From Bestselling Author Tamera Alexander Comes the Final Novel in the Sweeping Belmont Mansion Series A master violinist trained in Vienna, Rebekah Carrington manages to wheedle her way into an audition with the new maestro at the Nashville Philharmonic. But women are "far too fragile and frail" for the rigors of an orchestra, and Rebekah's hopes are swiftly dashed when the conductor--determined to leave his mark on the world of classical music--bows to public opinion. To make matters worse, Adelicia Cheatham, mistress of Belmont Mansion and Rebekah's new employer, agrees with him. Nationally acclaimed conductor Nathaniel Tate Whitcomb is Nashville's youngest orchestra leader. And despite a reluctant muse and a strange buzzing and recurring pain in his head, he must finish composing his symphony before the grand opening of the city's new symphony hall. Even more pressing, he must finish it for the one who first inspired his love of music--his dying father. As Tate's ailment worsens, he knows Rebekah can help him finish his symphony. But how can he win back her trust when he's robbed her of her dream? As music moves us to tears yet makes our hearts soar, A Note Yet Unsung captures the splendor of classical music at a time when women's hard-won strides in cultural issues changed not only world history--but the hearts of men.

Pink is not what Eleanor Braddock ordered, but maybe it would soften the tempered steel of a woman who came through a war--and still had one to fight. Plain, practical Eleanor Braddock knows she will never marry, but with a dying soldier's last whisper, she believes her life can still have meaning and determines to find his widow. Impoverished and struggling to care for her ailing father, Eleanor arrives at Belmont Mansion, home of her aunt, Adelicia Acklen, the richest woman in America--and possibly the most demanding, as well. Adelicia insists on finding her niece a husband, but a simple act of kindness leads Eleanor down a far different path--building a home for destitute widows and fatherless children from the Civil War. While Eleanor knows her own heart, she also knows her aunt will never approve of this endeavor. Archduke Marcus Gottfried has come to Nashville from Austria in search of a life he determines, instead of one determined for him. Hiding his royal heritage, Marcus longs to combine his passion for nature with his expertise in architecture, but his plans to incorporate natural beauty into the design of the widows' and children's home run contrary to Eleanor's wishes. As work on the home draws them closer together, Marcus and Eleanor find common ground--and a love neither of them expects. But Marcus is not the man Adelicia has chosen for Eleanor, and even if he were, someone who knows his secrets is about to reveal them all. From USA Today bestselling author Tamera Alexander comes a moving historical novel about a bold young woman drawn to a group of people forgotten by Nashville society--and to the one man with whom she has no business falling in love.

Sweeping Historical Fiction Set at the Edge of the Continent After being imprisoned and branded for the death of her client, twenty-five-year-old midwife Julianne Chevalier trades her life sentence for exile to the fledgling 1720s French colony of Louisiana, where she hopes to be reunited with her brother, serving there as a soldier. To make the journey, though, women must be married, and Julianne is forced to wed a fellow convict. When they arrive in New Orleans, there is no news of Benjamin, Julianne's brother, and searching for answers proves dangerous. What is behind the mystery, and does military officer Marc-Paul Girard know more than he is letting on? With her dreams of a new life shattered, Julianne must find her way in this dangerous, rugged land, despite never being able to escape the king's mark on her shoulder that brands her a criminal beyond redemption.

Violence can be physical and psychological. It can characterize personal actions, forms of group activity, and abiding social and political policy. This book includes all of these aspects within its focus on institutional forms of violence. Institution is also a broad category, ranging from formal arrangements such as the military, the criminal code, the death penalty and prison system, to more amorphous but systemic situations indicated by parenting, poverty, sexism, work, and racism. Violence is as complex as the human beings who resort to it; its institutional forms pervade our relational lives. We are all participants in it as victims and perpetrators. The chapters in this book were written in the hope that violence can be explicated, even if not fully understood, and that such clarification can help us in devising less violent forms of living, even if it does not lead to its total abolition. The studies bring new aspects of violence to light and offer a number of suggestions for its remedy.