North Carolina's Paul Green (1894-1981) was part of that remarkable generation of writers who first brought southern writing to the attention of the world. Winner of a Pulitzer Prize for Drama in 1927, Green was a restless experimenter who pioneered a new form of theater with his "symphonic drama," The Lost Colony. A concern for human rights characterized both his life and his writing, and his steady advocacy for educational and social reform and racial justice contributed in fundamental ways to the emerging New South in the first half of this century. A Paul Green Reader makes available once again the work of this powerful and engaging writer. It features Green's drama and fiction, with texts of three plays--including the Pulitzer Prize-winning In Abraham's Bosom and the famous second act of The Lost Colony--and six short stories. It also reveals the life behind the work through several of Green's essays and letters and an excerpt from The Wordbook, his collection of regional folklore. Laurence Avery's introduction outlines Green's life and examines the central concerns and techniques of his work. A native of Harnett County, North Carolina, Paul Green was a devoted teacher of philosophy and drama at the University of North Carolina at Chapel Hill.

"Drawing on his complete access to Green's papers and on interviews with surviving family members, John Herbert Roper covers all the important aspects of Green's life and career. By word and deed, Paul Green spread the faith of liberalism across the New South, which he insistently called the "Real South." Long after literary fashion had left him behind, he wrote daily and remained at the forefront of causes concerning race relations, militarism, women's and workers' rights, and capital punishment."--BOOK JACKET.

One of Paul Green's best plays, The House of Connelly, was the first play performed (on Broadway in 1931) by the renowned Group Theatre of New York. This book reintroduces the play, and the playwright--famous in his day, but largely forgotten now, although his outdoor symphonic drama The Lost Colony continues to be performed every summer in Manteo, North Carolina. The House of Connelly, is a more traditional drama, comparable to the writing of Tennessee Williams, and the editor asserts that the play deals more directly and fully with racial issues of the early 20th-century South than Williams did in his work. A new edition of the play includes both the original tragic ending and the revised ending Green wrote upon the Group Theatre directors' request. The writing, production and publication history of the play is provided, as well as a scene-by-scene critical analysis and a discussion of the 1934 film adaptation, Carolina. The play's theme is change and Green shows with both endings that the South had to change to survive.

Most widely known for his starring role as outlaw Hannibal Heyes in television's Alias Smith and Jones (1971-1973), actor Pete Duel (originally Peter Deuel) led an unpredictable and often tumultuous life, cut short by his highly publicized suicide on New Year's Eve 1971, at the height of his celebrity. In the expanded second edition, this biography of Duel reveals more personal aspects of his career and death, including his formative years in New York City and Hollywood. The author draws on extensive interviews with Duel's closest family and friends, including sister Pamela Deuel, former girlfriends Jill Andre, Beth Griswold, Kim Darby and Dianne Ray, as well actors, producers, directors and writers who worked with Duel.

"For twenty-eight years, Pamela Paul has been keeping a diary that records the books she reads, rather than the life she leads. Or does it? Over time, it's become clear that this Book of Books, or Bob, as she calls him, tells a much bigger story. For Paul, as for many readers, books reflect her inner life--her fantasies and hopes, her dreams and ideas. And her life, in turn, influences which books she chooses, whether for solace or escape, diversion or self-reflection, information or entertainment. My Life with Bob isn't about what's in those books; it's about the relationship between books and readers"--

In 1937, The Lost Colony, Paul Green's dramatic retelling of the founding and mysterious disappearance of the Roanoke Island colony, opened to standing-room-only audiences and rave reviews. Since then, the beloved outdoor drama has played to more than 3 million people, and it is still going strong. Produced by the Roanoke Island Historical Association at the Waterside Theater near Manteo, North Carolina, The Lost Colony has run for more than sixty summers almost without interruption. (Production was suspended during World War II, when the threat of German submarines prowling the coast made an extended blackout necessary.) The model for modern outdoor theater, The Lost Colony combines song, dance, drama, special effects, and music to breathe life into shadowy legend. This rendering of the play's text, edited and with an introduction by Laurence Avery, brings this pioneering work back into print.

This text provides a unified, cross disciplinary treatment of fiber optic networks. Rather than focusing on point-to-point fibre optic links, this reference looks at the more modern issues of fibre optic network links. Figures, problems, pictures of real devices, and diagrams of real systems supplement the text. The book is designed for communications research and development professionals, especially those involved with fibre optics.