One of his country's best-loved poets, Irish born Michael Hartnett, died in October '99 in Ireland. He was 58 years old. This collection presents a generous selection of Hartnett's poems in Irish and his own translation of them into English.

From the bestselling author of The Robin: A Biography, Stephan Moss: The wren is a paradox of a bird. They are Britain's most common bird, with 8.5 million breeding pairs and have by far the loudest song in proportion to their size. They also thrive up and down Britain and Ireland: from the smallest city garden to remote offshore islands, blustery moors to chilly mountains. Yet many people are not sure if they have ever seen a wren. Perhaps because the wren is so tiny, weighing just as much as two A4 sheets of paper, and so busy, always on the move, more mouse than bird. However if we cast our eyes back to recent history wrens were a mainstay of literary, cultural and popular history. The wren was on postage stamps and the farthing, it featured in nursery rhymes and greetings cards, poems and rural 'wren hunts', still a recent memory in Ireland particularly. With beautiful illustrations throughout, this captivating year-in-the-life biography reveals the hidden secrets of this fascinating bird that lives right on our doorstep.

Versions of Ireland brings a refined postcolonial theoretical optic to bear on many of the most urgent questions within contemporary Irish cultural studies. Drawing on, and extending, the most advanced critical work within the discipline, the book offers a subtle critical genealogy of the development of Ireland’s diverse postcolonial projects. Furthermore, it reflects on the relevance and the effectiveness of postcolonial and subaltern historiographical methodologies in an Irish context, interrogating the ethical and political problematics of such discursive importation. Flannery’s work highlights the operative dynamics of imperial modernity, together with its representational agents, in Ireland, and also divines moments of explicit and implicit resistance to modernity’s rationalising and accumulative urges. The book is pioneering in the facility and ease with which it navigates the interdisciplinary terrain of Irish studies. Flannery provides enabling and challenging new readings of the poetry of the bi-lingual poet, Michael Hartnett; the politically imaginative vistas of the republican mural tradition in the North of Ireland; the gothic anxieties inherent in the fiction of Eugene McCabe and the semi-fictional writing of Seamus Deane, and the differential codes of visual surveillance apparent in Irish tourist posters and late nineteenth century photography in Ireland. Versions of Ireland does not dwell on the exclusively theoretical, but offers rich critical analyses of a range of Irish cultural artefacts in terms of Ireland’s protracted colonial history and contested postcolonial condition.

Nature lovers and poetry fans alike will be drawn to this lyrical picture book depicting how Carolina wrens build a nest for their young. This is the bark, snippets of twine, spidery rootlets, and needles of pine that shape the nest that Wren built. In the rhyming style of “The House That Jack Built,” this poem about the care and specificity that Carolina wrens put into building a nest is at once tender and true to life. Papa and Mama Wren gather treasures of the forest, from soft moss for a lining to snakeskin for warding off predators. Randi Sonenshine’s lilting stanzas, woven with accurate and unexpected details about Carolina wrens, and Anne Hunter’s gentle, inviting illustrations reveal the mysterious lives of these birds and impart an appreciation for the wonder of the life cycles around us. Back matter includes a glossary and additional interesting facts about wrens.

A fresh, accessible and authoritative study that conveys the richness and diversity of Irish poets, their lives and times.

From the creator of Ready Rabbit Gets Ready! comes a hilarious photo-story of sisterhood and one-upmanship. Philomena needs new glasses. Her sister Audrey wants them, too. And if Philomena and Audrey have them, shouldn't their sister Nora Jane also have them? In this utterly amusing tale of sisterhood, glasses, purses, and dresses, these girls soon make an important discovery. Not everyone needs the same things!

NYT bestselling author Monica Murphy takes you back to the Lancaster Prep world with a deeply romantic story about the most popular girl at school - and the boy who becomes completely obsessed with her. Wren Beaumont is a model student. Kind, clever and beautiful, she is loved by everyone at Lancaster Prep. Everyone but brooding campus bad boy Crew Lancaster. Son of the family who own the school, Crew's life seems easy - but with an overbearing father and high expectations, it's anything but. Which is why he has no time for people like Wren. But when their lives unexpectedly collide, Wren discovers there's more to life than good grades - and Crew finally understands what it's like to care about someone other than himself . . . Could they - should they - become the school's most unlikely couple?