Autobiography by the singer and creative force of 70s rock group The Stranglers.

The life and times of The Stranglers, by their former front man.

The Stranglers have outlasted and outsold virtually every other band of their era, recording ten hit albums and releasing 21 Top 40 singles. Their list of hits, including Golden Brown, were written against a background of spectacular success, dismal failure, drug dependency, financial ruin, infighting and misfortune. As a response to David Buckley's one-sided biography of the band ("No Mercy" Hodder & Stoughton, 1997) and the band’s reticence to reveal the true meaning behind their songs, Hugh Cornwell, founding member and songwriter, sets the record straight, displaces the myths and for the first time explains the real stories behind The Stranglers, his departure and the origins of their songs.

This text presents a comprehensive and up-to-date reference work on popular music, from the early 20th century to the present day.

After Mario Puzo wrote his internationally acclaimed The Godfather, he has often been imitated but never equaled. Puzo's classic novel, The Sicilian, stands as a cornerstone of his work—a lushly romantic, unforgettable tale of bloodshed, justice, and treachery. . . . The year is 1950. Michael Corleone is nearing the end of his exile in Sicily. The Godfather has commanded Michael to bring a young Sicilian bandit named Salvatore Guiliano back with him to America. But Guiliano is a man entwined in a bloody web of violence and vendettas. In Sicily, Guiliano is a modern day Robin Hood who has defied corruption—and defied the Cosa Nostra. Now, in the land of mist-shrouded mountains and ancient ruins, Michael Corleone's fate is entwined with the dangerous legend of Salvatore Guiliano: warrior, lover, and the ultimate Siciliano. Praise for The Sicilian “Puzo is a master storyteller.”—USA Today “The Balzac of the mafia.”—Time “An accomplished and imaginative writer.”—Los Angeles Times

Nothing much has ever happened to Rev Arnold Drive, the meekly quiet vicar of St Tobias's. Feeling safe only within the walls of his church and the gentle rules of his faith, Arnold is ironically a man utterly without drive; a man content that nothing much ever happens. Nothing, that is, until the day his church is sold off to property developers. Ejected from his church and his home, Arnold is thrust out into the modern world – a world for which he is utterly ill-equipped. Suddenly, life presents Arnold with a series of moral dilemmas that test his faith, his judgement and his understanding of human nature. His first experience of love and sex, a surprise confession of murder, a suicide, the prospect of unexpected wealth, the discovery of a hidden family history, all cause Arnold to reassess the certainties he has taken for granted. Then, a near-fatal car accident forces him to face up to the fragility of sanity and of life itself... Arnold Drive is the story of a man's journey from innocence to experience where he discovers his moral compass isn't always pointing the right way.

For The Stranglers, 1977 was a vital year. Not quite punk, certainly not pop and often at odds with live audiences and the music press alike, their approach was such that nothing could stop them. With hits like 'Peaches', 'No More Heroes' and 'Something Better Change', there was everything to play for despite a variety of confrontations and controversies. With two commercially and musically strong albums - Rattus Norvegicus (their debut) and No More Heroes - released within just months of each other, the story of The Stranglers in 1977 is one that needs to be told. With vintage interviews and reviews in abundance, this book comprehensively documents it all with immense detail.