Joanna Shupe returns to New York City’s Gilded Age, where fortunes and reputations are gained and lost with ease—and love can blossom from the most unlikely charade With the fate of her disgraced family resting on her shoulders, Lady Christina Barclay has arrived in New York City from London to quickly secure a wealthy husband. But when her parents settle on an intolerable suitor, Christina turns to her reclusive neighbor, a darkly handsome and utterly compelling inventor, for help. Oliver Hawkes reluctantly agrees to a platonic marriage . . . with his own condition: The marriage must end after one year. Not only does Oliver face challenges that are certain to make life as his wife difficult, but more importantly, he refuses to be distracted from his life’s work—the development of a revolutionary device that could transform thousands of lives, including his own. Much to his surprise, his bride is more beguiling than he imagined. When temptation burns hot between them, they realize they must overcome their own secrets and doubts, and every effort to undermine their marriage, because one year can never be enough.

Librarians who work with readers will find this well-loved guide to be a treasure trove of information. With descriptive annotations of thousands of genre titles mapped by genre and subgenre, this is the readers' advisor's go-to reference. Next to author, genre is the characteristic that readers use most to select reading material and the most trustworthy consideration for finding books readers will enjoy. With its detailed classification and pithy descriptions of titles, this book gives users valuable insights into what makes genre fiction appeal to readers. It is an invaluable aid for helping readers find books that they will enjoy reading. Providing a handy roadmap to popular genre literature, this guide helps librarians answer the perennial and often confounding question "What can I read next?" Herald and Stavole-Carter briefly describe thousands of popular fiction titles, classifying them into standard genres such as science fiction, fantasy, romance, historical fiction, and mystery. Within each genre, titles are broken down into more specific subgenres and themes. Detailed author, title, and subject indexes provide further access. As in previous editions, the focus of the guide is on recent releases and perennial reader favorites. In addition to covering new titles, this edition focuses more narrowly on the core genres and includes basic readers' advisory principles and techniques.

This book addresses the performance and dissemination of Greek poems of the seventh to the fifth centuries BC whose premieres were presented by a chorus singing in a ritual context or in secular celebrations of athletic victories. It explores how choruses presented themselves; individuals' and communities' roles in funding performances and securing the circulation of texts; how performances continued inside and outside family and city, whether chorally or in symposia, with the consequence that Athenian theatre audiences could be expected to appreciate allusion to or reworking of such poetic forms in tragedy and comedy; and how such performances contributed to transmission of the poems' texts until they were collected by Hellenistic scholars.

This remarkable, innovative book explores the significance in Shakespeare's plays of oaths, vows, contracts, pledges, and the other utterances and acts by which characters commit themselves to the truth of things past, present, and to come. In early modern England, such binding language was everywhere. Oaths of office, marriage vows, legal bonds, and casual, everyday profanity gave shape and texture to life. The proper use of such language, and the extent of its power to bind, was argued over by lawyers, religious writers, and satirists, and these debates inform literature and drama. Shakespeare's Binding Language gives a freshly researched account of these contexts, but it is focused on Shakespeare's plays. What motives should we look for when characters asseverate or promise? How far is binding language self-persuasive or deceptive? When is it allowable to break a vow? How do oaths and promises structure an audience's expectations? Across the sweep of Shakespeare's career, from the early histories to the late romances, this book opens new perspectives on key dramatic moments and illuminates language and action. Each chapter gives an account of a play or group of plays, yet the study builds to a sustained investigation of some of the most important systems, institutions, and controversies in early modern England, and of the wiring of Shakespearean dramaturgy. Scholarly but accessible, and offering startling insights, this is a major contribution to Shakespeare studies by one of the leading figures in the field.

Judge Not is based on history, but it is so realistic that readers will feel they are one of the characters. Compellingly told in adventure-filled stages, it transports the reader from the first footprints of the San tribesmen out of Ethiopia, through the original Bantu people migrating down the face of Africa. It goes through each step in the journey and their evolution in stages, such as the early civilization of the Great Zimbabwe. It tells the story of European colonization and its effects and consequences on the indigene. The eventual journey of the Great Trek of the Dutch from the Cape is eventful and spellbinding. It is virtually a history in itself. All these various people make up the cast in this engrossing book. Their adventures, beliefs, passions, lives, wars, and politics over the millenia and last three centuries are related in a gripping drama that has brought them into the twenty-first century.

During his long, productive life the great English philosopher and exponent of utilitarianism Jeremy Bentham (1748-1832) wrote not just on political philosophy but also clandestinely on religion. Under the pseudonym of Philip Beauchamp he published an attack on natural religion called "Analysis of the Influence of Natural Religion on the Temporal Happiness of Mankind" and under the pseudonym of Gamaliel Smith he published a book of New Testament criticism called "Not Paul, But Jesus." In addition, Bentham bravely released under his own name" Church-of-Englandism and Its Catechism Examined," a thorough, biting critique of Anglican doctrine. These little-known works are discussed at length by philosopher Delos B. McKown in this informative contribution to Bentham scholarship. McKown introduces these major works on religion, and then presents an extensive synopsis of each. He defends Bentham against the criticisms of opponents where necessary, but does not hesitate to criticize Bentham when he feels he goes astray. McKown also shows how Bentham's attacks on the Christianity of his time, which denigrated human life in the here-and-now for some imagined future postmortem state of glory, fully complemented his utilitarian philosophy of the greatest happiness to the greatest number of people. This thorough analysis of three little-known works by one of philosophy's great minds makes an outstanding contribution to Bentham scholarship and will be of interest to humanists and philosophers of religion.

Venice belongs to the mysteries of night, to darkness and deep waters. And so does Julietta Bassano. The beautiful perfumer hidesher secrets from the light of day, selling rose water andessence of violet to elegant ladies rather than taking herrightful place in society. Then enters Marc Antonio Velasquez—a fierce seawarrior determined to claim her. Seduced by his powerfulmasculinity, Julietta begins to let down her defenses. But in the city of masks, plots spiral and form aroundMarc and Julietta—plots that will endanger their livesand their growing love….