Prior to any attempt to study a text at the literary level, the textual material itself has to be carefully established. It is for this reason that the present volume is devoted to a detailed text-critical study of the 'physical' text of the Plagues Narrative in Exod. 7:14 11:10. In the first chapter, the author formulates a number of prolegomena relating to textual criticism as a discipline, the extant textual material, the terminology employed and the methodological model that serves as the basis of this study. In the second chapter, data provided by the various textual forms of the Plagues Narrative in Exod. 7:14 11:10, namely MT, LXX, SamP, 4QpaleoExodm, 4QpaleoGen-Exodl, 2QExoda, 4QExodc, 4QGen-Exoda and 4QExodj, are registered and described. The extant textual versions themselves are presented in the form of a synopsis, added as an appendix to this book. The third and final chapter offers the text-critical evaluation of all 'text-relevant' variants.

Prior to any attempt to study a text at the literary level, the textual material itself has to be carefully established. It is for this reason that the present volume is devoted to a detailed text-critical study of the 'physical' text of the ‘Plagues Narrative’ in Exod. 7:14–11:10. In the first chapter, the author formulates a number of prolegomena relating to textual criticism as a discipline, the extant textual material, the terminology employed and the methodological model that serves as the basis of this study. In the second chapter, data provided by the various textual forms of the ‘Plagues Narrative’ in Exod. 7:14–11:10, namely MT, LXX, SamP, 4QpaleoExodm, 4QpaleoGen-Exodɭ, 2QExoda, 4QExodc, 4QGen-Exoda and 4QExodj, are registered and described. The extant textual versions themselves are presented in the form of a synopsis, added as an appendix to this book. The third and final chapter offers the text-critical evaluation of all 'text-relevant' variants.

Entertaining and informative, this collection of clichés really is the best thing since sliced bread ...

This book is an account of the history and continuation of plague as a potent metaphor since the disease ceased to be an epidemic threat in Western Europe, engaging with twentieth-century critiques of fascism, anti-Semitic rhetoric, the Oedipal legacy of psychoanalysis and its reception, and film spectatorship and the zombie genre.

During the seventeenth century, England was beset by three epidemics of the bubonic plague, each outbreak claiming between a quarter and a third of the population of London and other urban centers. Surveying a wide range of responses to these epidemics—sermons, medical tracts, pious exhortations, satirical pamphlets, and political commentary—Plague Writing in Early Modern England brings to life the many and complex ways Londoners made sense of such unspeakable devastation. Ernest B. Gilman argues that the plague writing of the period attempted unsuccessfully to rationalize the catastrophic and that its failure to account for the plague as an instrument of divine justice fundamentally threatened the core of Christian belief. Gilman also trains his critical eye on the works of Jonson, Donne, Pepys, and Defoe, which, he posits, can be more fully understood when put into the context of this century-long project to “write out” the plague. Ultimately, Plague Writing in Early Modern England is more than a compendium of artifacts of a bygone era; it holds up a distant mirror to reflect our own condition in the age of AIDS, super viruses, multidrug resistant tuberculosis, and the hovering threat of a global flu pandemic.

People are dying. Then they are waking up hungry. In the small university town of Redwood Grove, people are succumbing to a lethal strain of flu. They are dying—but not for long. Ashley Parker and her boyfriend are attacked by these shambling, rotting creatures that crave human flesh. Their lives will never be the same again. When she awakes Ashley discovers that she is a "wild card"— immune to the virus—and is recruited by a shadowy paramilitary organization that offers her the chance to fight back. Trained by gorgeous vegan Gabriel, and bonding with her fellow wild cards, Ashley begins to discover skills she never knew she had. As the town falls to ever-growing numbers of the infected, Ashley and her team fight to contain the outbreak—but will they be enough?

In Traductor Scriptor, John Screnock situates the Old Greek translation of the Hebrew Bible within the broader scribal culture of the ancient world. Building on current methods in Septuagint studies and textual criticism, Screnock engages the evidence from Qumran, the Samaritan Pentateuch, and the Old Greek to argue that the phenomena of translation and transmission are fundamentally similar. Traductor Scriptor presents a unique approach to the use of the Old Greek for textual criticism of the Hebrew Bible, based on new theoretical considerations and an in-depth analysis of text-critical data in the Old Greek translation and Hebrew manuscripts of Exodus 1–14.