Joliffe and company play spies amongst the British aristocracy as lords and clergymen vie for the coveted position of regent to the young King Henry VI. But when men who know too much begin to die in violent ways, the players start to fear for their own lives.

In a malarial outpost in the South American rain forest, two misplaced gringos converge and clash in this novel from the National Book Award-winning author. Martin Quarrier has come to convert the elusive Niaruna Indians to his brand of Christianity. Lewis Moon, a stateless mercenary who is himself part Indian, has come to kill them on the behalf of the local comandante. Out of this struggle Peter Matthiessen creates an electrifying moral thriller—adapted into a movie starring John Lithgow, Kathy Bates, and Tom Waits. A novel of Conradian richness, At Play in the Fields of the Lord explores both the varieties of spiritual experience and the politics of cultural genocide.

The fairies are back, but this time they don’t just want your teeth . . . Granny Weatherwax and her tiny coven are up against real elves. There’s a full supporting cast of dwarfs, wizards, trolls, Morris dancers and one orangutan. It’s Midsummer Night — no time for dreaming. And lots of hey-nonny-nonny and blood all over the place.

A collection bringing together in a single volume a number of the best twentieth-century essays on Byron’s dramas, together with comprehensive bibliographies on each of them.

For a brief period in the late Elizabethan Era an innovative company of players dominated the London stage. A fellowship of dedicated thespians, Lord Strange’s Men established their reputation by concentrating on “modern matter” performed in a spectacular style, exploring new modes of impersonation, and deliberately courting controversy. Supported by their equally controversial patron, theater connoisseur and potential claimant to the English throne Ferdinando Stanley, the company included Edward Alleyn, considered the greatest actor of the age, as well as George Bryan, Thomas Pope, Augustine Phillips, William Kemp, and John Hemings, who later joined William Shakespeare and Richard Burbage in the Lord Chamberlain’s Men. Though their theatrical reign was relatively short lived, Lord Strange’s Men helped to define the dramaturgy of the period, performing the plays of Shakespeare, Christopher Marlowe, Thomas Kyd, and others with their own distinctive flourish. Lawrence Manley and Sally-Beth MacLean offer the first complete account of the troupe and its enormous influence on Elizabethan theater. Seamlessly blending theater history and literary criticism, the authors paint a lively portrait of a unique community of performing artists, their intellectual ambitions and theatrical innovations, their business practices, and their fearless engagements with the politics and religion of their time.