The long-awaited second, expanded and revised edition of Greg Mogenson's God Is A Trauma.

Prisoner of Infinity examines modern-day accounts of UFOs, alien abductions, and psychism to uncover a century-long program of psychological fragmentation, collective indoctrination, and covert cultural, social, and mythic engineering.Whether it is the forces of God, government, aliens from outer (or inner) space, or the incalculable effects of childhood sexual trauma on the human psyche, premature contact with these forces compels us to create "crucial fictions." Such semi-coherent mythic narratives make partial sense out of our experience, but in the process turn us into the unreliable narrators of our own lives.Taking UFOS and the work of "experiencer" Whitley Strieber as its departure point, Prisoner of Infinity explores how beliefs are created and perceptions are managed in the face of the inexplicably complex forces of our existence. While keeping the question of a non-human and/or paranormal element open, the book maps how all-too-human agendas (such as the CIA's MK Ultra program) have co-opted the ancient psychological process of myth-making, giving rise to dissociative, dumbed-down Hollywood versions of reality. The New Age movement, UFOs, alien abductions, psychism, psychedelic mind expansion, Transhumanism, the Space Program - what if they are all productions devised by committee in dark rooms to serve social, political, and economic goals that are largely devoid of true substance or meaning? Through an exacting and enlivening process of social, cultural and psychological examination and excavation, Prisoner of Infinity uncovers the most deeply buried treasure of all. The original, uncredited author of all mystery and meaning: the human soul.

"It will not be easy at first to sense that God is a trauma, that 'the jungle fire-fight, the early morning rape, the speeding automobile of the drunk driver...may be God images if, like God, they create us in their image, after their likeness.' But little by little, this 'gnostic analysis' gets under the skin, & one begins to see, indeed, that 'whatever traumatises us becomes our parent' & our God, & that our religion has traumatised us by being 'religious kitsch,' covering our hurts. Greg Mogenson makes the point sensitively, therapeutically, & compellingly that 'the notion of salvation is eternally corruptible,' & that 'we need salvation from the very notion of salvation itself.' It may be as important for souls today to wrestle God as a Trauma as it was for Jacob to wrestle God's angel traumatically...& for the same reason!"--David L. Miller.

"Joyce Carol Oates has written what may be the world’s finest postmodern Gothic novel: E.L. Doctorow’s Ragtime set in Dracula’s castle. It’s dense, challenging, problematic, horrifying, funny, prolix and full of crazy people. You should read it.” —Stephen King, New York Times Book Review Princeton, New Jersey at the turn of the 20th century: a tranquil place to raise a family, a genteel town for genteel souls. But something dark and dangerous lurks at the edges of the town, corrupting and infecting its residents. Vampires and ghosts haunt the dreams of the innocent. A powerful curse besets the elite families of Princeton—their daughters begin disappearing. A young bride on the verge of the altar is seduced and abducted by a dangerously compelling man—a shape-shifting, vaguely European prince who might just be the devil, and who spreads his curse upon a richly deserving community of white Anglo-Saxon privilege. And in the Pine Barrens that border the town, a lush and terrifying underworld opens up. When the bride’s brother sets out against all odds to find her, his path will cross those of Princeton’s most formidable people, from Grover Cleveland, fresh out of his second term in the White House and retired to town for a quieter life, to soon-to-be commander in chief Woodrow Wilson, president of the University, and a complex individual obsessed to the point of madness with his need to retain power; from the young Socialist idealist Upton Sinclair, to his charismatic comrade Jack London, and the most famous writer of the era, Samuel Clemens/ Mark Twain—all plagued by “accursed” visions. Narrated with Oates's unmistakable psychological insight, The Accursed combines beautifully transporting historical detail with chilling supernatural elements to stunning effect.

In today's "post-truth" world, we are becoming inundated with fantasy fictions, "alternate news," and grossly oversimplified (and wildly exaggerated) conspiracy theories that identify cryptocratic power structures ruling our fates. But suppose the truth is both stranger than any fiction and more nuanced and disturbing than any theory? Suppose it is not conspiracy but complicity that creates our world? Beginning as an investigation into the author's childhood inside a closet aristocracy of "progressive" British entrepreneurs, Vice of Kings uncovers a history both disturbingly personal and shockingly universal. By juxtaposing disc jockey Jimmy Savile's secret cultural, criminal, and political affiliations in the second half of the 20th century with the life and teachings of Aleister Crowley in the first, it uncovers an alarming body of evidence that ritual child abuse is not only the dark side of occultism, but the shadowy secret at the heart of culture, both ancient and modern. In the process, Vice of Kings reveals an invisible culture behind the one we know, a secret hierarchy that impacts our lives, in ways both subtle and profound, from birth until death. It is a cryptocratic superculture that operates via traumagenesis (intentionally traumatic child-rearing practices), secret initiation/recruitment rituals (abusive social structures), and collective cultural "inception" via mass media and the arts. By shaping our world implicitly, from the inside out, it makes us complicit with it--like the sleeping subjects of hidden monarchs.