A Mother's Tale is a tale of salvaging one's soul from received and inherited war-related trauma. Within the titular beautiful story of a mother's love for her son is the cruelty and senselessness of the Vietnam War, the poignant human connection, and a haunting narrative whose setting and atmosphere appear at times other worldly through their landscape and inhabitants. Captured in the vivid descriptions of Vietnam's country and culture are a host of characters, tortured and maimed and generous and still empathetic despite many obstacles, including a culture wrecked by losses. Somewhere in this chaos readers will find a tender link between the present-day survivors and those already gone. Rich and yet buoyant with a vision-like quality, this collection shares a common theme of love and loneliness, longing and compassion, where beauty is discovered in the moments of brutality, and agony is felt in ecstasy.

Oral autobiography of Frances Lopate from 1984 taped conversations.

Jessica is expecting her first child. But why isn't she transformed by maternal feelings? Where is the all-consuming love she's supposed to feel for her child? No-one told her you don't always love your baby. Perhaps its best if Jessica keeps that dark secret to herself for now.

The eleven stories and one novella of Mother Box, and Other Tales bring together everyday reality and something that is dramatically not in compelling narratives of new possibilities. In language that is both barb and bauble, bitter and unbearably sweet, Sarah Blackman spins the threads of stories where everything is probable and nothing is constant. The stories in Mother Box, and Other Tales occur in an in-between world of outlandish possibility that has become irrefutable reality: a woman gives birth to seven babies and realizes at one of their weddings that they were foxes all along; a girl with irritating social quirks has been raised literally by cardboard boxes; a young woman throws a dinner party only to have her elaborate dessert upstaged by one of the guests who, as it turns out, is the moon. Love between mothers and children is a puzzling thrum that sounds at the very edge of hearing; a muted pulse that, nevertheless, beats and beats and beats. In these tales, the prosaic details of everyday life—a half-eaten sandwich, an unopened pack of letters on a table—take on fevered significance as the characters blunder into revelations that occlude even as they unfold.

The first collection of short stories are deeply personal in nature, all located in Mumbai- its folds and seams- which the writer has explored all his life. Familial bond or the lack of them, an intimate dekko at a media group's machinations, a close study of the Irani community which is fast vanishing in the metropolis, the underworld and the staggeringly bold new world of sexual relationships sparked by websites are just some of the narratives, with a twist in the tale. KHALID MOHAMED started as reviewer and co-editor, during his teenage years for close-up, a film society magazine. He reviewed television for The Economic Times basides contributing articles to The Illustrated Weekly of India and Femina. His writing has writing has also featured in India Today,The Indian Express, The Telegraph, the international film weekly Variety and in Sunday Observer, London. He was film critic for Mid-day, Senior Editor of DNA newspaper, and National Culture Editor and film critic for Hindustan Times. Currently, he is Consulting Editor to the Deccan Chronicle media group. He wrote the original stories and screenplays and also directed the films Fiza, Tehzeeb and Silsilaay . He debuted recently as a playwright and director of the stageplay Kennedy Bridge. His documentary The Last Irani Chai has been screened widely. His second documentary Smiles and Tears on Mumbai's street children is under post-production. Presently, he is writing his second stageplay and his first novel.

A collection of 5 different short stories, many of which are absolutely unsettling body horror. Bhanu Pratap is a master at creating deformed shapes and beautiful design to create a completely unnerving experience! This is a 52 page perfect bound magazine sized collection!

Did Amma really steal a bicycle, and is it even possible to wrestle your shadow?" Did you ever wonder how your parents were as kids? Were they up to mischief? Did they get into trouble a lot? Then read these stories about a mother who tells her child about her strange and exciting adventures growing up in a village in South India. Look carefully at the beautiful illustrations... and imagine yourself in this fantastic world of midnight feasts, roving hyenas, shrieking peacocks, buzzinginsects and stolen bicycles... does it sound unbelievable? And yet... could it all be true?"