Required reading has never been so hot. Once upon a time there was a Brooklyn hipster named Norah. Unlucky in love, and short on extracurriculars for her college apps, Norah decided to start a book group. She knew the perfect locale -- a local indie bookstore with a crush-worthy cutie manning the soy latte counter. When the first meeting arrives, Norah gets a page-turning surprise. The attendees may be bookish, but there are also a few hotties! Most noteworthy: sweet, literary James. He's like a modern Jane Austen hero.... Only, how to snag him? Ever the romantic heroine, Norah devises a secret plan. And if it works, Norah may just find her "Happily Ever After" love story. The End.

Behind the veil of tourism, New Orleans drips with hunger, sorcery, and secrets. One of those is Honey Island Swamp, a powerful nexus of magic outside the city limits. Its blue-green water can make you ageless and manifest carnivals out of thin air. Similar to the River Styx, it serves as the gateway between the realms of the living, dead, and in-between. And because of this power, it becomes both a haven and a battlefield for witches, humans, and other magical beings.

"It's 1999, and Samantha has danced for years at the Lovely Lady strip club. She's not used to taking anyone under her wing - after all, between her disapproving boyfriend and his daughter, who may as well be her own child, she has enough to worry about. But when Samantha overrides her better judgment to drive a new dancer home, they are run off the road. The police arrive at the scene of the accident - but find only one body. Georgia, another dancer, is drawn into the investigation as she tries to assist Holly, a Harvard-educated detective with a complicated story of her own. As the point of view shifts from dancers and detectives to club patrons and children, the women round up a list of suspects, all the while grappling with their understandings of loss and love. Drawing on her personal experiences as well as interviews with police, Rutkoski immerses us in a subculture that is all too often reduced to cliché. Gripping, deeply feminist, and character-driven, Real Easy spellbinds us and gets to the heart of this timeless question: How do women live out their lives knowing that men can hurt them?"--Publisher.

Lawrence and Cranton present a unique research methodology involving fictional characters as research participants. Transformative learning themes are identified through a content analysis of six contemporary novels. The characters from these novels are invited to come to a virtual space, the Butterfly Café where they engage in a series of dialogues on the research themes related to their transformative learning experiences. Each of the dialogues is followed by a debriefing session to deepen the understanding of the original themes Readers are given a window into Lawrence and Cranton’s analysis and interpretive process as they engage in dialogue with Celie from the Color Purple, Macon from Accidental Tourist, Mariam and Laila from A Thousand Splendid Suns, and others. The dialogues become a story within the stories told in the novels. The end product is the introduction of a new model of transformative learning based on a metaphor of planting, cultivating, and growing seeds. Central to the model is becoming conscious, a process that appeared in each of the novels. Readers will find insights into transformative learning that are outside of the standard academic treatment of the topic. Moving the research into the realm of fiction provides the opportunity for a creative exploration of transformative learning. Yet, since fiction inevitably mirrors reality, readers will be able to relate the analysis, the dialogues, and the ensuing model to their own lives and to their adult education practice.

Each of the sixty reproducible classroom-ready activities has general guidelines that describe the purposes for the project, how to use it, evaluation points, and variations that increase student participation and motivation, and a variety of assessment activities. Designed around the new IRA/NCTE Standards, (reading, writing, representing, viewing, speaking, and listening) these stimulating activities applicable to a variety of novels create opportunities for students to develop their skills as readers, writers, and speakers. Three sections center on reading and writing activity projects (e.g., essays, news stories, letters), visual display projects (e.g., charts, posters, bookmarks), and speaking and listening activities.

Novel Ideas provides a substantial introduction to the elements of fiction followed by in-depth interviews with successful novelists who speak with candor and insight into the complex process by which a novel is made. This edition includes new and updated interviews as well as writing exercises to enhance its use in the writing classroom. Dorothy Allison recalls "deliciously self-indulgent" days of writing in her bathrobe, wrapped in misery and exultation; Peter Cameron explains how he made the move from short fiction to the novel with the aid of a music composer's notebook to track the movement of his characters. Writers as different as Ha Jin, Jill McCorkle, Richard Ford, and Michael Chabon describe their unique approaches to their work while consistently affirming the necessity of committing to the hard effort of it while also remaining open to surprise. Aspiring novelists will find hands-on strategies for beginning, working through, and revising a novel; accomplished novelists will discover new ways to solve the problems they face in process; and serious readers of contemporary fiction will enjoy a glimpse into the way novels are made. Includes interviews with:Dorothy AllisonLarry BrownPeter CameronMichael ChabonMichael CunninghamRobb Forman DewRichard FordHa JinPatricia HenleyCharles JohnsonWally LambValerie MartinJill McCorkleSena Jeter NaslundLewis NordanSheri ReynoldsS. J. RozanJane SmileyLee SmithTheodore Weesner