Leon Winter is a biodroid who entered HiRock after escaping the Global Confederate Empire's autocracy. He's determined to fulfil a promise in this freeman's lands. But encounters trouble in the desert plains, which challenges his duty.

Comics icon Stan Lee, creator of the Mighty Marvel Universe, has set about to teach everything he knows about writing and creating comic book characters. In these pages, aspiring comics writers will learn everything they need to know about how to write their own comic book stories, complete with easy to understand instruction, tips of the trade, and invaluable advice even for more advance writers. From the secrets to creating concepts, plots, to writing the script, the man with no peer — Stan Lee—is your guide to the world of writing and creating comics.

In recent years Yeats has been receiving a great deal of critical attention from many aspects. Professor Engelberg here makes a distinctive contribution to the new studies by bringing under discussion the kind of aesthetic views developed by Yeats in order to rationalize his own practice as poet and dramatist. Yeats was pragmatic in his approach and therefore not concerned about formulating a tight critical theory. Recognizing this, the author at the same time skilfully guides the reader through the opinions expressed in the critical essays to meaningful patterns and shows how Yeats's aesthetic views developed, often in relation to his study of Balzac, Blake, Spenser, Shelley, Morris, and the Irish theatre of his own day. Throughout the stress is fittingly on the originality of Yeats, and the reader will be impressed always with his great critical perceptiveness.

This is the story of Jane who finds the novel she is working on starts to write back. She's already realized novel writing isn't such a piece of cake after all, and the world of fiction is a far more complicated place than she ever imagined.

The book offers an elucidation of two of the most important themes in Martin Heidegger's early as well as later philosophical writings. These perennial themes of his thought, namely, the concept of the world and his existential analysis of death, are explored as the ongoing philosophical problems grappled by this important thinker of the twentieth century within all periods of the body of his entire work. These themes are closely related to the fundamental issue of Heidegger's thought namely the question concerning the meaning of Being for which a proper elucidation of the world-concept and death is absolutely crucial. Since this book considers all the important phases of Heidegger's thought along with all the important ongoing conceptual preoccupations of this thinker along with his original analyses of human existence and the world, the notion of the ground, art and artworks, language, dwelling, and death, it can serve as a substantive introduction to the philosophy of Martin Heidegger.

Through the lens of Akira Kurosawa's films, Martinez dissects the human tendency to make connections in a pioneering attempt to build a bridge out of diverse materials: the anthropology of Japan, film studies, and postmodern theory.

In Literary Narratives and the Cultural Imagination: King Arthur and Don Quixote as National Heroes the author examines traditional Arthurian and Cervantine literary narratives to discuss how the two literary figures became paladins of their respective nations. Whereas the former bestows upon the homeland a positive image of Britain, based on military might, a glorious past and a promise of return, the latter contributes to a negative image of Spain based on a narrative of defeat and faded glory. In the analysis of the political intentions behind the literature that gave wings to the rise as paragons of these very famous literary characters, a semblance of the national imaginaries of the countries of their birth appears. Indeed, the tradition of Waterloo and the tradition of La Mancha are polar opposites in their Weltanschauung, and they only have in common that both heroes, Arthur and Quijote, are depicted as paladins of justice, benefactors, and redeemers of their land of birth. It is this idealized view of what is possibly the figment of a writer’s (or many different writers) pen that astonishes the reader, for behind it lies an intention to market (for internal and external consumption) both literary creations, exceeding the boundaries of the creative fiction that invented them to transform them into myths and political symbols of their respective nations.