When you’re sneaking around the city at night you feel like a kid again. The seriousness of the world is unmasked as a series of facades, dead objects just waiting to be painted. I was immediately hooked. Out on the street I could say anything I wanted. So what did I want to say? Peter Drew’s posters are a familiar sight across Australia – his ‘Real Australians Say Welcome’ and ‘Aussie’ campaigns took on lives of their own, attaining cult status and starting conversations all over the country. But who made them, and why? In this irresistible and unexpected memoir, Peter Drew searches for the answers to these questions. He traces the links between his creative and personal lives, and discovers surprising parallels between Australia’s dark, unacknowledged past and the unspoken conflict at the core of his own family. Packed full of Peter Drew’s memorable images, Poster Boy is an intelligent, funny and brutally honest dive into the stew of individual, family and national identity. It’s about politics and art, and why we need them both. And it’s about making a mark. ‘Peter Drew’s work changes how we see our streets and country, as well as activism and art. Be warned: This galvanising book might propel you to start a movement yourself.’ —Benjamin Law 'An unflinching look at modern Australia, Poster Boy is a tale literally told from the streets. It is a stark story where the villains blend in with those devoted to pushing for change. This book floored me.' —Osher Günsberg ‘To read Poster Boy is to experience the life-enriching idea that one person can make real change. Then wait for the minute, the day, the week, when the afterglow of his story works its magic on your own simple deeds. From little things, big things truly grow.’ —Megan Morton ‘An insightful look into the life and mind of one of Australia's most progressive and forthright artists of our generation.’ —Nick Mitzevich, director of the National Gallery of Australia

Sixteen-year-old Gray Fallon's easy life as a popular teen with cool parents changes when his younger sister Maggie is diagnosed with a rare form of cancer and his investigations prove that chemicals were the cause of it.

Outsider. Workingclass. Neuroatypical. Nonbinary. No Poster Boy. Elliott DeLine is an award-winning author of Refuse, I Know Very Well How I Got My Name, and Show Trans. His dynamic fiction and memoir writing has been informed by his experiences as a young transgender man contending with discrimination, poverty, mental illness, trauma and sexual identity. No Poster Boy is a collection of his most accessible, intimate, and daring essays on the subject of an underrepresented population: transgender men who are attracted to men. His humorous and sobering writing is eye-opening to outsiders and validating to those who share his experiences. Speaking from a place outside academia, outside metropolitan queer life, and challenging to mainstream puff-trans-politics, "Elliott DeLine is of the most searingly honest voices in this exciting generation of young trans writers." (Roger Hallas, former director of LGBT Studies at Syracuse University)

Yash Raj Studios. He had dreamt of this moment. At the studio where he'd take his screen test, they'd see how good he was. He'd blow them away with his acting. They'd sign him up for a film right there and then. He'd have his own make up van. He'd be a professional! Akshay arrives in Mumbai, the Indian cin industry's mecca, starry-eyed with a dream of becoming a famous actor like every seventh person who comes to the city. The friend he had relied on doesn't seem to be much of a friend when Akshay really needs him. Will Akshay still manage to become the next super star of Hindi films? Or is there something else in store? In A Poster Boy, Anjali Raghbeer shares Akshay's quest for stardom and the trials he endures. Join his fascinating journey that takes us on a nostalgic trip to the captivating world of hand painted Indian film posters.

Emily Rapp was born with a congenital defect that required, at the age of four, that her left foot be amputated. By the time she was eight she'd had dozens of operations, had lost most of her leg, from just above the knee, and had become the smiling, indefatigable "poster child" for the March of Dimes. For years she made appearances at church suppers and rodeos, giving pep talks about how normal and happy she was. All the while she was learning to live with what she later described as "my grievous, irrevocable flaw," and the paradox that being extraordinary was the only way to be ordinary. Praise for Poster Child: "Rapp's precise and forthright descriptions of her exhausting physical ordeals and complex psychic wounds are simultaneously harrowing and fascinating, and they foster a strong bond between writer and reader...Rapp approaches the memoir as a supple, revelatory, involving and generous genre....She offers a fresh perspective on our obsession with physical perfection, especially the crushing expectations for women, and she writes delicately about the fears that disability engenders regarding intimacy and sex. Rapp's insider's view of the history of prostheses deepens our empathy and admiration for those who depend on artificial limbs, a growing population, once again, in yet another time of war and horrific injuries. Memoir, the conduit from the personal to the universal, is the surest way into the kind of significant psychological, sociological and spiritual truth Rapp is engaged in articulating. And there isn't one false note here. Not one inauthentic moment. No cheap manipulation. No self-importance...Her cauterizing specificity is compelling, her candor incandescent and her intelligence, courage and spiritual diligence stupendous."-Donna Seaman, Los Angeles Times "You can't put down this excellent memoir ...Poster Child beautifully illustrates every human being's sometimes overt, sometimes co

2019 Living Now Book Awards Gold Medal Winner in Inspirational/Memoir (Female) 2018 Sarton Women's Book Awards finalist in Memoir Kirkus Reviews' Best Books of 2018 2018 Sarton Women's Book Awards Silver Medal in Memoir Francine Falk-Allen was only three years old when she contracted polio and temporarily lost the ability to stand and walk. Here, she tells the story of how a toddler learned grown-up lessons too soon; a schoolgirl tried her best to be a “normie,” on into young adulthood; and a woman finally found her balance, physically and spiritually. In lucid, dryly humorous prose, she also explores how her disability has affected her choices in living a fulfilling (and amusing) life in every area—relationships, career, religion (or not), athleticism, artistic expression, and aging, to name a few. A clear-eyed examination of living with a handicap, Not a Poster Child is one woman’s story of finding her way to a balanced life—one with a little cheekiness and a lot of joy.

In this hilarious memoir, a pampered city girl falls head over little black heels in love with a Peace Corps poster boy and follows him—literally to the ends of the earth. Eve Brown always thought she would join the Peace Corps someday, although she secretly worried about life without sushi, frothy coffee drinks and air conditioning. But with college diploma in hand, it was time to put up or shut up. So with some ambivalence she arrived at the Peace Corps office, sporting her best safari chic attire, to casually look into the steps one might take to become a global humanitarian, a la Angelina Jolie. But when Eve meets John, her dashing young Peace Corps recruiter, all her ambivalence flies out the window. She absolutely must join the Peace Corps and win John's heart in the process. After spending a year in the jungle in Ecuador, she runs back to the states, vowing to stay within easy reach of a decaf cappuccino for the rest of her days. Just as she's getting reacquainted with the joys of toilet paper, John gets a job with CARE and Eve must decide if she’s up for life in another third world outpost. Before you can say, "pass the malaria prophylaxis," the couple heads off to Uganda, and the fun really begins— if you call having rats in your toilet fun. Fortunately, in Eve’s case you certainly can, because to her, every experience is an adventure to embrace and the pages come alive with all of the poignant and uproarious details. From intestinal parasites to getting caught in a civil war, culture clashes to unexpected friendships, First Comes Love, then Comes Malaria is an honest and laugh-out-loud look at Eve’s misadventures as an aspiring do-gooder and her search for love and purpose, which she finds in the last place she expected.