The Congregation for Extraordinary Ecclesiastical Affairs can be considered the political ‘think tank’ of the Roman Curia, the dicastery responsible for bilateral relations with the States, as well as treating the most delicate ecclesiastical issues in the Local Churches. It is the place that brings together the most infuential cardinals of the Roman Curia, the pope’s closest counsellors. The present study aims at clarifying the true operational space of this Congregation during a delicate moment in world history, between 1914 and 1922. It is the period marked by the First World War and the post- war reconstruction, with the birth of a number of Nation States, a time, which also coincides with the pontifcate of Benedict XV. This volume treats not only the history, structure and activity of this Congregation, but also its role within the curial apparatus following the reform of Pius X in 1908. It presents in a new manner its personnel, as well as the debates between the cardinal members, which betray dynamic relationships that are not always as expected. It also sheds new light on the relationship between Benedict XV, his Secretary of State, Pietro Gasparri, and the other cardinals.

Challenges, crises and difficult experiences are an integral part of our lives and an inherent element of every human being's existence, in addition to being ingrained in the functioning of organisations, institutions and nations. On many occasions humankind has failed to confront them, resulting in the real dramas that we witness on the pages of history. Fortunately, challenges, crises and difficult situations have often been lessons, from which appropriate conclusions have been drawn, thanks to which it was possible to create a better future. In the history of the Church from its very beginning, challenges have been an integral part of working towards a better tomorrow, a better version of oneself and the reality around us and the Church herself. Paradoxically, what was intended to weaken or even destroy the faith became an impulse for its spread. Crisis became the cause of consolidation and development. And so, over the centuries, the Church has faced crises caused by schisms, divisions, unsuitable people in ecclesiastical offices, as well as challenges posed by the surrounding world, political systems and conflicts of human origin. Owing to this publication, the reader will be able to learn about various types of crises and challenges in order to draw conclusions from them, to appreciate the history of the Church through a better knowledge thereof, and all this in order to create a better future. The subject of the book concerns crises and challenges during various periods in the history of the Church up until modern times, including the crisis caused by the Second World War or communism in Central and Eastern Europe.

The Mediterranean, both a sea and a theatre, has served throughout history as a fundamental crossroads for the political-religious dynamics and international tensions that characterize the various worlds, east and west, south and north, that meet in this basin. Starting from these premises, the present work examines - within a chronological span that goes from the conclusion of the Second World War to the end of Pius XII’s pontificate - the contribution offered by the Holy See and by Catholics from different national contexts in deciphering the role of the Mediterranean Sea within the wider global context. As such, it constitutes a reflection on this geographical space with its peculiar cultural, economic, political, and religious realities by highlighting the role played by the Mediterranean in the elaboration of visions and projects of civilization. This work is the fruit of a wider research programme called Occidentes - Horizons and projects of civilization in the Church of Pius XII. It brings together the work of seven historians from different European Universities.

Milton, the Sublime and Dramas of Choice challenges readers and scholars to rethink Milton’s relationship to the sublime in terms of ethics. The book demonstrates that Milton’s sublimity merges the early modern reception of Longinus with classical, medieval, and Renaissance categories of magnanimity, wonder, and inspiration to investigate the relations between human and divine agency. Under the influence of early modern models of sublimity, including Spenser and Shakespeare, Milton speaks through his fictional characters about the making of heroic and literary virtue. In turn, the work also sheds light on the importance of tragedy as an additional source to the formation of the Renaissance sublime. Milton’s tragic plots illustrate how the character’s virtue is tested, strengthened, and eventually transformed into an experience of elevation. The study explores the heroic path from dramatic choice to self-realisation, offering extensive treatments of Milton’s dramas – A Maske and Samson Agonistes. The redefinition of the pairing “Milton and the sublime” in this work aims to relocate the poet within the English literary history as the climax of earlier traditions and receptions of the sublime, but also as the starting point of modern sublimity