Pop culture meets pop reference in this irreverent tour of twenty unlikely events, innovations, and individuals that forever changed how we live today -- the food we eat, the places we live, the love we make, the fads we follow, the clothes we wear, the products we buy, and much more. Veteran journalists Martin J. Smith and Patrick J. Kiger make the offbeat their beat, revealing the odd, surprising, and amusing origins of inexplicable cultural phenomena. From slam dunks to rock 'n' roll punks, permanent press to pantyhose, black velvet painting to point-click culture, high-tech diapers to low-brow entertainment -- they cover sports, business, music, media, film, fashion, and science, and explain a lot about why life today is so weird: If homeowners hate yardwork, why do most suburban homes have lawns? In the best-fed country on earth, how did thin become "in"? When did the "convenience" of convenience food become more important than the food? Was the sexual revolution really sparked by the disastrous honeymoon of a science geek? Why are today's multimillion-dollar design and marketing plans for cars based on the biggest failure in automotive history? How did the invention of air conditioning radically rebalance political power and affect the paths of presidents? The untold, unexpected, sometimes unholy stories are here, providing instant inside knowledge and richly entertaining insights into how and why we live as we do.

This is a popular visual history of the world from the American perspective from the end of the World War II through 1959. This book shows how our image of lifestyle was formed after the war and how the American point of view in 4-color became our life standard.

"Heroes of American Invention" is the story of the careers and works of several outstanding inventors. Here you will meet some of the most extraordinary men of all time including Thomas Edison, Wilbur and Orville Wright, Alexander Graham Bell, Samuel Morse, George Westinghouse, Cyrus McCormick, and George Baldwin Selden. These great inventors, working for the most part as individuals in their own small laboratories, accomplished great feats which revolutionized our civilization. "Heroes of American Invention" is the history of those feats and the often dramatic personal lives of those men.

A handsome, lavishly illustrated volume celebrates the human genius for invention from the dawn of civilization to the beginning of the new millennium.

An eye-opening account of the great black personalities of world history. In this first volume: outstanding blacks of Asia and Africa, and historical figures before Christ -- including Akhenaton, Aesop, Hannibal, Cleopatra, Zenobia, Askia the Great, the Mahdi, Samuel Adjai Crowther, and many more. World's Great Men of Color is a comprehensive account of the great Black personalities in world history. J. A. Rogers was one of the first Black scholars to devote most of his life to researching the lives of hundreds of men and women of color. This first volume is a convenient reference; equipped with a comprehensive introduction, it treats all aspects of recorded Black history. J. A. Rogers's book is vital reading for everyone who wants a fuller and broader understanding of the great personalities who have shaped our world. The companion volume covers the great Blacks of Europe, South and Central America, the West Indies, and the United States, including Marcus Garvey, Robert Browning, Dom Pedro, Alexandre Dumas, Joachim Murat, Aleksander Sergeevich Pushkin, Alessandro de' Medici, St. Benedict the Moor, and many others.

The untold story of how Japan became a cultural superpower through the fantastic inventions that captured—and transformed—the world’s imagination. “A masterful book driven by deep research, new insights, and powerful storytelling.”—W. David Marx, author of Ametora: How Japan Saved American Style Japan is the forge of the world’s fantasies: karaoke and the Walkman, manga and anime, Pac-Man and Pokémon, online imageboards and emojis. But as Japan media veteran Matt Alt proves in this brilliant investigation, these novelties did more than entertain. They paved the way for our perplexing modern lives. In the 1970s and ’80s, Japan seemed to exist in some near future, gliding on the superior technology of Sony and Toyota. Then a catastrophic 1990 stock-market crash ushered in the “lost decades” of deep recession and social dysfunction. The end of the boom should have plunged Japan into irrelevance, but that’s precisely when its cultural clout soared—when, once again, Japan got to the future a little ahead of the rest of us. Hello Kitty, the Nintendo Entertainment System, and multimedia empires like Dragon Ball Z were more than marketing hits. Artfully packaged, dangerously cute, and dizzyingly fun, these products gave us new tools for coping with trying times. They also transformed us as we consumed them—connecting as well as isolating us in new ways, opening vistas of imagination and pathways to revolution. Through the stories of an indelible group of artists, geniuses, and oddballs, Pure Invention reveals how Japan’s pop-media complex remade global culture.

How providential history--the conviction that God is an active agent in human history--has shaped the American historical imagination In 1847, Protestant missionary Marcus Whitman was killed after a disastrous eleven-year effort to evangelize the indigenous peoples of the Pacific Northwest. By 1897, Whitman was a national hero, celebrated in textbooks, monuments, and historical scholarship as the "Savior of Oregon." But his fame was based on a tall tale--one that was about to be exposed. Sarah Koenig traces the rise and fall of Protestant missionary Marcus Whitman's legend, revealing two patterns in the development of American history. On the one hand is providential history, marked by the conviction that God is an active agent in human history and that historical work can reveal patterns of divine will. On the other hand is objective history, which arose from the efforts of Catholics and other racial and religious outsiders to resist providentialists' pejorative descriptions of non-Protestants and nonwhites. Koenig examines how these competing visions continue to shape understandings of the American past and the nature of historical truth.