Performing at the wedding of Sir Edmund Deneby's daughter, the player Joliffe has another task to perform—as a spy. As he uncovers the secrets of the Denebys' sordid history, it becomes clear that this wedding celebration is destined to end in tragedy.

Performing at the wedding of Sir Edmund Deneby's daughter, the player Joliffe has another task to perform—as a spy. As he uncovers the secrets of the Denebys' sordid history, it becomes clear that this wedding celebration is destined to end in tragedy.

Davenport offers a reassessment of The Pride of Lifeand the Macro Plays and argues for a new grouping of plays.

This collection of plays from late-medieval England includes a rich selection of noncycle plays and morality plays along with some of the better-known pageants from the cycle plays and some theatrical fragments never before anthologized. These plays and fragments illustrate the most widespread early theatrical practices in England and represent drama that fed directly into the Elizabethan theatrical experience.

MEDIUM AEVUM says of Heaven Singing, the general discussion of the subject from which the present volume follows on with examination of the individual plays: 'A formidable achievement, indispensable for any serious and comprehensive study of early English drama.'

In the spring of 1435, Joliffe and his fellow players are sent to the village of Ashewell not only to stage plays, but to uncover some dark secrets about the town’s three wealthy families: the Ashewells, the Medcotes, and the Gosyns. A rivalry has been brewing among the families, entangling the entire town in a web of seduction, deception, and blackmail. Matters go beyond the breaking point when someone turns to murder to settle their grievances. And if one murder is good, why not another? If all the world is a stage, then it’s up to Joliffe to bring the curtain down on this tragedy—before another man takes his final curtain call...