The canon of Hispanic mysticism is expanding. No longer is our picture of this special brand of early modern devotional practice limited to a handful of venerable saints. Instead, we recognize a wide range of marginal figures as practitioners of mysticism, broadly defined. Neither do we limit the study of mysticism necessarily to the Christian religion, nor even to the realm of literature. Representations of mysticism are also found in the visual, plastic and musical arts. The terminology and theoretical framework of mysticism permeate early modern Hispanic cultures. Paradoxically, by taking a more inclusive approach to studying mysticism in its marginal manifestations, we draw mysticism---in all its complex iterations---back toward its rightful place at the center of early modern spiritual experience. Contributors: Colin Thompson, Alastair Hamilton, Christina Lee, Clara Herrera, Darcy Donahue, Elena del Rio Parra, Evelyn Toft, Fernando Duran Lopez, Piancisco Morales, Freddy Dominguez, Glyn Redworth, Jane Ackerman, Jessica Boon, Jose Adriano de Freitas Carvalho, Luce Lopez-Barat, Maria Mercedes Carrion, Maryrica Lottman, and Tess Knighton.

In A Companion to Jesuit Mysticism, Robert A. Maryks provides thirteen unique essays discussing the Jesuit mystical tradition, a somewhat neglected aspect of Jesuit historiography that stretches as far back as the order’s co-founder, Ignatius of Loyola, his spiritual visions at Manresa, and ultimately the mystical perspective contained in his Spiritual Exercises. The volume’s contributions on the most significant representatives of the Jesuit mystical tradition—from Baltasar Álvarez to Louis Lallemant to Hugo Makibi Enomiya-Lassalle—aim to fill this lacuna in Jesuit historiography. Although intended primarily as a handbook for scholars seeking to further their own research in this area, the volume will undoubtedly be of interest to scholars and students of Jesuit studies more broadly.

This innovative book offers an original insight into the context and times of St Teresa of Avila (1515 – 1582) as well as exploring her contemporary relevance from the perspective of some of the foremost thinkers and scholars in the Teresian field today including Professors Julia Kristeva, Rowan Williams and Bernard McGinn. As well as these academic approaches there will be chapters by friars and nuns of the Carmelite order living out the Carmelite charism in today’s world. The book addresses both theory and practice, and crosses traditional disciplinary and denominational boundaries – including medieval studies, philosophy, psychology, pastoral and systematic theology - thus demonstrating her continuing relevance in a variety of contemporary multi-disciplinary areas.

In Spain, the two hundred years that elapsed between the beginning of the early modern period and the final years of the Habsburg Empire saw a profusion of works written by women. Whether secular or religious, noble or middle class, early modern Spanish women actively composed creative works such as poetry, prose narratives, and plays. The Routledge Research Companion to Early Modern Spanish Women Writers covers the broad array of different kinds of writings – literary as well as extra-literary – that these women wrote, taking into consideration their subject positions and the cultural and historical contexts that influenced and were influenced by them. Beyond merely recognizing the individual women authors who had influence in literary, religious, and intellectual circles, this Research Companion investigates their participation in these circles through their writings, as well as the ways in which their texts informed Spain’s cultural production during the early modern period. In order to contextualize women’s writings across the historical and cultural spectrum of early modern Spain, the Research Companion is divided into six sections of general thematic interest: Women’s Worlds; Conventual Spaces; Secular Literature; Women in the Public Sphere; Private Circles; Women Travelers. Each section is subdivided into chapters that focus on specific issues or topics.

"Ultimately, I propose that considering internalization as embodiment is a critical methodological shift in understanding mystical methods in general, and especially for probing recollection mysticism in depth. The inner man as opposed to the outer man is a Pauline and Lutheran commonplace that is too frequently taken out of context, leading historians of the Renaissance in general, and of Spanish Renaissance religion in particular, to value references to internal (or mental) methods of spirituality as an improvement over external (or bodily) rituals. This book takes its cue from the recent 'cognitive turn' in medieval studies that complicates studies of the body in religion by focusing on the embodied aspects of cognition, claiming a continuum between body and soul rather than a hierarchy. I argue that medieval theories of cognition made the divorce of the body from the soul impossible for a Galenic doctor, even one who spoke of the body and the world with contempt, and by implication impossible for his Castilian audience. Without serious consideration of Laredo's reliance on an embodied soul rather than on a body-soul dualism, therefore, no proper assessment of the unitive stage of recogimiento ... can be made."--Introduction, p. 6-7.

Fidelity discourse and the pacification of tyrants and Indians: Doña Mariana Osorio de Narváez

The first substantial study of Victoria's Requiem, among the most prominent Renaissance musical works, encompassing its genesis, style, and impact.