When Anne Robertson asked a bunch of people on the street what came to mind when they heard the word Bible, she was met with a flood of mixed responses, including "wisdom," "truth," and "love", but also such words as "myth," "lies," "bigotry," and "poison." What she realized was that we all read the Bible through filtered lenses, according to our varied expectations of what the Bible is or should be. But, as Robertson shows here, the Bible as a whole is primarily God's story--a story of relationship, community, and love. Robertson's New Vision for an Old Story gives readers the right lenses to see beyond the printed page to the God who encounters us in dynamic relationship and transforms our lives. The very nature and message of Scripture are rooted in incarnation. When we need to navigate community, truth, fear, and suffering, the Bible-- God's own story--can guide us through it all.

This book, a valuable introduction to the Bauhaus movement, is generously illustrated with examples of students' experiments and typical contemporary achievements. The text also contains an autobiographical sketch.

New Vision New Reality

A New York Times bestseller and enduring classic, All About Love is the acclaimed first volume in feminist icon bell hooks' "Love Song to the Nation" trilogy. All About Love reveals what causes a polarized society, and how to heal the divisions that cause suffering. Here is the truth about love, and inspiration to help us instill caring, compassion, and strength in our homes, schools, and workplaces. “The word ‘love’ is most often defined as a noun, yet we would all love better if we used it as a verb,” writes bell hooks as she comes out fighting and on fire in All About Love. Here, at her most provocative and intensely personal, renowned scholar, cultural critic and feminist bell hooks offers a proactive new ethic for a society bereft with lovelessness--not the lack of romance, but the lack of care, compassion, and unity. People are divided, she declares, by society’s failure to provide a model for learning to love. As bell hooks uses her incisive mind to explore the question “What is love?” her answers strike at both the mind and heart. Razing the cultural paradigm that the ideal love is infused with sex and desire, she provides a new path to love that is sacred, redemptive, and healing for individuals and for a nation. The Utne Reader declared bell hooks one of the “100 Visionaries Who Can Change Your Life.” All About Love is a powerful, timely affirmation of just how profoundly her revelations can change hearts and minds for the better.

From top Jesus expert Marcus Borg, a completely updated and revised version of his vision of Jesus—as charismatic healer, sage, and prophet, a man living in the power of the spirit and dedicated to radical social change. Fully revised and updated, this is Borg's major book on the historial Jesus. He shows how the Gospel portraits of Jesus, historically seen, make sense. Borg takes into account all the recent developments in historical Jesus scholarship, as well as new theories on who Jesus was and how the Gospels reflect that. The original version of this book was published well before popular fascination with the historical Jesus. Now this new version takes advantage of all the research that has gone on since the 80s. The revisions establish it as Borg's big but popular book on Jesus.

The most important development in recent historical Jesus studies is the attempt to understand the ministry of Jesus in "political" terms. In calling the nation of Israel to repentance, Jesus served as a national prophet concerned with the salvation of Israel. Scot McKnight furthers this line of inquiry by showing how Jesus' teachings are to be understood in relation to his role as a political figure. McKnight looks closely at Jesus' teachings on God, the kingdom, and ethics, demonstrating in each case how Jesus' mission to restore Israel brings his teachings into a bold new light.

"At its heart, Pasztory's thesis is simple and yet profound. She asserts that humans create things (some of which modern Western society chooses to call "art") in order to work out our ideas - that is, we literally think with things. Pasztory draws on examples from many societies to argue that the art-making impulse is primarily cognitive and only secondarily aesthetic. She demonstrates that "art" always reflects the specific social context in which it is created, and that as societies become more complex, their art becomes more rarefied."--Jacket.