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Excerpt from A Playgoer's Memories I don't know why you should apply to me for a foreword to your book on the inner history of the late Victorian and Edwardian stage, unless it be for the reason that no one else in the theatrical world is so ignorant as I of the said inner history. I have never in my life been in a green-room - does such a thing exist nowadays - and at theatrical clubs I have been a very infrequent and somewhat dépaysé guest. Therefore I could as easily have written a book on Einstein's Theory of Relativity as on the subjects which you handle with such suave and humane omniscience. I suppose, then, that you apply to me as the least expert and the most appreciative reader you can find. You know how I delighted in your Fifty Years of a Londoner's Life, and you make with confidence a second appeal to my interest in the men and women whom I have hitherto known only, or mainly, as actors and actresses. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

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This book analyses the drama of memory in Shakespeare's history plays. Situating the plays in relation to the extra-dramatic contexts of early modern print culture, the Reformation and an emergent sense of nationhood, it examines the dramatic devices the theatre developed to engage with the memory crisis triggered by these historical developments. Against the established view that the theatre was a cultural site that served primarily to salvage memories, Isabel Karremann also considers the uses and functions of forgetting on the Shakespearean stage and in early modern culture. Drawing on recent developments in memory studies, new formalism and performance studies, the volume develops an innovative vocabulary and methodology for analysing Shakespeare's mnemonic dramaturgy in terms of the performance of memory that results in innovative readings of the English history plays. Karremann's book is of interest to researchers and upper-level students of Shakespeare studies, early modern drama and memory studies.