This reference work analyzes and classifies the story themes of Polynesian myths, tales, and legends according to an internationally employed system developed by Stith Thompson in his Motif Index of Folk-Literature ( 1955-1958). Thousands of tales, including those from almost all of the major original collections from the Polynesian area, have been examined and their thematic contents cataloged in this work. In his introduction, the author explains the concept of the motif as a basis for cataloging. He quotes from Professor Thompson's definition of a motif: “the smallest element in a tale having the power to persist in tradition,” for example, gods, marvelous creatures, magic objects, and certain kinds of incidents. The author believes “the function of an index of motifs is to cite bibliographical sources of narratives containing these viable (often irreducible) story elements, and thus to provide the investigator of specific story ideas with comparative Information.” The present work is an attempt to survey thoroughly the totality of Polynesian oral tradition and to indicate the distribution and relationships of narrative materials. Not since the publication of Roland B. Dixon's work on Oceanic mythology in 1916 has this been attempted. This index will be an invaluable reference tool for anyone doing research in Oceanic ethnology and folklore.

Maori oral tradition is the rich, poetic record of the past handed down by voice over generations through whakapapa, whakatauki, korero and waiata. In genealogies and sayings, histories, stories and songs, Maori tell of ‘te ao tawhito' or the old world: the gods, the migration of the Polynesian ancestors from Hawaiki and life here in Aotearoa. A voice from the past, today this remarkable record underpins the speeches, songs and prayers performed on marae and the teaching of tribal genealogies and histories. Indeed, the oral tradition underpins Maori culture itself. This book introduces readers to the distinctive oral style and language of the traditional compositions, acknowledges the skills of the composers of old and explores the meaning of their striking imagery and figurative language. And it shows how nga korero tuku iho – the inherited words – can be a deep well of knowledge about the way of life, wisdom and thinking of the Maori ancestors.

The Garland Encyclopedia of World Music is a ten-volume reference work, organized geographically by continent to represent the musics of the world in nine volumes. The tenth volume houses reference tools and descriptive information about the encyclopedia’s structure, criteria for inclusion and other information specific to the field of ethnomusicology. An award-winning reference, its contributions are from top researchers around the world who were active in fieldwork and from key institutions with programs in ethnomusicology. GEWM has become a familiar acronym, and it remains highly revered for its scholarship, uncontested in being the sole encompassing reference work with a broad survey of world music. More than 9,000 pages, with musical illustrations, photographs and drawings, it is accompanied by 300+ audio examples.

Prior to 1500 A.D. the Polynesians were the most widely spread people on earth, having settled an area of the Pacific, the Polynesian Triangle, twice the size of the United States. In this first reference guide to the mythology of these Vikings of the Pacific, Craig reviews Polynesian legends, stories, gods, goddesses, and heroes in hundreds of alphabetical entries that succinctly describe both characters and events. His wide-ranging and thorough introduction sets the subject in its geographic, historical, anthropological, and linguistic contexts, offering an illuminating overview of the origin of the Polynesians as a distinct people and tracing their voyages and settlements from Indonesia to Malaysia, Tonga, Samoa, the Marquesas, the various islands of eastern Polynesia, including Hawaii, Easter Island, and New Zealand. The introduction presents fascinating information on Polynesian navigational skills and the voyages themselves, as well as a chart that details the evolution of the thirty Polynesian languages and compares cognates from several of these languages. A simplified pronunciation guide and a selected list of Polynesian dictionaries and/or grammars are provided for those interested in pursuing the richness of the Polynesian languages. This introductory survey gives readers the necessary background to understand the origin, development, and dispersion of the myths throughout the Pacific basin. The Dictionary of Polynesian Mythology is the result of many years of research. The individual entries were gleaned from nearly 300 sources in English, German, French, and Polynesian languages with the majority extracted from a number of primary sources that date generally in the nineteenth and early twentieth centuries. The printed source materials for this volume are fully described and listed by geographical group, including Maori, Cook Islands, Tahitian, Marquesan, Hawaiian, Samoan, and Tongan. General collections that retell the Polynesian stories are also surveyed. The entries are alphabetically arranged by major mythological figure; lesser characters can be located in the index. Short bibliographical citations--author, date, and page number--are included at the end of each main entry to direct readers to fuller information contained in the printed sources. An appendix provides valuable supplemental information on Polynesian gods and goddesses. This dictionary is sure to become a basic reference tool for libraries, students, and scholars of Pacific history and culture, as well as for courses in mythology, religion, and philosophy.

Thousands of years ago, Polynesian voyagers discovered and settled Nanumea atoll, a tiny cluster of coral islets in the middle of the Pacific Ocean. The community prospered, first evolving into a traditional culture finely tuned to the atolls limited environment and then weathering new changes imposed by missionaries, colonial officials, and Westernization itself. Now one of eight separate island communities comprising the modern Pacific nation of Tuvalu, Nanumea faces new challenges: rising sea levels, globalization, and massive social and economic changes. Using personal stories that evoke the difficulties and excitement of fieldwork, Keith and Anne Chambers draw on more than twenty-five years of ethnographic research in Nanumea to craft an engaging account of Nanumean culture and social organization. Readers will come to appreciate how the communitys intense sharing obligations, service-oriented chieftainship, and a flexible system of extensive kinship reckoning define a lifestyle that differs fundamentally from modern Western society.

First published in 1998. Routledge is an imprint of Taylor & Francis, an informa company.