Few writers can create worlds so rich and fully-realized the reader immediately feels at home, even when the concepts have not yet been fully laid out. Fewer still can do so with language so rich and lyrical it is a joy to read, with details so rooted in the human experience that one cannot help but be absorbed into the story. Gabriel de Anda is such a writer. Whether delineating the struggles of a law firm dealing with the demands of an ex-partner --- about as ex as one can get --- or the dichotomy of rich and poor spreading out among the galaxies or even musing on the irrelevance of a classic icon which somehow makes it seem more relevant than ever de Anda nails it. Readers, you are in for a treat.

The ninth novel in the beloved Tales of the City series, Armistead Maupin’s best-selling San Francisco saga. 'Wonderful. . . . As compulsively readable and endearing as all the previous novels have been’ Booklist (starred review) ____________________ Now ninety-two, Mrs. Madrigal has seemingly found peace with her ‘logical family’ in San Francisco. Some members of that family are bound for the otherworldly landscape of Burning Man, the art community in Nevada’s Black Rock Desert but Anna has another destination in mind: a lonely stretch of road outside of Winnemucca where the 16-year-old boy she once was ran away from the whorehouse he called home. There she journeys into the dusty troubled heart of her Depression childhood to unearth a lifetime of secrets and dreams and attend to some unfinished business she has long avoided. Hurdling barriers both social and sexual, Maupin leads the eccentric tenants of Barbary Lane through heartbreak and triumph, through nail-biting terrors and gleeful coincidences in a sexually-liberated San Francisco. The result is a glittering and addictive comedy of manners that continues to beguile new generations of readers.