First book to assemble the range of Thurber's art, from decades of cartoons that established the New Yorker to illustrations for advertisements, children's books, and others' books. Includes previously unpublished art.

"James Thurber was a comedic genius. His fables are not simply parodies of Aesop. They are wry, accurate, and powerful reflections of ourselves, our foibles, our follies, and, above all, our self-importance. And they are very, very funny." --Neil Gaiman James Thurber has been called “one of the world’s greatest humorists” by Alistair Cooke (TheAtlantic), and “one of our great American institutions” (Stanley Walker)—and few works reveal Thurber’s genius as powerfully as his fables. Perennially entertaining and astutely satirical, Thurber pinpricks the idiosyncrasies of life with verbal frivolity, hilarious insights, political shrewdness, and, of course, quirky, quotable morals. Now, readers can savor 85 fables by the twentieth century’s preeminent humorist collected for the first time in a single anthology. Here, Fables for Our Time, Further Fables for Our Time, and ten previously uncollected fables—illustrated by ten contemporary artists including Seymour Chwast, Mark Ulriksen, Laurie Rosenwald, and R. O. Blechman—are presented in Collected Fables, a must-have for readers of all ages.

Best remembered as an influential illustrator and teacher, Howard Pyle (1853-1911) produced magnificent artwork and engrossing books and magazine stories about King Arthur, Robin Hood, swashbuckling pirates, and the American Revolution. He also completed public murals and trained many famous artists and illustrators at the turn of the twentieth century, including N. C. Wyeth and Jessie Willcox Smith. This engaging portrait of the influential American artist, teacher, author, and muralist is the first fully documented treatment of Pyle's life and career. Drawing on numerous archival sources including Pyle's own letters to provide new perspectives on his life, Jill P. May and Robert E. May reveal Pyle to be a passionate believer that art should be understood and appreciated by the general public. His genteel values and artistic tastes shaped not only his own creative output but his influential work as a teacher, first at the Drexel Institute of Art, Science and Industry in Philadelphia and later at his own school in Delaware's Brandywine River Valley. May and May also show him to be far more supportive of women artists than is generally believed, explaining how he deployed club memberships and relationships with publishers and politicians to advance the prospects of his students. Duly measuring his influence on later artists, May and May detail his quest to lead a distinctively American school of art freed from European models. Amply illustrated with evocative photographs and color reproductions of his own and his students' work, this exceptional volume presents Howard Pyle's creative career and legacy for American popular culture as it has never been seen before.

Is the grass greener on the other side of the train window? Even a brief brush with a stranger can change our lives. It's 1970, and Perry feels adrift in turbulent times: his father is missing in action in Vietnam, his mother is studying to become a nurse in the city, his older sister has become a peacenik in college. Traveling between his hometown, where he lives with his grandmother, and his mother's house in Cincinnati, Perry notices Steve, whose farm lies on the B&O railroad line. Steve likes to race the train as it blows by his fields; Steve skillfully sends his collie after an escaped cow; Steve watches the Cincinnatian, longing for its speed, longing for adventure. In alternating voices, Michael J. Rosen's poems weave a tale of two boys—one wishing for the stability of home, the other yearning to travel—and the unexpected impact of their fleeting encounter.

When a blizzard traps a family outside in a whiteout, a cattle dog devises a stunning rescue in a moving, suspenseful, and gorgeously illustrated story. A family—a mother, a father, and their ten-year-old son—have come all the way from Florida to the Appalachian foothills to experience the wonder of a snowy weekend. At a nearby farm, a cattle dog is working, as she does every day, driving her forty head of cattle from pasture to corral and back again. And then, suddenly, a blizzard descends. The family is trapped outside, disoriented in the whiteout. They are panicked, exhausted, freezing, and stranded in waist-deep drifts. From off in the distance, the cattle dog has heard their faint, snow-drowned cries. Her inexhaustible attention turns to saving them. This stirring tale is both a compelling story of survival and a meditation on the tremendous will of man's best friend.

In a world of bountiful food yet increasing food insecurity, we are called to remember that all creatures have a place—and may be fed sustainably—at the greatest, communal table offered by our planet.