Beneath the floorboards of a ruined house, an 18th-century memoir is discovered. It reveals the life story of William Congreve, the acclaimed English playwright. The lost manuscript is penned by his faithful servant, Jeremy, who tells how they lived together through fierce political division and triumphal nationalism in that era of war with France, the aftermath of the Glorious Revolution. Upon his death a monument in Stowe is erected to honour Mr Congreve. Atop a slender pyramid sits a monkey peering into a mirror, a court wit seeing reflected the ironies of polite society folding in on itself as Whigs and Tories feud with scant ground for compromise. Through the prisms of memory and art, award-winning author John Spurling reimagines this tumultuous period and brings to life historical figures Dryden, Vanbrugh, Swift, Pope and Lady Mary Wortley Montagu as never before.

1665. It is five years since King Charles II returned from exile, the scars of the English Civil Wars are yet to heal and now the Great Plague engulfs the land. Alethea Hawthorne is safe inside the walls of the Calverton household as a lady's companion waiting in anticipation of the day she can return to her ancestral home of Measham Hall. But when Alethea suddenly finds herself cast out on the plague-ridden streets of London, a long road to Derbyshire lies ahead. Militias have closed their boroughs off to outsiders for fear of contamination. Fortune smiles on her when Jack appears, an unlikely travelling companion who helps this determined girl to navigate a perilous new world of religious dissenters, charlatans and a pestilence that afflicts peasants and lords alike. The Master of Measham Hall is the first book in a page-turning historical series. In lyrical prose, Anna Abney portrays the religious divides at the heart of Restoration England in a timeless novel about survival, love, and family loyalty. PRAISE FOR THE MASTER OF MEASHAM HALL ‘It’s rare for a historical novel to feel so timely.’ Jo Baker, Sunday Times bestselling author of Longbourn ‘Impeccably researched and wonderfully atmospheric, with a heroine you can’t help rooting for.’ Frances Quinn, author of The Smallest Man ‘Exciting and immersive. It took me straight into the heart of Restoration England in all its rich and vivid detail. I was gripped! Such beautiful writing too - Anna is a stunning new talent.’ Nicola Cornick, international bestselling author of House of Shadows ‘A thoroughly engaging romp... By turns entertaining, surprising and thought-provoking, this is an impressive debut.’ Jane Johnson, author of The Sea Gate ‘A gripping depiction of what people will do to survive, the long-held beliefs and scruples questioned and cast aside as well as the unexpected kindnesses and unusual alliances made. In elegant prose, this enthralling novel puts a human face to the trials, terrors and enduring hopes of the plague years.’ Catherine Meyrick, author of The Bridled Tongue 'A thrilling and original tale of reinvention! Death in a time of plague is expected. What happens to Abney's heroine Alethea is not. The Master of Measham Hall is a vivid and extraordinary journey of survival, and ultimately an exploration of what we gain and what we lose as we pass through this world.' VL Valentine, The Plague Letters ‘A powerful and engaging story, full of good characters, satisfying plot turns, and excellent scene-setting. With all the details and insights on offer, it feels like a rich and rewarding panorama of English culture in the 1660s. The transformation of Alethea was wonderful to read, and genuinely gripping.’ Richard Hamblyn

The fundamental questions of our origins, along with our evolutionary future, find new life in this extraordinary book. In this superb collection of essays, eminent scientist, Ian Tattersall takes up some of the most controversial questions in evolutionary history. He argues that far from being finely engineered organisms, we are in fact improvised beings, owing as much to chance as adaptation. Tattersall leads us around the world and into the far reaches of the past, and reveals the complexities of the science of human evolution.

An essential reconsideration of one of the most far-reaching theories in modern neuroscience and psychology. In 1992, a group of neuroscientists from Parma, Italy, reported a new class of brain cells discovered in the motor cortex of the macaque monkey. These cells, later dubbed mirror neurons, responded equally well during the monkey’s own motor actions, such as grabbing an object, and while the monkey watched someone else perform similar motor actions. Researchers speculated that the neurons allowed the monkey to understand others by simulating their actions in its own brain. Mirror neurons soon jumped species and took human neuroscience and psychology by storm. In the late 1990s theorists showed how the cells provided an elegantly simple new way to explain the evolution of language, the development of human empathy, and the neural foundation of autism. In the years that followed, a stream of scientific studies implicated mirror neurons in everything from schizophrenia and drug abuse to sexual orientation and contagious yawning. In The Myth of Mirror Neurons, neuroscientist Gregory Hickok reexamines the mirror neuron story and finds that it is built on a tenuous foundation—a pair of codependent assumptions about mirror neuron activity and human understanding. Drawing on a broad range of observations from work on animal behavior, modern neuroimaging, neurological disorders, and more, Hickok argues that the foundational assumptions fall flat in light of the facts. He then explores alternative explanations of mirror neuron function while illuminating crucial questions about human cognition and brain function: Why do humans imitate so prodigiously? How different are the left and right hemispheres of the brain? Why do we have two visual systems? Do we need to be able to talk to understand speech? What’s going wrong in autism? Can humans read minds? The Myth of Mirror Neurons not only delivers an instructive tale about the course of scientific progress—from discovery to theory to revision—but also provides deep insights into the organization and function of the human brain and the nature of communication and cognition.

Who's that eating a banana? Swinging from the shower curtain? Making faces in the mirror? Why, it looks like a monkey! But not to Mommy. Mommy knows it's her own monkey boy, and even monkey boys need their sleep. But first, they need to clean up their room and take a bath. Then she'll read a story. "Good night, Monkey Boy . . . and no more bananas!"

A collection of science fiction and fantasy tales by the acclaimed author offers readers ten excursions into the realm of the fantastic and the mythic. Orson Scott Card's Monkey Sonatas: Fables and Fantasies is part of the Maps in a Mirrors series of the author's extraordinary range of collected fiction. Introduction Unaccompanied Sonata A Cross-Country Trip to Kill Richard Nixon The Porcelain Salamander Middle Woman The Bully and the Beast The Princess and the Bear Sandmagic The Best Day A Plague of Butterflies The Monkeys Thought ‘Twas All in Fun Afterword At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.

“A brilliantly crafted novel, brimming with heart.”―Tayari Jones, author of An American Marriage “Rich and compelling . . . Her characters are vividly, achingly real, including the tiny, furry one at the novel’s center.”―Ann Packer, author of The Dive From Clausen’s Pier “Stark and compelling . . . rigorously unsentimental yet suffused with emotion.”―Kirkus Reviews (starred review) Duncan Wheeler is a successful architect who savors the quotidian pleasures in life until a car accident leaves him severely paralyzed and haunted by the death of his young assistant. Now, Duncan isn’t sure what there is left to live for, when every day has become “a broken series of unsuccessful gestures.” Duncan and his wife, Laura, find themselves in conflict as Duncan’s will to live falters. Laura grows desperate to help him. An art conservator who has her own relationship to the repair of broken things, Laura brings home a highly trained helper monkey―a tufted capuchin named Ottoline―to assist Duncan with basic tasks. Duncan and Laura fall for this sweet, comical, Nutella-gobbling little creature, and Duncan’s life appears to become more tolerable, fuller, and funnier. Yet the question persists: Is it enough? Katharine Weber is a masterful observer of humanity, and Still Life with Monkey, full of tenderness and melancholy, explores the conflict between the will to live and the desire to die.