Celebrated author Richard Wagamese artfully crafts these thrilling yet vulnerable stories of two young men trying to find their place in the world. The volume brings together two previously published novellas by Richard Wagamese, Him Standing and The Next Sure Thing, with a foreword from author Waubgeshig Rice. Both stories follow the lives of young men who have dreams for a better future. In their search for fame and fortune, Cree Thunderboy and Lucas Smoke end up on paths where their biggest challenge is staying true to themselves. In Him Standing, Lucas Smoke learns the art of carving from his grandfather. He discovers that he is a natural; he can literally make people come to life in wood. But when Lucas is asked to carve a spirit mask by a mysterious stranger, he quickly learns that his skill with a knife could cost him his dreams. In The Next Sure Thing, Cree Thunderboy has two things he does well: playing blues guitar and picking winning horses at the track. Picking winners is just meant to be a means to an end—Cree's goal is to make his living playing the blues. He meets a powerful man at the racetrack who convinces him he can parlay his special skill with the horses into a shot at the fame and fortune he seeks.

In the essay, Ferguson discusses the rise and fall of the pictorial in photography in the early 20th century and how the spontaneous style of street photography came to dominate the medium, before looking at the return of considered composition from the late 1970s onward. Often quoting the artists in the exhibition, and describing their very deliberate processes for making pictures, Ferguson traces this tendency in contemporary photography. He articulates the conceptual goals of the work and positions in a wider context.

When a Native carver agrees to produce a spirit mask for a mysterious stranger, he falls under the spell of a dangerous sorcerer from the Dream World.

A follow-up to In the Woods finds a traumatized detective Cassie Maddox struggling in her career and relationship with Sam O'Neill while investigating the unsettling murder of a young woman whose name matches an alias Cassie once had used as an undercover officer. 50,000 first printing.

Irish Bryony St. Charles’ father contacted Sir Sebastian Sheringham and reminded him of a pledge made between Sebastian’s father and Bryony’s, that their two children should wed. Liskillen House was in danger of foreclosure and Bryony for her father’s sake accepted Sebastian’s proposal. But everything went wrong from her first step in England, and it didn’t improve when she was placed under the dragon duchess’s tutelage! Regency Romance by Sandra Heath; originally published by Signet

Jackie Salter is convinced that her brother-in-law Michael Campbell did not murder her sister, Victoria, but the police have different ideas. Angry but undaunted, she hires alcoholic private investigator Trish Lister to search for the truth and gain Michael’s release from prison.Getting the proof is not Trish’s only problem. Nothing is allowed to stand in the way of a gin and tonic – and it doesn’t, despite all of Jackie’s attempts to keep her sober. Trish performs a miracle and obtains key evidence to free Michael, but when D. I. Denton pressures her into being his ‘eyes’ at the marina, she does not appreciate the risks that are approaching. When a second woman is murdered, Denton is so obsessed with his own failures that he is unable to see the effect it is having on his own family – in particular his children – and it is left to his understanding wife to restore his confidence.It is not until Trish meets Sylvia Page that she fully begins to grasp the danger she is in, but is it too late..?Author Roger is inspired by Agatha Christie and Ruth Rendell. A Perfect Likeness will appeal to fans of crime fiction – particularly women, as the protagonists in the novel are all female.

Diminutive marvels of artistry and fine craftsmanship, portrait miniatures reveal a wealth of information within their small frames. They can tell tales of cultural history and biography, of people and their passions, of evolving tastes in jewelry, fashion, hairstyles, and the decorative arts. Unlike many other genres, miniatures have a tradition in which amateurs and professionals have operated in parallel and women artists have flourished as professionals. This richly illustrated book presents approximately 180 portrait miniatures selected from the holdings of the Cincinnati Art Museum, the largest and most diverse collection of its kind in North America. The book stresses the continuity of stylistic tradition across Europe and America as well as the vitality of the portrait miniature format through more than four centuries. A detailed catalogue entry, as well as a concise artist biography, appears for each object. Essays examine various aspects of miniature painting, of the depiction of costume in miniatures, and of the allied art of hair work.