This book uses an interdisciplinary approach to explore the ways in which sexual difference can be understood as an encounter with otherness through the abjected, investigating social discourses and unconscious anxieties around "monstrous" women throughout history and how they may challenge these characterizations. The author expands on Barbara Creed’s notion of the monstrous-feminine to give a specifically Lacanian analysis of different types of feminine monsters, such as Mary Toft, Andrea Yates, Lillith, and Medusa. Drawing on Lacan’s theory of "sexuation," the book interrogates characterizations of pregnant women during the Enlightenment, women who commit filicide, mothers in the psychoanalytic clinic, and women with borderline personality disorder. Chapters explore how encounters with a feminine subject in the Lacanian sense can manifest in misogynistic practices aimed at women, as well as how a Deleuzian notion of becoming-other may pose a challenge to their interpretation in a phallocentric meaning-making system. Creatively engaging the work of both Jacques Lacan and Gilles Deleuze, the text goes beyond simply identifying misogynistic practices by probing the relational, unconscious dynamics between hegemonic groups and those designated as "other." Approaching the concept of the borderline from a critical and transdisciplinary perspective, this text will appeal to postgraduate students and researchers from Lacanian psychoanalysis, gender studies, cultural studies, and critical psychology.

A Psychoanalytic Approach to Sexual Difference analyzes the concepts of sex and gender, showing how sexual difference is characterized by ongoing transformations of spatiality and body, and of essentiality and normativity. In this book, Jennifer Yusin presents a psychoanalytic study that engages with clinical cases, philosophies of sex and gender, and psychoanalytic writings about sexual difference. She deftly and accessibly analyzes Freud’s and Lacan’s work on feminine sexuality, Winnicott’s notion of the transitional object, and theories of sexuality and gender developed by Judith Butler and Monique Wittig, among others. Yusin starts with the question of how the lack of any essential definition of sexual difference affects subjectivity. She places an emphasis on the psychoanalytic experience and its effects upon how a subject experiences the difference between being a body and having a body. Following Lacan’s discovery of the Borromean knot structure of the unconscious and the work of the psychoanalyst Jean-Gérard Bursztein, Yusin continues developing subjective topology as a methodology. She also introduces and shows how sexual difference is linked to transformations of sex and body. Through this, Yusin highlights how it is necessary to reformulate sex, gender, and sexual identities in psychoanalytic theories and in the practice of psychoanalysis. She also speaks to the necessity of generating a new lexicon to help analysts speak about sexual difference in ways that do not perpetuate any essentialism or normativity on the topic. This book is essential reading for clinicians in psychoanalysis, mental health practitioners in the trans field, and academics working in gender theory, queer and trans studies, and feminist philosophies.

Sexual Difference is a critical exploration of psychoanalytic theories of sexual difference. In particular it explores the way in which masculinity is expressed in theory and practice. Developing from the unsettling impact of these issues on the author's own professional practice, Stephen Frosh examines how the very language and structure of psychoanalysis are loaded with assumptions about gender. Employing both Kleinian and Lacanian theoretical perspectives this book critically examines these approacheds to sexial difference. In addition, it discusses the application of these issues in the practice of treating sexual violence and in cases of child secual abuse. Sexual Difference will be of value to all trainees and professionals in psychotherapy, psychoanalysis, psychology and social work, as well as all those with an interest in `masculinity', `femininity' and their effects.

Drawing on the author’s clinical work with gender-variant patients, Transgender Psychoanalysis: A Lacanian Perspective on Sexual Difference argues for a depathologizing of the transgender experience, while offering an original analysis of sexual difference. We are living in a "trans" moment that has become the next civil rights frontier. By unfixing our notions of gender, sex, and sexual identity, challenging normativity and essentialisms, trans modalities of embodiment can help reorient psychoanalytic practice. This book addresses sexual identity and sexuality by articulating new ideas on the complex relationship of the body to the psyche, the precariousness of gender, the instability of the male/female opposition, identity construction, uncertainties about sexual choice—in short, the conundrum of sexual difference. Transgender Psychoanalysis features explications of Lacanian psychoanalysis along with considerations on sex and gender in the form of clinical vignettes from Patricia Gherovici's practice as a psychoanalyst. The book engages with popular culture and psychoanalytic literature (including Jacques Lacan’s treatments of two transgender patients), and implements close readings uncovering a new ethics of sexual difference. These explorations have important implications not just for clinicians in psychoanalysis and mental health practitioners but also for transgender theorists and activists, transgender people, and professionals in the trans field. Transgender Psychoanalysis promises to enrich ongoing discourses on gender, sexuality, and identity.

About various theories of gender, sexuality, feminism and masculinity including queer theory, transgender theorizing, modernist liberationism and social constructionism.

This book argues that serious misreadings of Freud and Lacan on sexual difference have characterized prevailing models of psychoanalytic film criticism. In critiquing theories of identification and female spectatorship, the author maintains that early film theorists and feminist critics are equally guilty of imposing a binary conception of sexual difference on Freud’s thought. By embracing such a rigid definition of male/female difference, they fail to understand the fundamentally complex and fluid process of sexual identification as it is articulated in Freud’s writing, constructed in film texts, and negotiated by spectators. The book turns to Freud’s work on fantasy to develop an alternative model for interpreting sexuality in the visual and narrative arts, one that emphasizes a ‘politics of critical reading’ over accepted theories of ideological identification. Originally published in 1991, its strategic focus on psychoanalysis itself as an object of historical and critical inquiry, and not simply as a reading method is the unique quality of this book.

The guiding thread of this theoretical review is the illumination of the impasses of binary thought and of the essentialist conceptions of women and the feminine. In this trajectory, the author's ongoing dialogue with Freud is connected with one aspect of his way of thinking: multicentred and complex. The text addresses questions relating to love, sexual desire, maternity, beauty and the passing of time and highlights current debates concerning women, the feminine, and sexual difference as well as some controversial topics that have been discussed throughout the history of the psychoanalytic movement. One of the most relevant subjects is the notion of 'feminine enigma' and the conceptions of the feminine as the negative of the masculine, which means going into the nature-nurture debate, as well as into considerations of the feminine seen as the other of the masculine. The author points out that the notion of 'feminine enigma' is a displacement of the enigmas inherent to the origins, to the finite time of life (the inevitability of death) and to sexual difference.