimately bound up with the crises and instabilities of his era. Katherine R. Syer is associate professor of theatre and musicology at the University of Illinois at Urbana-Champaign.