This activity book is filled with challenging but fun word search puzzles and unscrambled word games that will enhance your problem solving skills and orthography. These games are sure to boost your brain while helping your overall cognition skills. The games created by school founder Shevonica M. Howell will also help boost and develop one’s analytical skills.

Learn the origins of popular phrases in the English language through this exciting book of games perfect for language lovers. Do you know the connection between the expression A HARROWING EXPERIENCE and agriculture, between BY AND LARGE and sailing, between GET YOUR GOAT and horses, or between STEAL YOUR THUNDER and show business? You probably have heard the comparisons HAPPY AS A CLAM, SMART AS A WHIP, PLEASED AS PUNCH, DEAD AS A DOORNAIL—but have you ever wondered why a clam should be happy, a whip smart, punch pleased, and a doornail dead? Through the fifty games included in The Play of Words you'll discover the answers to these questions as well as hundreds of other semantic delights that repose in our marvelous English language.

Wordplay involving several linguistic codes represents an important modality of ludic language. It is attested in different epochs, communicative situations, genres, and contexts of use. The translation of wordplay, which is generally seen as a challenging enterprise, illustrates another dimension of crossing linguistic borders in wordplay. The third volume of the series The Dynamics of Wordplay unites contributions from different disciplines which study the creative and playful use of elements from different languages and the transfer of ludic language into other linguistic systems. It sheds light on the multi-dimensionality, special linguistic make-up, and specific interactive potential of wordplay at the interface of different languages and cultures. The individual studies collected in this volume will be of interest to scholars from different scientific fields, such as linguistics and literary studies as well as cultural and media studies.

Old Age is Just A Play on Words is providing me a grand opportunity to perform a literary song and dance in honor of people whom I have admired and respected throughout the years. Many of these people have been older relatives, friends, and acquaintances who have been a great influence in my life and in the lives of others. I have endeavored to honor them against a thematic backdrop of agelessness which they all represent. They deserve to be celebrated because of their wisdom, knowledge, wit, and zeal for living wholesome and exuberant lives, in spite of the social, environmental, and health related obstacles that they encountered. The poem, "Lonnie", is based on the actual words spoken by an older gentleman who proudly expressed to me his leisure-time activities. I immediately thought, These are age old occurrences because old age is just a play on words. My fondness for good southern living was the inspiration for the section entitled "Call Me Country All You Wanna". Furthermore, my appreciation of my southern upbringing is woven in the other three sections of the book, Age of Contradictions, Old Fashioned Genuine Love, and Let Every Tongue Confess.(Ron Parker) Ron Parkers spirited collection of poems shows us how universal a celebration of the human experience can be. This body of work gives real-life people an opportunity to re-experience their hopes, dreams, ups, and downs which are so familiar to mankind. Each poem will touch where the crux of passion and zeal for life dwells. This modern day Wordsworth pens a style that is direct, pointed, and committed to delineating the vivid mental images that will strike a chord of I Remember in the minds of every reader.(Dr.Azalie B. Hightower)

Wordplay involving several linguistic codes is an important modality of ludic language. This volume offers a multidisciplinary approach to the topic, discussing examples from different epochs, genres, and communicative situations. The contributions illustrate the multi-dimensionality, linguistic make-up, and the special interactive potential of wordplay across linguistic and cultural boundaries, including the challenging practice of translation.

"The play of words" examines the dynamics of interfamilial violence in the Oresteia. It argues that the key element of the play's discourse about violence is to be found in the inquiry for a definition of Clytemnestra's motherhood. The failure of this research challenges the reader with some open questions: who is Clytemnestra? Where is justice if a mother dies? By reading the play's narrative on interfamilial violence and matricide as a narrative of uncertainties in terms of the role of the mother figure, this book illustrates the complexity of the maternal role of Clytemnestra. It also breaks silence among scholars, who have generally portrayed Clytemnestra as the bad mother who kills the children's father and as the bad wife who betrays her husband.