This open access book examines how the form of the list features as a tool for meaning-making in the genre of detective fiction from the nineteenth to the twenty-first century. The book analyzes how both readers and detectives rely on listing as an ordering and structuring tool, and highlights the crucial role that lists assume in the reading process. It extends the boundaries of an emerging field dedicated to the study of lists in literature and caters to a newly revived interest in form and New Formalist approaches in narratological research. The central aim of this book is to show how detective fiction makes use of lists in order to frame various conceptions of knowledge. The frames created by these lists are crucial to decoding the texts, and they can be used to demonstrate how readers can be engaged in the act of detection or manipulated into accepting certain propositions in the text.

This book provides a concise introduction to lists in literature from the early modern period to the twenty-first century. Tracing the changing functions of the literary list across time, it offers a broad range of case studies which situate selected enumerations in their respective contexts and demonstrate the versatility and creative potential of the list form. Starting with a review of previous research on the literary list, the book discusses four main constellations of enumeration: series and the great chain of being; itemization and enumerative realism; ‘letteracettera’ and experimental list-making; ‘white noise’ and creative exploits of enumeration between formal playfulness and existential exploration. The epilogue offers an analytical toolkit for the study of literary lists based on rhetorical theory.

Informed by fourth-wave feminism, Crime Fiction in the Age of #MeToo presents a compelling and timely reading of crime fiction in the age of #MeToo. The book explores five major fourth-wave feminist topics, #MeToo, rape culture, toxic masculinity, LBGTQ+ perspectives, and transgender. These topics have been the subject of intense feminist scrutiny and campaigning, and the book demonstrates how this attention is reflected in contemporary crime fiction and its generic and thematic preoccupations. The book opens with a chapter presenting an overview of existing critical perspectives and feminist debates, demonstrating how fourth-wave feminist ideas and debates are inspiring innovations in the genre, as well as generating fresh ways of reading past and present crime fictions. Providing an overview and context for both fourth-wave feminism and the #MeToo movement, the chapter establishes the critical and cultural framework for its analysis. The chapter also outlines the book’s methodology and approach, detailing the contents of the chapters. Each of the five subsequent chapters uses critical vocabulary and concepts from feminism and the #MeToo movement to reassess canonical works and present new readings of contemporary crime fiction, producing compelling analyses of gender and genre. Canonical authors whose works are discussed include Agatha Christie, Raymond Chandler, Josephine Tey, Maj Sjöwall and Per Wahlöö, and Val McDermid. Examining selected contemporary novels and short stories, the chapters in Crime Fiction in the Age of #MeToo provide fresh readings of both well-known and lesser-known crime authors. The contemporary authors whose work is examined are Lauren Henderson, Susan White, Jennifer Haigh, Allison Leotta, Y.A. Erskine, Heather Fitt, John Harvey, Dorothy Koomson, Pekka Hiltunen, Nekesa Afia, Michael Nava, Stella Duffy, Alex Reeve, V.T. Davy, and Dharma Kelleher. Through its critical examination of crime fiction, Crime Fiction in the Age of #MeToo offers a powerful feminist analysis of the genre which draws links between literature and ongoing urgent social and cultural debates such as the #Metoo movement and fourth-wave feminism.

On the 50th anniversary of the publication of his first novel, Peter Lovesey, Mystery Writers of America Grand Master and titan of the British detective novel, returns to the subject of his very first mystery—running. Through a particularly ill-fated series of events, couch potato Maeve Kelly, an elementary school teacher whose mother always assured her “curvy” girls shouldn’t waste their time trying to be fit, has been forced to sign up for the Other Half, Bath’s springtime half marathon. The training is brutal, but she must disprove her mother and collect pledges for her aunt’s beloved charity. What Maeve doesn’t know is just how vicious some of the other runners are. Meanwhile, Detective Peter Diamond is tasked with crowd control on the raucous day of the race—and catches sight of a violent criminal he put away a decade ago, and who very much seems to be up to his old tricks now that he is paroled. Diamond’s hackles are already up when he learns that one of the runners never crossed the finish line and disappeared without a trace. Was Diamond a spectator to murder?

“A stellar cast of award-winning Nigerian authors . . . a must-read for crime lovers looking for something different.”—Brittle Paper In Akashic Books’s acclaimed series of original noir anthologies, each book comprises all new stories set in a distinct neighborhood or location within the respective city. Now, West Africa enters the Noir Series arena, meticulously edited by one of Nigeria’s best-known authors. In Lagos Noir, the stories are set in “a city of more than 21 million and an amazing amalgam of wealth, poverty, corruption, humor, bravery, and tragedy. Abani and a dozen other contributors tell stories that are both unique to Lagos and universal in their humanity . . . This entry stands as one of the strongest recent additions to Akashic’s popular noir series” (Publishers Weekly, starred review, pick of the week). The anthology includes stories by Chris Abani, Nnedi Okorafor, E.C. Osondu, Jude Dibia, Chika Unigwe, A. Igoni Barrett, Sarah Ladipo Manyika, Adebola Rayo, Onyinye Ihezukwu, Uche Okonkwo, Wale Lawal, ’Pemi Aguda, and Leye Adenle. “The beauty of this book, which contains 13 stories from Nigerian writers, is that it serves as a travelogue, too.”—Bloomberg, “The Darkest Summer Reading List for Those Bright, Beachy Days” “With writers like Igoni Barrett, Leye Adenle, and E.C. Osondu contributing, Lagos Noir offers wildly different perspectives on both the city itself and the state of noir fiction. This book is almost like a world in itself, one that you’ll want to dive back into and get lost in again and again.”—CrimeReads, “One of the 10 Best Crime Anthologies of 2018”

A wickedly funny take on life under the Thatcher government by the prize-winning author of Middle England. It is the 1980s and the Winshaw family are getting richer and crueller by the year: Newspaper-columnist Hilary gets thousands for telling it like it isn't. Henry's turning hospitals into car parks. Roddy's selling art in return for sex. Down on the farm Dorothy's squeezing every last pound from her livestock. Thomas is making a killing on the stock exchange; and Mark is selling arms to dictators. But once their hapless biographer Michael Owen starts investigating the family's trail of greed, corruption and immoral doings, the time growing ripe for the Winshaws to receive their comeuppance . . . __________ 'A sustained feat of humour, suspense and polemic, full of twists and ironies' Hilary Mantel, Sunday Times 'A riveting social satire on the chattering and all-powerful upper classes' Time Out 'Big, hilarious, intricate, furious, moving' Guardian Written with his signature wit, Jonathan Coe's unmissable new novel, The Proof of My Innocence is available to pre-order now!

This revised and expanded handbook concisely introduces narrative form to advanced students of fiction and creative writing, with refreshed references and new discussions of cognitive approaches to narrative, nonfiction, and narrative emotions.