Contains over 600 entries describing novels that have theatrical settings or in which characters work in the theatre.

A hands-on guide for artists, students, and teachers of devised theatre, at any stage of their practice. This book is packed with thoughtful exercises distilled from twenty-five years of interdisciplinary artist workshops and teaching devising and performance making at universities in the United States and the United Kingdom. Created and curated by Leslie Hill and Helen Paris, artists who work internationally at the interface of academia and professional practice, this collection provides exercises for devising, composing, and editing original works. The exercises are clear and accessible, enhanced with vivid examples from contemporary performance practice and relevant political contexts. Moreover, the authors offer tools for giving and receiving feedback, fostering critical reflection, and framing artistic work within academic research contexts. Hill and Paris's compelling approach does more than merely provide performance recipes; it highlights the vital cultural relevance and potential personal impact of the creative explorations that the authors invite us to undertake.

The Red Herring: A Novel Approach to Explain What Really Happened on 9/11 By: Kevin Omlor Special 20th Anniversary Edition The Red Herring presents a completely unique outlook on the events that took place on September 11th. Although told with an unwavering reverence for life, this story may prove to be the most uncompromising and controversial political satires ever told. This provocative telling just might awaken the reader to an America they thought lost. While men of good will everywhere pray for world peace, perhaps this old American sword will provide them with hope. Matthew 10:34 “I have not come to bring peace but rather a sword.”

Introduction to Theatre: a Direct Approach addresses the student who is not a theatre major, but is taking a single course. The text attempts to address the most salient points pertinent to a beginning theatre course.

A textbook you will want to read. A Novel Approach to Politics turns the conventional textbook wisdom on its head by using pop culture references to illustrate key concepts and cover recent political events. Adopters of previous editions are thanking author Douglas A. Van Belle for some of their best student evaluations to date. With this Sixth Edition, Van Belle brings the book fully up-to-date with current events and policy debates, international happenings, and other assorted ‘intergalactic’ matters. Van Belle tackles the most tumultuous political periods in recent history head-on, encouraging you to engage with ideas, arguments, and information that might make you uncomfortable. Employing a wide range of references from Brooklyn Nine-Nine to The Good Place to Ready Player One, you are given a solid grounding in institutions, ideology, and economics. To keep things grounded, the textbook nuts and bolts are still there to aid you, including chapter objectives, chapter summaries, bolded key terms, and discussion questions.

In a new edition of this now-classic work, Robert Brustein argues that the roots of the modern theatre may be found in the soil of rebellion cultivated by eight outstanding playwrights: Ibsen, Strindberg, Chekhov, Shaw, Brecht, Pirandello, O'Neill, and Genet. Focusing on each of them in turn, Mr. Brustein considers the nature of their revolt, the methods employed in their plays, their influences on the modern drama, and the playwrights themselves. "One of the standard and decisive books on the modern theater.... It shows us the men behind the works,... what they wanted to write about and the private hell within each of them which led to the enduring works we continue to treasure."—New York Times Book Review. "The best single collection of essays I know of on modern drama... remarkably fine and sensitive pieces of criticism. "—Alvin,Kernan, Yale Review.

Why are so many theatre productions adaptations of one kind or another? Why do contemporary practitioners turn so frequently to non-dramatic texts for inspiration? This study explores the fascination of novels, short stories, children's books and autobiographies for theatre makers and examines what 'becomes' of literary texts when these are filtered into contemporary practice that includes physical theatre, multimedia performance, puppetry, immersive and site-specific performance and live art. In Adaptation in Contemporary Theatre, Frances Babbage offers a series of fresh critical perspectives on the theory of adaptation in theatre-making, focusing on meditations of prose literature within contemporary performance. Individual chapters explore the significance and impact of books as physical objects within productions; the relationship between the dramatic adaptation and literary edition; storytelling on the page and in performance; literary space and theatrical space; and prose fiction reframed as 'found text' in contemporary theatre and live art. Case studies are drawn from internationally acclaimed companies including Complicite, Elevator Repair Service, Kneehigh, Forced Entertainment, Gob Squad, Teatro Kismet and Stan's Cafe. Adaptation in Contemporary Theatre is a compelling and provocative resource for anyone interested in the potential and the challenges of using prose literature as material for new theatrical performance.