A Marriage Out West is an intimate biographical account of two fascinating figures of twentieth-century archaeology. Frances Theresa Peet Russell, an educator, married Harvard anthropologist Frank Russell in June 1900. They left immediately on a busman’s honeymoon to the Southwest. Their goal was twofold: to travel to an arid environment to quiet Frank’s tuberculosis and to find archaeological sites to support his research. During their brief marriage, the Russells surveyed almost all of Arizona Territory, traveling by horse over rugged terrain and camping in the back of a Conestoga wagon in harsh environmental conditions. Nancy J. Parezo and Don D. Fowler detail the grit and determination of the Russells’ unique collaboration over the course of three field seasons. Delivering the first biographical account of Frank Russell’s life, this book brings detail to his life and work from childhood until his death in 1903. Parezo and Fowler analyze the important contributions Theresa and Frank made to the bourgeoning field of archaeology and Akimel O’odham (Pima) ethnography. They also offer never-before-published information on Theresa’s life after Frank’s death and her subsequent career as a professor of English literature and philosophy at Stanford University. In 1906 Theresa Russell published In Pursuit of a Graveyard: Being the Trail of an Archaeological Wedding Journey, a twelve-part serial in Out West magazine. Theresa’s articles constituted an experiential narrative based on field journals and remembrances of life in the northern Southwest. The work offers both a biography and a seasonal field narrative that emphasized personal experiences rather than traditional scientific field notes. Included in A Marriage Out West, Theresa’s writing provides an invaluable participant’s perspective of early 1900s American archaeology and ethnography and life out West.

Vita Sackville-West, novelist, poet, and biographer, is best known as the friend of Virginia Woolf, who transformed her into an androgynous time-traveler in Orlando. The story of her love affair with Violet Keppel Trefusis in 1920 is one of intrigue and bewilderment. In Portrait of a Marriage, Nigel Nicolson combines his mother's vivid memoir of escapade with what he learned from copious family letters and explains the context of this romantic crisis. He also describes how Vita Sackville-West and Harold Nicolson went on to live the rest of their lives in harmonious marriage.

"A sparkling debut novel...a bittersweet tale about love, marriage, and the perils of fame." —People Julia and Joe Ferraro are living the good life in Manhattan now that Joe’s finally made it; he’s the star of a hit TV show and has just been nominated for a Golden Globe. Even better, Julia and Joe are still madly in love. Or so Julia thinks until the fateful evening when she accidentally hears a voice mail on Joe’s phone—a message left by a woman who is clearly more than a friend. Suddenly Julia is in a tailspin, compulsively checking Joe’s messages, stalking him in cyberspace, and showing up unannounced on his sets, wondering all along if she should confront him. Julia’s search forces her to consider the possibility that in the long process of helping Joe become something, she has become a bit of a “nothing,” as her daughter once described her to her class on career day. When Julia and Joe first met, she was an edgy East Village girl who wrote music reviews for the Village Voice and threw famed parties in a gritty downtown loft with her friends. But after Joe won her heart, she settled into doting motherhood and a new life of comfy clothes and parenting associations. Now, faced with the looming awards show and the possibility of a destroyed marriage, Julia embarks on an accelerated self-improvement routine of Botox, hair extensions, and erotically charged shrink sessions while dodging the sancti-mommies who lie in wait for her at her son’s preschool each day. A unique take on the perennially popular issue of women trying not to lose themselves in matrimony and motherhood, Outtakes from a Marriage is expertly and humorously set against the Manhattan preschool mafia, the Hollywood machine, and the ticking clock of a waiting red carpet. "How does a free spirit turned wife and mother cope with her actor husband's infidelity?...With tears, irreverent humor and, ultimately, a reaffirmed sense of self...A witty take on marital survival in Manhattan—with heart." —Kirkus Reviews (starred review)

In Marriage, Violence and the Nation in the American Literary West, William R. Handley examines literary interpretations of the Western American past. Handley argues that although scholarship provides a narrative of western history that counters optimistic story of frontier individualism by focusing on the victims of conquest, twentieth-century American fiction tells a different story of intra-ethnic violence surrounding marriages and families. He examines works of historiography,as well as writing by Zane Grey, Willa Cather, Wallace Stegner and Joan Didion among others, to argue that these works highlight white Americans' anxiety about what happens to American 'character' when domestic enemies such as Indians and Mormon polygamists, against whom the nation had defined itself in the nineteenth century, no longer threaten its homes. Handley explains that once its enemies are gone, imperialism brings violence home in retrospective narratives that allegorise national pasts and futures through intimate relationships.

Mattie Spenser and her new husband Luke start off to the west. As they live their life Mattie keeps a journal of the joys and frustrations of frontier life and marriage.