In September of 2015 the visitors in Whitley Strieber's immortal bestseller Communion returned to his life. A New World details their powerful message: A new world is coming...if we can take it. In 2018, the US Navy admitted that videos taken off the carrier Nimitz by pilots using ultra-sophisticated cameras were of unknown objects with incredible flight characteristics. Add to this the past seventy years of UFO evidence, and it is now undeniable that something unknown is flying around in our skies. But why are they here? There are millions of close encounter witnesses who would say that they are here for us, and have already been in contact with us for two generations, while the official world and the media have been in denial. In 1987, author Whitley Strieber published Communion about his own close encounter. It was met with brutal skepticism...but not from other close encounter witnesses, who wrote him in the hundreds of thousands, telling of their own experiences. With these overwhelming accounts of alien encounters, Rice University in Houston, Texas, has archived these letters as a testimony that we are not alone. After thirty-three years of having them in his life, and an entirely new group of encounters starting in 2015, Whitley Strieber returns with a new vision of contact that will shatter all of our previous theories and beliefs and reveal the experience for what it is: the strangest, most powerful, and potentially most important thing that has ever happened to mankind.

Translated by Jeremy Moyle When Hegel described the Americas as an inferior continent, he was repeating a contention that inspired one of the most passionate debates of modern times. Originally formulated by the eminent natural scientist Georges-Louis Leclerc, Comte de Buffon and expanded by the Prussian encyclopedist Cornelius de Pauw, this provocative thesis drew heated responses from politicians, philosophers, publicists, and patriots on both sides of the Atlantic. The ensuing polemic reached its apex in the latter decades of the eighteenth century and is far from extinct today.Translated into English in 1973, The Dispute of the New World is the definitive study of this debate. Antonello Gerbi scrutinizes each contribution to the debate, unravels the complex arguments, and reveals their inner motivations. As the story of the polemic unfolds, moving through many disciplines that include biology, economics, anthropology, theology, geophysics, and poetry, it becomes clear that the subject at issue is nothing less than the totality of the Old World versus the New, and how each viewed the other at a vital turning point in history.

With 2005's acclaimed and controversial The New World, one of cinema's most enigmatic filmmakers returned to the screen with only his fourth feature film in a career spanning thirty years. While Terrence Malick's work has always divided opinion, his poetic, transcendent filmic language has unquestionably redefined modern cinema, and with a new feature scheduled for 2008, contemporary cinema is finally catching up with his vision. This updated second edition of The Cinema of Terrence Malick: Poetic Visions of America charts the continuing growth of Malick's oeuvre, exploring identity, place, and existence in his films. Featuring two new original essays on his latest career landmark and extensive analysis of The Thin Red Line-Malick's haunting screen treatment of World War II-this is an essential study of a visionary poet of American cinema.

An innovative story of love, decapitation, cryogenics, and memory by two of our most creative literary minds Jorie has just received some terrible news. A phone full of missed calls and sympathetic text messages seem to indicate that her husband, Jim, a chaplain at the hospital where she works as a surgeon, is dead. Only, not quite—rather, his head has been removed from his body and cryogenically frozen. Jim awakes to find himself in an altogether unique situation, to say the least: his body gone but his consciousness alive, his only companion a mysterious, disembodied voice. In this surreal and unexpectedly moving work, Chris Adrian and Eli Horowitz spin a tale of loss and adjustment, death and reawakening. Simultaneously fabulist and achingly human, The New World finds Jorie grieving the husband she knew while Jim wrestles with the meaning of life after death. Conceived in collaboration with Atavist Books, The New World interrogates love and loss in the digital era.

Translated by Jeremy Moyle In Nature in the New World (translated into English in 1985), Antonello Gerbi examines the fascinating reports of the first Europeans to see the Americas. These accounts provided the basis for the images of strange and new flora, fauna, and human creatures that filled European imaginations.Initial chapters are devoted to the writings of Columbus, Vespucci, Cortes, Verrazzano, and others. The second portion of the book concerns the Historia general y natural de las Indias of Gonzalo Fernandez de Oviedo, a work commissioned by Charles V of Spain in 1532 but not published in its entirety until the 1850s. Antonello Gerbi contends that Oviedo, a Spanish administrator who lived in Santo Domingo, has been unjustly neglected as a historian. Gerbi shows that Oviedo was a major authority on the culture, history, and conquest of the New World.

Jim Meagher’s world as a young man in the Irish-American neighborhood of Riverdale, New York, in the 1950s was a familiar and comfortable one, defined by family, church, school, and friendship. But was there something more to experience from life that could only be found outside those friendly confines? What if he could be a great man, with power and influence and riches? Life would soon take him beyond Riverdale—far beyond it—and teach him valuable lessons about duty, honor, and responsibility. Along the way, laughter and love would also be companions as Jim Meagher discovered the new world awaiting him beyond Brush Avenue—and also discovered that power and influence and riches are not always what a young man wants or needs.