'A plaine and easie waie to remedie a horse' is the first complete text to focus exclusively on the health and illness of the most important animals in early modern England. It also follows on and further develops the subject of early modern veterinary medicine introduced by Louise Hill Curth in 'The Care of Brute Beasts: a social and cultural study of veterinary medicine in early modern England'. This book is divided into three sections which start by providing an overview of the evolution of English hippiatric medicine from ancient and medieval times into the early modern period. The second section moves on to the structures of practice which include the astrological principles between preventative, remedial and surgical medicine for horses, followed by an in-depth discussion of how such knowledge was disseminated through the oral, manuscript and print culture.

Interspecies Interactions surveys the rapidly developing field of human-animal relations from the late medieval and early modern eras through to the mid-Victorian period. By viewing animals as authentic and autonomous historical agents who had a real impact on the world around them, this book concentrates on an under-examined but crucial aspect of the human-animal relationship: interaction. Each chapter provides scholarly debate on the methods and challenges of the study of interspecies interactions, and together they offer an insight into the part that humans and animals have played in shaping each other’s lives, as well as encouraging reflection on the directions that human-animal relations may yet take. Beginning with an exploration of Samuel Pepys’ often emotional relationships with the many animals that he knew, the chapters cover a wide range of domestic, working, and wild animals and include case studies on carnival animals, cattle, dogs, horses, apes, snakes, sharks, and invertebrates. These case studies of human-animal interactions are further brought to life through visual representation, by the inclusion of over 20 images within the book. From ‘sleeve cats’ to lion fights, Interspecies Interactions encompasses a broad spectrum of relationships between humans and animals. Covering topics such as use, emotion, cognition, empire, status, and performance across several centuries and continents, it is essential reading for all students and scholars of historical animal studies.

This volume provides a unique introduction to the most topical issues, advances, and challenges in medieval horse history. Medievalists who have a long-standing interest in horse history, as well as those seeking to widen their understanding of horses in medieval society will find here informed and comprehensive treatment of chapters from disciplines as diverse as archaeology, legal, economic and military history, urban and rural history, art and literature. The themes range from case studies of saddles and bridles, to hippiatric treatises, to the medieval origins of dressage literary studies. It shows the ubiquitous – and often ambiguous – role of the horse in medieval culture, where it was simultaneously a treasured animal and a means of transport, a military machine and a loyal companion. The contributors, many of whom have practical knowledge of horses, are drawn from established and budding scholars working in their areas of expertise.

Fractures in the Horse ist ein umfassendes zeitgemäßes Referenzwerk zu Frakturen beim Pferd. In den ersten 15 Kapiteln werden Grundlagen behandelt wie: * Struktur und Funktion der Knochen, physiologische Aspekte der Anpassung, Stressschutz und ultrastrukturelle Morphologie * Die Pathophysiologie von Knochenbrüchen, insbesondere die wesentlichen Merkmale von Knochenversagen, verschiedene Brucharten, Belastungsmerkmale, Spannung und Dehnung. * Die Epidemiologie von Frakturen mit geographischer, disziplinärer und pferdespezifischer Inzidenz, Risikofaktoren und Varianten sowie Vorhersagbarkeit. * Bildgebende diagnostische Verfahren wie Röntgen, Ultraschall, Szintigraphie, Magnetresonanztomographie, Computertomographie und Positronenemissionstomographie. * Behandlung akuter Frakturen, präoperative Planung, Anästhesie und Analgesie, Versorgung von stehenden Frakturen und Umgang mit Komplikationen. * Chirurgische Ausrüstung und Reparaturtechniken, externe Koaptation und Rehabilitation. In den 22 weiteren Kapiteln werden sämtliche klinisch relevanten Frakturen behandelt. Beschrieben werden jeweils die relevante Anatomie, die Frakturtypen, Inzidenz und Ursachen, klinische Merkmale und Erscheinungsformen, Bildgebung und Diagnose, Behandlung akuter Frakturen sowie Behandlungsoptionen und -techniken. Zudem enthalten die Kapitel eine Dokumentation der verfügbaren Ergebnisse sowie durchgängig Empfehlungen des Autors. Fractures in the Horse ist ein aktuelles Referenzwerk für alle, die sich mit Pferdemedizin beschäftigen. Es ist als Handbuch für Chirurgen, Diagnostiker, Assistenzärzte und Ärzte in Ausbildung geeignet. Tierärzten dient es als Nachschlagewerk für die Behandlung von Frakturen und vermuteten Frakturen in der Praxis, bei der Beratung der Tierhalter und der Entscheidungsfindung. Einzelne Kapitel sind auch für Anästhesisten, Chirurgen und klinisches Personal, das für die bildgebende Diagnostik zuständig ist, von Interesse.

Through a study of horses, the book reveals how an important and growing aristocratic estate was managed, where the aristocrat at the centre of it - William Cavendish - travelled and how he spent his time, and how horses were oneof the means by which he asserted his social status.

Equine Medicine and Popular Romance in Late Medieval England explores a seldom-studied trove of English veterinary manuals, illuminating how the daily care of horses they describe reshapes our understanding of equine representation in the popular romance of late medieval England. A saint removes a horse’s leg the more easily to shoe him; a wild horse transforms spur wounds into the self-healing practice of bleeding; a messenger calculates time through his horse’s body. Such are the rich and conflicted visions of horse/human connection in the period. Exploring this imagined relation, Francine McGregor reveals a cultural undercurrent in which medieval England is so reliant on equine bodies that human anxieties, desires, and very orientation in daily life are often figured through them. This book illuminates the complex and contradictory yearnings shaping medieval perceptions of the horse, the self, and the identities born of their affinity.