A New York Times Best Seller An Indiebound Best Seller A Kids' Next Top Ten Book A Summer/Fall 2014 Indies Introduce New Voices SelectionA Junior Library Guild Selection One of Publishers Weekly’s Best Summer Reads “Not since Philip Pullman's The Golden Compass have I seen such an original and compelling world built inside a book.”—Megan Whalen Turner, New York Times best-selling author of A Conspiracy of Kings She has only seen the world through maps. She had no idea they were so dangerous. Boston, 1891. Sophia Tims comes from a family of explorers and cartologers who, for generations, have been traveling and mapping the New World—a world changed by the Great Disruption of 1799, when all the continents were flung into different time periods. Eight years ago, her parents left her with her uncle Shadrack, the foremost cartologer in Boston, and went on an urgent mission. They never returned. Life with her brilliant, absent-minded, adored uncle has taught Sophia to take care of herself. Then Shadrack is kidnapped. And Sophia, who has rarely been outside of Boston, is the only one who can search for him. Together with Theo, a refugee from the West, she travels over rough terrain and uncharted ocean, encounters pirates and traders, and relies on a combination of Shadrack’s maps, common sense, and her own slantwise powers of observation. But even as Sophia and Theo try to save Shadrack’s life, they are in danger of losing their own. The Glass Sentence plunges readers into a time and place they will not want to leave, and introduces them to a heroine and hero they will take to their hearts. It is a remarkable debut. “I think The Glass Sentence is absolutely marvelous. It’s the best book I’ve read in a long time. The world-building is so convincing, the plot so fast-moving and often surprising, and the ideas behind the novel so completely original. I love this book.”—Nancy Farmer, National Book Award-winning author of The House of the Scorpion “I loved it! So imaginative!”—Nancy Pearl “An exuberantly imagined cascade of unexplored worlds, inscribed in prose and detail as exquisite as the ... maps young Sophia uses to navigate such unpredictable landscapes. A book like a pirate's treasure hoard for map lovers like me."—Elizabeth Wein, New York Times best-selling author of Code Name Verity “Brilliant in concept, breathtaking in scale and stellar in its worldbuilding; this is a world never before seen in fiction . . . Wholly original and marvelous beyond compare.”—Kirkus Reviews, starred review “A thrilling, time-bending debut . . . It’s a cracking adventure, and Grove bolsters the action with commentary on xenophobia and government for hire, as well as a fascinating system of map magic.”—Publishers Weekly, starred review

This collection ranges far and wide, as befits the personality and accomplishments of the dedicatee, Geoffrey V. Davis, German studies and exile literature scholar, postcolonialist (if there are ‘specialties’, then Australia, Canada, India, South Africa, Black Britain), journal and book series editor.... The volume opens with essays on cultural theory and practice, proceeds to close analyses of ‘settler colony’ texts from Canada, India, Australia, and New Zealand (drama, fiction, and poetry) as well as Pacific drama and Canadian indigeneity, thence ‘homeward’ to the UK (black drama, Scottish fiction, the music of Morrissey) and to German themes (exile literature; fictions about Hitler). Because Geoff’s commitment to literature has always been ‘hands-on’, the book closes with a selection of poems and experimental prose. Writers discussed include Carmen Aguirre, Hany Abu-Assad, Beryl Bainbridge, Albert Belz, Peter Bland, Peter Carey, Lynda Chanwai–Earle, Kamala Das, Robert Drewe, Éric Emmanuel–Schmitt, Toa Fraser, Stephen Fry, Dianna Fuemana, Mavis Gallant, Alasdair Gray, Xavier Her¬bert, Janette Turner Hospital, Elizabeth Jolley, Wendy Lill, Varanasi Nagalakshmi, Arundhati Roy, Daniel Sloate, Drew Hayden Taylor, Jane Urquhart, Roy Williams, and Arnold Zweig.

"This volume was inspired by the 48th Conference of Professors of English at the University of Orleans (May 16-18, 2008)."

Jane Urquhart’s stunning new novel weaves two parallel stories, one set in contemporary Toronto and Prince Edward County, Ontario, the other in the nineteenth century on the northern shores of Lake Ontario. Sylvia Bradley was rescued from her parents’ house by a doctor attracted to and challenged by her withdrawn ways. Their subsequent marriage has nourished her, but ultimately her husband’s care has formed a kind of prison. When she meets Andrew Woodman, a historical geographer, her world changes. A year after Andrew’s death, Sylvia makes an unlikely connection with Jerome McNaughton, a young Toronto artist whose discovery of Andrew’s body on a small island at the mouth of the St. Lawrence River unlocks a secret in his own past. After Sylvia finds Jerome in Toronto, she shares with him the story of her unusual childhood and of her devastating and ecstatic affair with Andrew, a man whose life was irrevocably affected by the decisions of the past. At the breathtaking centre of the novel is the compelling tale of Andrew’s forebears. We meet his great-great-grandfather, Joseph Woodman, whose ambitions brought him from England to the northeastern shores of Lake Ontario, during the days of the flourishing timber and shipbuilding industries; Joseph’s practical, independent and isolated daughter, Annabel; and his son, Branwell, an innkeeper and a painter. It is Branwell’s eventual liaison with an orphaned French-Canadian woman that begins the family’s new generation and sets the stage for future events. A novel about loss and the transitory nature of place, A Map of Glass is vivid with evocative prose and haunting imagery—a lake of light on a wooden table; a hotel gradually buried by sand; a fully clothed man frozen in an iceberg; a blind woman tracing her fingers over a tactile map. Containing all of the elements for which Jane Urquhart’s writing is celebrated, it stands as her richest, most accomplished novel to date.