A Mexican State of Mind: New York City and the New Borderlands of Culture explores the cultural and creative lives of the largely young undocumented Mexican population in New York City since September 11, 2001. Inspired by a dialogue between the landmark works of Paul Gilroy and Gloria Anzaldúa, it develops a new analytic framework, the Atlantic Borderlands, which bridges Mexican diasporic experiences in New York City and the black diaspora, not as a comparison but in recognition that colonialism, interracial and interethnic contact through trade, migration, and slavery are connected via capitalist economies and technological developments. This book is based on ten years of fieldwork in New York City, with members of a vibrant community of young Mexican migrants who coexist and interact with people from all over the world. It focuses on youth culture including hip hop, graffiti, muralism, labor activism, arts entrepreneurship and collective making.

A Mexican State of Mind: New York City and the New Borderlands of Culture is the story Mexican migrant creativity in New York City since 9/11 focusing on youth productions in hip hop, the arts and labor advocacy.

We Heard It When We Were Young tells the story of a young boy, first-generation Mexican American, who is torn between cultures: between immigrant parents trying to acclimate to midwestern life and a town that is, by turns, supportive and disturbingly antagonistic.

The experiment with neoliberal market-oriented economic policy in Latin America, popularly known as the Washington Consensus, has run its course. With left-wing and populist regimes now in power in many countries, there is much debate about what direction economic policy should be taking, and there are those who believe that state-led development might be worth trying again. Susan Gauss’s study of the process by which Mexico transformed from a largely agrarian society into an urban, industrialized one in the two decades following the end of the Revolution is especially timely and may have lessons to offer to policy makers today. The image of a strong, centralized corporatist state led by the Partido Revolucionario Institucional (PRI) from the 1940s conceals what was actually a prolonged, messy process of debate and negotiation among the postrevolutionary state, labor, and regionally based industrial elites to define the nationalist project. Made in Mexico focuses on the distinctive nature of what happened in the four regions studied in detail: Guadalajara, Mexico City, Monterrey, and Puebla. It shows how industrialism enabled recalcitrant elites to maintain a regionally grounded preserve of local authority outside of formal ruling-party institutions, balancing the tensions among centralization, consolidation of growth, and Mexico’s deep legacies of regional authority.

Two centuries of writers drawn to Mexico—from D. H. Lawrence, John Steinbeck, Jack Kerouac, and Tennessee Williams to Salman Rushdie, Anita Desai, and Sandra Cisneros This scintillating literary travel guide gathers the work of great writers celebrating Mexico in poetry, fiction, and nonfiction. Ranging from 1843 to the present, Mexico in Mind offers a remarkably varied sampling of English-speaking writers’ impressions of the land south of the border. John Reed rides with Pancho Villa in 1914; Graham Greene defends Mexico’s priests; Langston Hughes describes a bullfight; Jack Kerouac and William Burroughs find Mexico intoxicating; Alice Adams visits Frida Kahlo’s house; Ann Louise Bardach meets the mysterious Subcommandante Marcos face to face. Fictional accounts are equally vivid, including poems by Muriel Rukeyser, Archibald Macleish, and Sandra Cisneros, short stories by Katherine Anne Porter and Ray Bradbury, and excerpts from John Steinbeck’s The Pearl, Tennessee Williams’ Night of the Iguana, and Salman Rushdie’s The Ground Beneath Her Feet. From the bustle of Mexico City to coffee planations in remote Chiapas, from Mayan ruins to the markets at Oaxaca, the scenes evoked in this anthology reflect the rich variety of the place and its history, sure to enchant vacationers, expatriates, and armchair travelers everywhere. Alice Adams • Ann Louise Bardach • Ray Bradbury • William S. Burroughs • Frances Calderón de la Barca • Ana Castillo • Sandra Cisneros • Anita Desai • Erna Fergusson • Charles Macomb Flandrau • Donna Gershten • Graham Greene • Langston Hughes • Fanny Inglehart • Gary Jennings • Diana Kennedy • Jack Kerouac • D. H. Lawrence • Malcolm Lowry • Archibald Macleish • Rubén Martínez • Tom Miller • Katherine Anne Porter • John Reed • Luis Rodriguez • Richard Rodriguez • Muriel Rukeyser • Salman Rushdie • John Steinbeck • Edward Weston • Tennessee Williams From the Trade Paperback edition.

"A work of fiction about three generations of a Mexican-American family living the contradictions of the borderland.Islas stretches the boundaries of the reader's empathy through his passionate respect for the ways women and men find to live with dignity and hope".--Jacket.

Author Boyé Lafayette De Mente [known internationally known for his books on the business practices, customs and languages of China, Japan, Korea and Mexico] asserts that most people are ignorant of the amazing cultural heritage and character of the Mexican people. He says that when most people think of great cultural accomplishments they think of Europe and when they think of the exotic and perhaps the erotic they think of the Orient, while unknown to them they have overlooked one of the most unusual and fascinating countries on earth. De Mente uses key words in the Mexican language to identify and explain the contradictions and paradoxes of Mexico—the omnipresent trappings of Catholicism, the macho-cult of Mexican males, the conflicting treatment of females, the savage brutality of the criminal and the rogue cop, the gentle humility of the poor farmer, the warmth, kindness and compassion of the average city dweller and the extreme sensuality of the Mexican mindset. The book also explains why Mexicans are so attached to the culture and why so many foreigners find it so seductive and satisfying that they prefer to live in Mexico.