Celebrate life's journeys with the beloved author whose stories of life and love touched the world. A Place Like Home is a spellbinding collection of short stories by internationally bestselling author Rosamunde Pilcher, never before published in book form. The collection contains fifteen stories, which range from "Our Holiday", in which a wife surprises her husband of twenty-five years with a holiday full of Mediterranean sunshine, red rocks and blue seas in an effort to rekindle the romance they had before children; "Through the Eyes of Love", which takes the reader to a village by the sea where old flames meet again; and "A Place Like Home", where a lonely young woman goes to recuperate in the Scottish countryside after a brief illness. The fruit orchards and fresh sea air offer much needed respite—but not as much as the handsome, mysterious farmer she meets. Each unforgettable story is the perfect slice of romance written with warmth and passion featuring wonderfully memorable, smart, and feisty female characters that will transport the reader to another time and place.

Humorous, poignant, and honest, No Place Like Home is the story of one woman’s journey to feel settled without settling, and her realization that home is much more than an address. Brooke Berman moved to New York as a wide-eyed eighteen-year-old eager to call the big city home. Candid, funny, and thoughtful, in No Place Like Home, we follow Brooke’s adventures as she crisscrosses town trying to make ends meet and make her dreams of a life in the theater come true. With each apartment, from the heavenly to the horrible, she learns more about how to heal the past, let go of excess, and keep a sense of humor while trying to stay flexible in the search for stability. No Place Like Home reminds everyone of the age-old struggle not just to find a house, but to build a true home.

Liza Barclay, aged 10, shot her mother while trying to protect her from her violent stepfather, ex-FBI agent Charley Foster. Despite her stepfather's claim that it was a deliberate act, the Juvenile Court ruled the death an accident. Many people, however, agreed with Foster and tabloids compared Liza to the infamous murderess, Lizzie Borden, pointing even to the similarity in name. Growing up with adoptive parents who tried to erase every trace of her past, her name is changed to Celia. Always, though, the fear hung over her and the family - that someday, her vengeful stepfather would reappear to harm her. Aged 25, a successful interior designer, she marries a childless sixty-year old widower and they have a son. Before their marriage, she had confided her earlier life to her husband. Two years on, on his deathbed, he tells her that he would want her to re-marry, but makes her swear never to reveal her past to anyone, so that their son would not carry the burden of this family tragedy - a promise that plunges her into a new cycle of violence. Three years later, happily re-married, Celia is shocked when her second husband presents her with a gift -- the house where she killed her mother. When the real estate agent who has made the sale recognises her and, soon after, is murdrered, Celia is accused of the crime. Once again, she is home -- the place where she is stamped as a murderess.

Far from the coastal centers of culture and politics, Kansas stands at the very center of American stereotypes about red states. In the American imagination, it is a place LGBT people leave. No Place Like Home is about why they stay. The book tells the epic story of how a few disorganized and politically naïve Kansans, realizing they were unfairly under attack, rolled up their sleeves, went looking for fights, and ended up making friends in one of the country’s most hostile states. The LGBT civil rights movement’s history in California and in big cities such as New York and Washington, DC, has been well documented. But what is it like for LGBT activists in a place like Kansas, where they face much stiffer headwinds? How do they win hearts and minds in the shadow of the Westboro Baptist Church (“Christian” motto: “God Hates Fags”)? Traveling the state in search of answers—from city to suburb to farm—journalist C. J. Janovy encounters LGBT activists who have fought, in ways big and small, for the acceptance and respect of their neighbors, their communities, and their government. Her book tells the story of these twenty-first-century citizen activists—the issues that unite them, the actions they take, and the personal and larger consequences of their efforts, however successful they might be. With its close-up view of the lives and work behind LGBT activism in Kansas, No Place Like Home fills a prairie-sized gap in the narrative of civil rights in America. The book also looks forward, as an inspiring guide for progressives concerned about the future of any vilified minority in an increasingly polarized nation.

The SnowKids of Marshmallow Mountain discover an old broken-down candy factory in a quiet corner of town and they decide to get it running again.

Stylish and practical designs for real families From the many room makeovers he has done for magazines, newspapers, and television shows, designer Stephen Saint-Onge has a very real sense of what everyday families want and need from their homes. Unlike other decorating books on the market, his features products and projects that are accessible for everyday homeowners who are looking for stylish and practical designs. Now, his scores of fans will thrill for No Place Like Home. With home designs that are budget-conscious, family-friendly, and beautiful, these inspiring projects mix traditional American style with modern comforts and convenience. Introduces creative tools and tricks that make a big impact on rooms Educates readers on various materials, furnishings, and accessories Stephen's style secrets for every room of the home Full of creative advice, design tips, and renovation ideas, No Place Like Home shows real families how to create spaces that work in the real world.

In No Place Like Home, Brian McCabe challenges the ideology of homeownership as a tool for building stronger communities and crafting better citizens. McCabe argues that homeowners often engage in their communities as a way to protect their property values, and this participation leads to the politics of exclusion.