Cassius Harper, increasingly obsessed with a certain charismatic woman, withdraws from his friends and family and comes to question his beliefs about his parents' seemingly ideal marriage and his Northern California upbringing.

“Hilarious. Barbara Park makes reading fun.” —Dav Pilkey, author of Dog Man Barbara Park’s #1 New York Times bestselling chapter book series, Junie B. Jones, has been keeping kids laughing—and reading—for more than twenty-five years. Over 65 million copies sold! Meet the World’s Funniest Kindergartner—Junie B. Jones! Junie B.’s having a rough week. First she got punishment for shooting off her mouth in kindergarten. And now she’s in big trouble again! ’Cause Monday is Job Day, and Junie B. told her class that she’s got the bestest job of all. Only, what the heck is it? USA Today: “Junie B. is the darling of the young-reader set.” Publishers Weekly: “Park convinces beginning readers that Junie B.—and reading—are lots of fun.” Kirkus Reviews: “Junie’s swarms of young fans will continue to delight in her unique take on the world. . . . A hilarious, first-rate read-aloud.” Time: “Junie B. Jones is a feisty six-year-old with an endearing penchant for honesty.”

OF WHAT FUTURE ARE THESE THE WILD, EARLY DAYS? An exploration of the role that artists play in resisting authoritarianism with a sci-fi twist. In poetry, dialogue and visual art the book follows two wandering poets as they make their way from village to village, across a prison colony moon full of exiled rebels, robots, and storytellers. Part post-apocalyptic road journal, part alternate universe history of Hip Hop, and part “Letters to a Young Poet”-style toolkit for emerging poets and aspiring movement-builders, it's also a one-of-a-kind practitioners' take on poetry, power, and possibility. NOT A LOT OF REASONS TO SING is a: -post-apocalyptic road journal -alternate universe history of Hip Hop -“Letters to a Young Poet” -toolkit for emerging poets and aspiring movement-builders it's also a one-of-a-kind practitioners' take on poetry, power, and possibility.

The forest brought them together. What’s in it could tear them apart. Maggie Sullivan has returned to Wolfe Creek, determined to find out why her best friend vanished one fog-shrouded night a year ago. But it quickly becomes clear that if the residents of the secluded mountain town know what happened, they aren’t talking. Sheriff’s deputy Koda Wolfe reluctantly agrees to help Maggie, even as he tries to convince her to leave town for her own good. Soon he’s compelled to protect her from herself, his family’s ancient curse, and a killer who could strike again. The nights heat up in more ways than one as Maggie and Koda delve deeper into the haunting disappearance. The eerie woods come alive with secrets bound to tear them apart, while someone is watching their every move.

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Chichikov, a mysterious stranger, arrives in the provincial town of 'N', visiting a succession of landowners and making each a strange offer. He proposes to buy the names of dead serfs still registered on the census, saving their owners from paying tax on them, and to use these 'souls' as collateral to re-invent himself as a gentleman. In this ebullient masterpiece, Gogol created a grotesque gallery of human types, from the bear-like Sobakevich to the insubstantial fool Manilov, and, above all, the devilish con man Chichikov. Dead Souls, Russia's first major novel, is one of the most unusual works of nineteenth-century fiction and a devastating satire on social hypocrisy.

Reprint of the original, first published in 1845.