Navy SEAL Matt Waterstone knows about keeping people safe. When his best friend's sister is attacked, Matt promises no harm will come to Ashley Sawyer--not on his watch. But Matt's not the only protective one. Ashley will do anything to safeguard the residents of the battered women's shelter she runs. She's sure she can handle the threats she gets in return. What she can't handle is the way Matt scales the walls around her heart. Yet when she falls prey to a crime web far more sinister than she'd realized, trusting Matt could be the only way to survive....

Acting Sheriff Ben Logan hasn't heard from Leigh Somerall in a very long time, but it doesn't mean he can get her--or their whirlwind romance of ten years ago--out of his head. When she calls out of the blue, it is with a strange request to protect her brother, Tony. When Tony dies just days later, Ben is charged with a different task--protecting Leigh and her nine-year-old son, TJ, from the killers. But how can Ben keep an eye on Leigh if she's doing everything in her power to avoid him? And could the secret that Leigh is keeping change Ben's life forever? Suspense, intrigue, and a touch of romance make A Promise to Protect perfect for readers who like their stories with a hearty dose of mystery.

Protecting the Promise is the first book in the Culturally Sustaining Pedagogies Series edited by Django Paris. It features a collection of short stories told in collaboration with five Native families that speak to the everyday aspects of Indigenous educational resurgence rooted in the intergenerational learning that occurs between mothers and their children. The author defines “resurgence” as the ongoing actions that recenter Indigenous realities and knowledges, while simultaneously denouncing and healing from the damaging effects of settler colonial systems. By illuminating the potential of such educational resurgence, the book counters deficit paradigms too often placed on Indigenous communities. It also demonstrates the need to include Indigenous Knowledges within the curriculum for both in-school and out-of-school settings. These engaging narratives reframe Indigenous parents as critical and compassionate educators, cultural brokers, and storytellers who are central partners in the education of their children. Book Features: A window into how and why Indigenous resurgence through (and sometimes in resistance to) education can happen.A narrative style of writing that builds accessible stories that are both relatable and connected to larger social issues.An interdisciplinary approach that has implications for pre- and in-service teachers and school administrators, as well as for the communities from which these stories originated.A teacher-friendly Afterword that offers lesson ideas for the classroom and companion questions to the short stories.

In 2005, the international community made a landmark commitment to prevent mass atrocities by unanimously adopting the UN’s “Responsibility to Protect” (R2P) principle. As often as not, however, R2P has failed to translate into decisive action. Why does this gap persist between the world’s normative pledges to R2P and its ability to make it a daily lived reality? In this new book, leading global authorities on humanitarian protection Alex Bellamy and Edward Luck offer a probing and in-depth response to this fundamental question, calling for a more comprehensive approach to the practice of R2P – one that moves beyond states and the UN to include the full range of actors that play a role in protecting vulnerable populations. Drawing on cases from the Middle East to sub-Saharan Africa and Southeast Asia, they examine the forces and conditions that produce atrocity crimes and the challenge of responding to them quickly and effectively. Ultimately, they advocate both for emergency policies to temporarily stop carnage and for policies leading to sustainable change within societies and governments. Only by introducing these additional elements to the R2P toolkit will the failures associated with humanitarian crises like Syria and Libya become a thing of the past.

They call me a monster. Murderous and hateful. Beautiful but broken. Nothing can calm the ever raging storm inside of me. As the ruthless leader of the Doubeck family there is a certain standard of brutality, I have to uphold. Then I meet her. Beautiful, innocent, and so very afraid. Valentina is a rival family's daughter, and the little temptress has purposely tangled herself in my dark web. She seeks me out, needing my help, but the price for what she wants will be steep. Since my father's death, I've needed a wife to solidify my family name, and this woman has piqued my interest. So we strike a deal, intertwining our futures. I'll put a ring on her finger, own her body, keep her safe, and kill them all. I make a vow to protect her at all costs, that is until her secrets come to light, and I'm left with the choice of becoming the monster she's only ever heard rumors about. **This is a dark arranged marriage mafia romance. It contains dub-con/non-con as well as other scenes that may be triggering to some readers.**

Navy SEAL Matt Waterstone knows about keeping people safe. When his best friend's sister is attacked, Matt promises no harm will come to Ashley Sawyer—not on his watch. But Matt's not the only protective one. Ashley will do anything to safeguard the residents of the battered women's shelter she runs. She's sure she can handle the threats she gets in return. What she can't handle is the way Matt scales the walls around her heart. Yet when she falls prey to a crime web far more sinister than she'd realized, trusting Matt could be the only way to survive….

During the past fifteen years, changes in technology have generated an extraordinary array of new ways in which music and movies can be produced and distributed. Both the creators and the consumers of entertainment products stand to benefit enormously from the new systems. Sadly, we have failed thus far to avail ourselves of these opportunities. Instead, much energy has been devoted to interpreting or changing legal rules in hopes of defending older business models against the threats posed by the new technologies. These efforts to plug the multiplying holes in the legal dikes are failing and the entertainment industry has fallen into crisis. This provocative book chronicles how we got into this mess and presents three alternative proposals--each involving a combination of legal reforms and new business models--for how we could get out of it.