You’ve arrived in Hollywood, and you are ready to become famous and to take over the world. You have a dream, and nothing is going to stop you. You’re on your way! But in order to best succeed and keep booking work, you need to know everything about film sets, their crews, and how you as an actor can help directors tell their stories. A New Slant on Acting offers a clear, detailed description of how films get made, how to work on a set, and what filmmakers need from actors. Once you know what everyone on the set is doing, you’ll know what you can do to help films and their crew members be successful. As a valuable team player, you’ll gain a definite edge over your competition and build a life for yourself in the midst of the wonderful magic of moviemaking. This guide for actors explains the ins and outs of filmmaking, providing a comprehensive overview of the process to help you raise your career to new heights.

From playing a rogue agent in Tinker, Tailor, Soldier, Spy, to taking on the role of villainous Bane in Batman: The Dark Knight Rises, Tom Hardy is well on the way to becoming the finest actor of his generation. His raw talent, edginess and ability to utterly inhabit the characters he plays have already prompted comparisons to screen legends such as Marlon Brando and Robert De Niro. With a host of critically acclaimed performances under his belt and the bright lights of Hollywood beckoning , Tom's star is undoubtedly in the ascendant. Born into an idyllic, middle-class life in the suburbs, by his teenage years Tom had grown restless and started to rebel. Bad behaviour in the form of alcoholism, drug-taking and criminal activity ensued and after a brief stint working as a model, fate intervened and he found his way onto an acting course at his local college. Having been plucked from drama school to appear in Band of Brothers, by 2003, his addictions had got the better of him and he collapsed in Soho following a drugs binge. Rehabilitation followed, as did a rare second chance at hitting the big time. It was Hardy's standout performance as Stuart Shorter in BBC TV's Stuart: A Life Backwards and as Britain's most notorious prisoner in the film Bronson, which really made audiences and critics sit up and take notice. Since then, he has earned himself a reputation as a shape-shifting actor with the skill to slip effortlessly in and out of contrasting characters such as Eames in blockbusters Inception and Heathcliff in Wuthering Heights. This affectionate and in-depth biography reveals the actor and the life that has shaped him into the star he has become. It explores his wayward youth, his drama school years, his burnout and his complex route to eventual success. With a host of major films on the horizon in 2012 and beyond, his is clearly Hollywood's hottest property - and the best is yet to come.

The relationship between Johannesburg’s Market Theatre and the economic and political forces of South Africa's apartheid regime was both complex and somewhat ambiguous. The theatre's two founders, Mannie Manim and Barney Simon, however, from idealistic beginnings managed to steer their experimental enterprise around pitfalls ranging from censorship, boycotts and recuperation by big business to the difficulties encountered in finding black authors, let alone black audiences. If the place occupied by the Market institution in apartheid society is emphasized throughout the present study, its contribution to the aesthetic of resistance is also underlined through detailed criticism of the plays and authors dominating the theatre. Pieter-Dirk Uys, Barney Simon's workshop plays and, among others, Black Consciousness plays are subjected to various methods of theatre performance analysis. The reckoning that had to come in the early 1990s revealed itself as globally positive; the reasons for this may be found in the updated concluding part of Playing the Market, which is composed of more general essays (including one on the vibrant Junction Avenue Theatre Company) on how the theatre scene in contemporary South Africa started to change. A postscript reveals more specific aspects of the Market situation in the late 1990s when its hegemony in the New South Africa was already being questioned.

A new international legal order (NILO) has progressively infiltrated the traditional scope of international law. The essays contained in this book have been written to commemorate the past ten years of the Xiamen Academy of International Law and the emergence of this NILO. They display a remarkable intellectual vitality and illustrate the new initiatives contributing to a NILO in the realm of international law. In addition to new concepts of the use of force, boundary disputes and self-determination, and new judicial practices in environmental law, these essays demonstrate a convergence towards a universal value of a globalised world, centred upon human security and reflected in international economic, technological, social and humanitarian cooperation – sources of new tranches of international law. The contributors to this book have provided an in-depth analysis of such cooperation between various branches of international law. While this book is principally for scholars and students of international law, it is also a valuable reference book for practitioners and foreign affairs officials with an interest in the area. Contributors to this volume are: José Enrique Alvarez; Niels Blokker; Chia-Jui Cheng; Judge Christopher Greenwood; Stephan Hobe; Judge Hisashi Owada; Stephen Mathias; Ernst-Ulrich Petersmann; Malcolm N. Shaw; Danilo Türk; Guiguo Wang, Judge Hanqin Xue.

WINNER OF THE 2011 THEATRE BOOK PRIZE Shakespeare's greatest play, directed by the most experienced and acclaimed director in the land, starring one of our very finest actors at the very peak of his powers... What could possibly go wrong? The stage is set for what promises to be one of the greatest tours in the history of theatre. Take a front row seat as a whole host of stars led by Sir Ian McKellen and Sir Trevor Nunn set off to take the world by storm with their new production of King Lear only to endure injuries, critical backlash and almost constant controversy. As understudy to the King himself, Weston's frank and funny account takes us right through from the London rehearsals to the historical Stratford Season, back to the glittering West End, and then out across the globe. Punctuated with hilarious celebrity anecdotes, insightful travelling tales, and lessons for any aspiring thespian, Weston deftly lifts the curtain the on Royal Shakespeare Company's much heralded tour and reveals the chaos underneath.

John Houchin explores the impact of censorship in twentieth-century American theatre, arguing that theatrical censorship coincided with significant challenges to religious, political and cultural systems. The study provides a summary of theatre censorship in the eighteenth and nineteenth centuries and analyses key episodes from 1900 to 2000. These include attempts to censure Olga Nethersole for her production of Sappho in 1901 and the theatre riots of 1913 that greeted the Abbey Theatre's production of Playboy of the Western World. Houchin explores the efforts to suppress plays in the 1920s that dealt with transgressive sexual material and investigates Congress' politically motivated assaults on plays and actors during the 1930s and 1940s. He investigates the impact of racial violence, political assassinations and the Vietnam War on the trajectory of theatre in the 1960s and concludes by examining the response to gay activist plays such as Angels in America.