Plainfield, New Hampshire, has been an extraordinary place since its beginnings. The serene river valley life offers nature's very best and has beckoned many artists and intellectuals, including Ethel Barrymore, J.D. Salinger, and President Woodrow Wilson. In her whimsical and touching Americana memoir, Viola Sawyer Lunderville reflects on her growing up years spent in the quaint New England town in the Connecticut River Valley where she explored, learned, and experienced a simple lifestyle full of freedom, memorable places, and special times. As she looks back on the years, Viola not only offers a unique look at Plainfield's history from the mid-1950s to the early 1970s, but also shares a glimpse into all the reasons why the beautiful landscape beckoned many to settle on this picturesque land, including the famous and wealthy. Through detailed personal anecdotes, Viola brings to life historic places by sharing real-life experiences that detail adventurous days spent exploring local swimming holes, roaming the vast woodlands, licking sap from maple trees, and skiing on Whaleback Mountain. A Not-So-Small-Time Town takes a nostalgic, sentimental ride through a New England town filled with historical significance and many wonderful memories from a simpler time.

A small-town cop seeks vengeance on twelve escaped inmates in this novel of “jaw-dropping twists . . . crisp in execution and thrilling until the very end” (The Wall Street Journal). When twelve inmates pull off an audacious prison break, it liberates more than a thousand convicts into the nearby small town. The newly freed prisoners rape, murder, and destroy the quiet community—burning down homes and businesses. An immense search ensues, but the twelve who plotted it all get away. After two years, the local and federal police agencies have yet to find them. Then, the mayor calls in Leah Hawkins, a local cop who lost a loved one that terrible night. She’s placed on sabbatical to travel across the country learning advanced police procedures. But the sabbatical is merely a ruse. Her real job is to track down the infamous twelve—and kill them. Leah’s mission takes her from Florida to New York and from the beaches of California to an anti-government settlement deep in the Ozarks. But when the surviving fugitives realize what she’s up to, a race to kill or be killed ensues in this nonstop tale of vengeance from the Edgar Award–winning author of The Butcher’s Boy. “Leah proves to be both a brilliant detective and a cunning predator.” —Associated Press “Perry is an expert storyteller . . . A Small Town unfolds like a 1950s film noir.” —Wall Street Journal

From debut author Amy K. Green comes a devastating tale of psychological suspense: A teen pageant queen is found murdered in a small New England town and her sister's search for answers unearths more than she bargained for. Days after a young pageant queen named Jenny is found murdered, her small town grieves the loss alongside her picture-perfect parents. At first glance, Jenny's tragic death appears clear-cut for investigators. The most obvious suspect is one of her fans, an older man who may have gotten too close for comfort. But Jenny's half-sister, Virginia—the sarcastic black sheep of the family—isn't so sure of his guilt and takes matters into her own hands to find the killer. But for Jenny's case and Virginia's investigation, there's more to the story. Virginia, still living in town and haunted by her own troubled teenage years, suspects that a similar darkness lies beneath the sparkling veneer of Jenny's life. Alternating between Jenny's final days and Virginia's determined search for the truth, the sisters' dual narratives follow a harrowing trail of suspects, with surprising turns that race toward a shocking finale. Infused with dark humor and driven by two captivating young women, The Prized Girl tells a heartbreaking story of missed connections, a complicated family, and a town's disturbing secrets.

British security officer Alan Turner battles radical German students and neo-Nazis after an embassy flack disappears from Bonn with dozens of top secret files.

Fresh out of high school, Babe Vogel should be thrilled to have the whole summer at her fingertips. She loves living in her lighthouse home in the sleepy Maine beach town of Oar’s Rest and being a barista at the Busy Bean, but she’s totally freaking out about how her life will change when her two best friends go to college in the fall. And when a reckless kiss causes all three of them to break up, she may lose them a lot sooner. On top of that, her ex-girlfriend is back in town, bringing with her a slew of memories, both good and bad. And then there’s Levi Keller, the cute artist who’s spending all his free time at the coffee shop where she works. Levi’s from out of town, and even though Babe knows better than to fall for a tourist who will leave when summer ends, she can’t stop herself from wanting to know him. Can Babe keep her distance, or will she break the one rule she’s always had - to never fall for a summer boy?

From New York Times bestselling author Diane Chamberlain comes a novel of chilling intrigue, a decades-old disappearance, and one woman’s quest to find the truth... “A novel about arts and secrets...grippingly told...pulls readers toward a shocking conclusion.”—People magazine, Best New Books North Carolina, 2018: Morgan Christopher's life has been derailed. Taking the fall for a crime she did not commit, her dream of a career in art is put on hold—until a mysterious visitor makes her an offer that will get her released from prison immediately. Her assignment: restore an old post office mural in a sleepy southern town. Morgan knows nothing about art restoration, but desperate to be free, she accepts. What she finds under the layers of grime is a painting that tells the story of madness, violence, and a conspiracy of small town secrets. North Carolina, 1940: Anna Dale, an artist from New Jersey, wins a national contest to paint a mural for the post office in Edenton, North Carolina. Alone in the world and in great need of work, she accepts. But what she doesn't expect is to find herself immersed in a town where prejudices run deep, where people are hiding secrets behind closed doors, and where the price of being different might just end in murder. What happened to Anna Dale? Are the clues hidden in the decrepit mural? Can Morgan overcome her own demons to discover what exists beneath the layers of lies? “Chamberlain, a master storyteller, keeps readers hooked, with a story line that leavens history and social commentary with romance and mystery.”—Lexington Dispatch

The Silesian town of Bedzin lies a mere twenty-five miles from Auschwitz; through the linked ghettos of Bedzin and its neighbouring town, some 85,000 Jews passed on their way to slave labour or the gas chambers. The principal civilian administrator of Bedzin, Udo Klausa, was a happily married family man. He was also responsible for implementing Nazi policies towards the Jews in his area - inhumane processes that were the precursors of genocide. Yet he later claimed, like so many other Germans after the war, that he had 'known nothing about it'; and that he had personally tried to save a Jew before he himself managed to leave for military service. A Small Town Near Auschwitz re-creates Udo Klausa's story. Using a wealth of personal letters, memoirs, testimonies, interviews and other sources, Mary Fulbrook pieces together his role in the unfolding stigmatization and degradation of the Jews under his authoritiy, as well as the heroic attempts at resistance on the part of some of his victims. She also gives us a fascinating insight into the inner conflicts of a Nazi functionary who, throughout, considered himself a 'decent' man. And she explores the conflicting memories and evasions of his life after the war. But the book is much more than a portrayal of an individual man. Udo Klausa's case is so important because it is in many ways so typical. Behind Klausa's story is the larger story of how countless local functionaries across the Third Reich facilitated the murderous plans of a relatively small number among the Nazi elite - and of how those plans could never have been realized, on the same scale, without the diligent cooperation of these generally very ordinary administrators. As Fulbrook shows, men like Klausa 'knew' and yet mostly suppressed this knowledge, performing their day jobs without apparent recognition of their own role in the system, or any sense of personal wrongdoing or remorse - either before or after 1945. This account is no ordinary historical reconstruction. For Fulbrook did not discover Udo Klausa amongst the archives. She has known the Klausa family all her life. She had no inkling of her subject's true role in the Third Reich until a few years ago, a discovery that led directly to this inescapably personal professional history.